IMDb रेटिंग
7.2/10
3.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAs the US Army approaches Nazi Germany, they recruit German prisoners of war to spy behind German lines.As the US Army approaches Nazi Germany, they recruit German prisoners of war to spy behind German lines.As the US Army approaches Nazi Germany, they recruit German prisoners of war to spy behind German lines.
- 2 ऑस्कर के लिए नामांकित
- 1 जीत और कुल 4 नामांकन
Hildegard Knef
- Hilde
- (as Hildegarde Neff)
Wilfried Seyferth
- Heinz Scholtz - SS Man
- (as Wilfried Seyfert)
Robert Freitag
- Sgt. Paul Richter
- (as Robert Freytag)
Harold Benedict
- Lt. Pete Gevers
- (as H.L. Benedict S/Sgt. USAF)
H.W. Briggs
- Self
- (as H.W. Briggs Sgt. USA)
D.G. Devine
- Lt. Rennick's Driver
- (as D.G. Devine Cpl. USAF)
L.E. Dixon
- Self
- (as L.E. Dixon Maj. USA)
B.L. Hendrickson
- Self
- (as B.L. Hendrickson T/Sgt. USA)
फ़ीचर्ड समीक्षाएं
Those were the outcasts of WW2.German war prisoners who decided to rebel against their country.
Karl-aka "Happy" - agrees to become a spy in the "pay" of Americans at the end of WW2 in his country .A country in ruins.The "Third Reich " which should have lasted one thousand years was collapsing.Oskar Werner gives a restrained moving performance.If "underacting" has a meaning (not meant pejoratively) ,that's exactly what it is.He watches his country fall as if he does not belong there anymore.He meets people he used to know ,a girl (Knef) he could love (but he won't),but he knows from the start that wherever he goes,he is an outcast.His new "Friends" use him as a pawn in their game,and " his motherland will not cradle him anymore" .
Anatole Litvak,an European who used to work in France -where the first scenes take place- in the thirties (and later would in the fifties/sixties)knows what he is talking about.He joined the army during WW2;and "decision before dawn" was one of his finest achievements .
Like this? try this...
Vent d' Est Robert Enrico 1993
Karl-aka "Happy" - agrees to become a spy in the "pay" of Americans at the end of WW2 in his country .A country in ruins.The "Third Reich " which should have lasted one thousand years was collapsing.Oskar Werner gives a restrained moving performance.If "underacting" has a meaning (not meant pejoratively) ,that's exactly what it is.He watches his country fall as if he does not belong there anymore.He meets people he used to know ,a girl (Knef) he could love (but he won't),but he knows from the start that wherever he goes,he is an outcast.His new "Friends" use him as a pawn in their game,and " his motherland will not cradle him anymore" .
Anatole Litvak,an European who used to work in France -where the first scenes take place- in the thirties (and later would in the fifties/sixties)knows what he is talking about.He joined the army during WW2;and "decision before dawn" was one of his finest achievements .
Like this? try this...
Vent d' Est Robert Enrico 1993
10B24
Occasionally I rate a film high for personal and sentimental reasons. In this case I am compelled by objective facts to add in the light of greater perspective that I consider this one of the best war movies of all time.
In the first place, the acting is superb. The casting is flawless. The direction is taut, as is the editing. It is filmed in black and white, as it would have to be even today if someone wanted to try a remake. The locations and sets are authentic to a "T." The story itself follows faithfully the text of a book I read as a child (before I saw the film, in fact).
Moreover, I consider it an act of bravery on the part of the film's producers even to begin a project like this so soon after the end of World War II, when passions against the Germans were still running high and mere caricatures of that nation's common people remained the standard for the day (and for years to come).
Oskar Werner in the main role was a brilliant choice, and veterans Richard Basehart and Gary Merrill provide ample evidence that casting proceeded on a basis of resolute excellence and authenticity. I am still blown away by revisiting the "Romantic Road" in Germany and thinking how this movie defined and continued to define for me how recent and ancient history converged along that path.
I cannot praise it enough.
In the first place, the acting is superb. The casting is flawless. The direction is taut, as is the editing. It is filmed in black and white, as it would have to be even today if someone wanted to try a remake. The locations and sets are authentic to a "T." The story itself follows faithfully the text of a book I read as a child (before I saw the film, in fact).
Moreover, I consider it an act of bravery on the part of the film's producers even to begin a project like this so soon after the end of World War II, when passions against the Germans were still running high and mere caricatures of that nation's common people remained the standard for the day (and for years to come).
Oskar Werner in the main role was a brilliant choice, and veterans Richard Basehart and Gary Merrill provide ample evidence that casting proceeded on a basis of resolute excellence and authenticity. I am still blown away by revisiting the "Romantic Road" in Germany and thinking how this movie defined and continued to define for me how recent and ancient history converged along that path.
I cannot praise it enough.
The movie puts you in WWII's closing days as you watch an idealistic young German Army medic become a traitor to his country by working as a spy in order to let the war end quickly and let peace return. The movie extras are former German soldiers, and you can tell by how they wear their "rag tag" uniforms and bark out commands in German. The scenes are superb. Bombed out areas of Germany were used, and one scene in a bombed out theater is especially great. You hear the falling glass and metal structures as the Gestopo search for the soldier. It is simply a very entertaining movie that lets one ponder: What would I have done if I were in his place?
Having served in the US Army-Europe in Germany it was easy to see that this work was an accurate depiction of the world as Germans saw it in those years. Going to the IMDb database confirmed that it was filmed in Wurzberg, a city I visited many times. One can not help but wonder what memories and nightmares came back to life for the German people in this movie, or the ones who viewed it, or even witnessed the movie being made. The film is so very realistic in script, acting, and setting that some must have almost thought WWII was alive again. For those that lived through WWII in that country it must have seemed as if those days were repeating themselves. Every detail of this movie is accurate as far as I could tell. It does not employ overused stereotypes, no action heroes, no earth shaking grand and glorious finale, it simply depicts a period of time in all its' tragedy and irony in a most realistic manner. This work deserves more praise and exposure than it has received. A must see for every WWII researcher and historian.
I have seen this film on cable several times. Some of the scenes that are supposed to be in Wurzburg are actually in Munich. The chase scene in the rubble towards the end of the film was near the old Bavarian "Rezidence" or Royal palace that the Wittelsbach family lived in near the old town area of Munich. I recognized the Kriegsmuseum building which is now the seat of the Bavarian state government. Other than that I really enjoyed the film. Having read countless stories about the demise of the once mighty Wehrmacht this film was, to me, accurate in its portrayal of soldiers beaten down and waiting for the inevitable end. Werner has been one of my favorite actors. His performances in "The Spy who came in from the Cold", "Fahrenheit 451" are very good.
क्या आपको पता है
- ट्रिवियाOne of the first films after World War II to portray the German people--outside of the Nazi regime--in a sympathetic light.
- गूफ़Karl is mistakenly called a corporal. The Luftwaffe uniform that he wears both in the US POW cage and while back in Germany has the rank insignia of an "Obergefreiter", specifically three winged emblems on the collar patches, plain shoulder straps and two chevrons on his left sleeve. Also when the list is checked for his name at the bridge the rank is written down as 'Gfr' (gefreiter) The ranks of Gefreiter, Obergefreiter and Stabsgefreiter (all which were partially identified by chevrons on the sleeve) were not NCOs and had no command authority over other soldiers. They were simply grades of seniority and would be more equivalent to Private First Class (PFC) in the US military. The German rank that is the closest equivalent to Corporal is Unteroffizer. Also, Karl is wearing the medical badge on his right sleeve; Luftwaffe enlisted medical personnel wore the badge on the left sleeve, while Wehrmacht (army) wore it on the right.
- भाव
Lt. Dick Rennick: [Intro narration] Of all the questions left unanswered by the last war, and probably any war, one comes back constantly to my mind. Why does a spy risk his life... for what possible reason? If the spy wins, he's ignored. If he loses, he's shot.
- कनेक्शनReferenced in That Girl: Decision Before Dawn (1968)
- साउंडट्रैकAch, wie ist' möglich dann (Treue Liebe)
(uncredited)
Written by Friedrich Kücken (1827)
टॉप पसंद
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- How long is Decision Before Dawn?Alexa द्वारा संचालित
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