अपनी भाषा में प्लॉट जोड़ेंAn alien lands in Washington, D.C. and tells the people of Earth that they must live peacefully or be destroyed as a danger to other planets.An alien lands in Washington, D.C. and tells the people of Earth that they must live peacefully or be destroyed as a danger to other planets.An alien lands in Washington, D.C. and tells the people of Earth that they must live peacefully or be destroyed as a danger to other planets.
- पुरस्कार
- 3 जीत और कुल 1 नामांकन
Patrick Aherne
- General at Pentagon
- (बिना क्रेडिट के)
Larry Arnold
- Scientific Delegate
- (बिना क्रेडिट के)
Walter Bacon
- Sightseer at Spaceship
- (बिना क्रेडिट के)
Rama Bai
- Scientific Delegate
- (बिना क्रेडिट के)
Oscar Blank
- Peddler
- (बिना क्रेडिट के)
Marshall Bradford
- Chief of Staff
- (बिना क्रेडिट के)
Chet Brandenburg
- Farmer
- (बिना क्रेडिट के)
John Brown
- George Barley
- (बिना क्रेडिट के)
John Burton
- British Radio Announcer
- (बिना क्रेडिट के)
Wheaton Chambers
- Mr. Bleeker
- (बिना क्रेडिट के)
Spencer Chan
- Scientific Delegate
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
I love a good sci-fi movie as much as the next person, and I do have some favourites of the genre, Alien, Blade Runner, Empire Strikes Back, Metropolis and 2001:A Space Odyssey are wonderful movies, and like The Day the Earth Stood Still they not only have an influence on other movies of the genre and in general but also timeless classics in many more ways than one. The Day The Earth Stood Still has been a favourite since I first saw it and I still at 18 hold it in great regard. It still looks wonderful for its time, the effects and designs are wonderfully composed if purposefully simple and the cinematography is exemplary. Bernard Hermann's score is tense and wondrous, the script is deft, Robert Wise's direction is superb and while it has some solemn philosophical aspects and some heavy-handed symbolism neither of which are flaws in any way the story is compelling from start to finish. The acting is also impressive, Lock Martin is good as giant Gort but the real revelation is Michael Rennie's authoritative, dignified and sympathetic Klatu. Overall, a sci-fi masterpiece. 10/10 Bethany Cox
"Klaatu barada nikto!"
When it comes to the Sci-Fi sub-genre of "Alien Visitation" flicks, I honestly don't think that they get much more intelligent and thought-provoking as this sparkling gem from 1951.
If there are other such "Alien Visitation" flicks out there that do promote this satisfying level of genuine intelligence in their stories, then I would sure like to hear about them. (Please feel free to message me with their titles)
Impressively directed by Robert Wise, The Day The Earth Stood Still (TDTESS) actually did manage to deliver quite a seamless and evocative blend of the ordinary melded very nicely with the fantastic.
This is the sort of motion picture that really gives the viewer the pleasant opportunity of actually getting to know (and, maybe, even like) its characters.
Even the 10 year-old kid, Bobby Benson, was a likable sort. And, believe me, I usually loathe kids in movies. They almost never fail to be totally irksome and nothing but spoiled, little, snot-nosed brats.
Yet, here in TDTESS, the young Billy Gray's portrayal of Bobby was very much like a literal breath of fresh air. This youthful, wide-eyed actor really seemed to understand his character and make him interesting.
Anyways - Traveling at warp-speed (that's 4000 mph.) and taking a 5-month, 250 million mile journey to get here, TDTESS's story has Klaatu, the very distinguished and cool-headed alien, arriving in Washington, DC in order to deliver his dire, top-priority message to all of us naughty-naughty Earthlings.
After being observed for many years by other outer-planetary civilizations, it has been determined that (through the discovery of atomic power) we Earthlings, with our unbridled destructiveness, have become a very-very serious threat to the overall peace and security of the other planets which exist in this endlessly vast universe.
Klaatu must now address all nations of the Earth and somehow convince one and all to cease with these violent ways, or else face some mighty devastating consequences.
You can bet that if Klaatu's firm words of warning can't induce us Earthlings to reconsider our ways, then, believe me, Gort, the all-powerful robot, definitely has his own special brand of persuasion that doesn't take "No" for an answer.
Trust me - In spite of its flaws, TDTESS is, without question, a classic Sci-Fi/Thriller that's really worth its weight in gold.
And "Klaatu barada nikto!" to you, too!
P.S. - This film's 2008 remake was an absolutely despicable desecration of the highest order.
When it comes to the Sci-Fi sub-genre of "Alien Visitation" flicks, I honestly don't think that they get much more intelligent and thought-provoking as this sparkling gem from 1951.
If there are other such "Alien Visitation" flicks out there that do promote this satisfying level of genuine intelligence in their stories, then I would sure like to hear about them. (Please feel free to message me with their titles)
Impressively directed by Robert Wise, The Day The Earth Stood Still (TDTESS) actually did manage to deliver quite a seamless and evocative blend of the ordinary melded very nicely with the fantastic.
This is the sort of motion picture that really gives the viewer the pleasant opportunity of actually getting to know (and, maybe, even like) its characters.
Even the 10 year-old kid, Bobby Benson, was a likable sort. And, believe me, I usually loathe kids in movies. They almost never fail to be totally irksome and nothing but spoiled, little, snot-nosed brats.
Yet, here in TDTESS, the young Billy Gray's portrayal of Bobby was very much like a literal breath of fresh air. This youthful, wide-eyed actor really seemed to understand his character and make him interesting.
Anyways - Traveling at warp-speed (that's 4000 mph.) and taking a 5-month, 250 million mile journey to get here, TDTESS's story has Klaatu, the very distinguished and cool-headed alien, arriving in Washington, DC in order to deliver his dire, top-priority message to all of us naughty-naughty Earthlings.
After being observed for many years by other outer-planetary civilizations, it has been determined that (through the discovery of atomic power) we Earthlings, with our unbridled destructiveness, have become a very-very serious threat to the overall peace and security of the other planets which exist in this endlessly vast universe.
Klaatu must now address all nations of the Earth and somehow convince one and all to cease with these violent ways, or else face some mighty devastating consequences.
You can bet that if Klaatu's firm words of warning can't induce us Earthlings to reconsider our ways, then, believe me, Gort, the all-powerful robot, definitely has his own special brand of persuasion that doesn't take "No" for an answer.
Trust me - In spite of its flaws, TDTESS is, without question, a classic Sci-Fi/Thriller that's really worth its weight in gold.
And "Klaatu barada nikto!" to you, too!
P.S. - This film's 2008 remake was an absolutely despicable desecration of the highest order.
Interesting both in itself and as a reflection of its era, "The Day the Earth Stood Still" may seem unspectacular now to those who are used to the extravagant science fiction pictures of the present time, but it deserves its place as a cinema classic. The story is worthwhile in itself, and as soon as you set aside any preconceptions about what science fiction should involve, it also builds up some pretty good drama and suspense. Its perspective is also interesting to see as a reflection of the concerns of its era, which have such obvious similarities with those of the present.
The story itself sometimes moves rather slowly, and the focus is really more on the reactions to Klaatu's arrival than on the action itself. As Klaatu, Michael Rennie stays pretty low-key, as does the rest of the cast much of the time. Although there are times when the movie might lack some energy as a result, in general it probably works better that way than it would have if there were too much forced emphasis on the urgency of Klaatu's mission, which is more than able to speak for itself. The ideas behind the story are fairly simple, but they are, of course, just as significant now (or in practically any other era) as they were in the 1950's.
The story itself sometimes moves rather slowly, and the focus is really more on the reactions to Klaatu's arrival than on the action itself. As Klaatu, Michael Rennie stays pretty low-key, as does the rest of the cast much of the time. Although there are times when the movie might lack some energy as a result, in general it probably works better that way than it would have if there were too much forced emphasis on the urgency of Klaatu's mission, which is more than able to speak for itself. The ideas behind the story are fairly simple, but they are, of course, just as significant now (or in practically any other era) as they were in the 1950's.
When I first saw this movie (on television circa 1957)I was just a young child four years of age. I remember sitting on my father's lap and watched the whole thing through my fingers as I held my hands over my eyes for protection (yeah...right!). Gort and Klaatu were magnificent space travelers...and with a message of peace during a time that the Soviets and U.S. were deep into the 'cold war'. Very timely! Very scary! It spooked me then and I still get a chill watching the movie today. But, it's one of the classics that will live on forever! It's message is as meaningful today as it was back in the 50's. Maybe we should all watch it again and take notes.........
10Snootz
Up-front: anyone who low-rated this does not understand what science fiction is about, at all. To those who judged this harshly: You can go back to watching Transformers; you're in the wrong theater. Such people should be tied to the back side of a Bantha with tummy problems. ;D
Okay, on to the serious review: Who doesn't recognize the term "Gort, Klaatu barada nicto"? This film set the bar for so many films to come, in an age when monsters were a guy in a gorilla suit and a space helmet, giant ants were terrorizing a city, and another guy in a rubber suit was stomping on a miniature Tokyo. Among that, we suddenly find a movie with actual meaning, a moral, a great plot and story-line, decent acting, an honest-to-goodness valid warning-- and one of the best robot presentations EVER.
Was it perfect? No. I don't know as I've ever seen a perfect film. Were there flaws? Sure. What do people expect? It's the overall cinematic presentation that is the thing here-- the experience of a movie capturing the audience and making them say, "Wow". Relatively few films have accomplished that over the decades. This film did.
The special effects for that day were superb. The modern-day remake didn't come close to the quality of this 1951 film. The story has stood the test of time and is even more applicable today that it was back then (only now we can add the destruction of our own world to the mix).
This movie is as close to pristine as a movie can get (for that day) , and proudly takes its place among non-sci-fi classics-- and even sci fi classics that came later. Had the HUGO awards existed in '51 I have no doubt this film would have taken top slot.
Okay, on to the serious review: Who doesn't recognize the term "Gort, Klaatu barada nicto"? This film set the bar for so many films to come, in an age when monsters were a guy in a gorilla suit and a space helmet, giant ants were terrorizing a city, and another guy in a rubber suit was stomping on a miniature Tokyo. Among that, we suddenly find a movie with actual meaning, a moral, a great plot and story-line, decent acting, an honest-to-goodness valid warning-- and one of the best robot presentations EVER.
Was it perfect? No. I don't know as I've ever seen a perfect film. Were there flaws? Sure. What do people expect? It's the overall cinematic presentation that is the thing here-- the experience of a movie capturing the audience and making them say, "Wow". Relatively few films have accomplished that over the decades. This film did.
The special effects for that day were superb. The modern-day remake didn't come close to the quality of this 1951 film. The story has stood the test of time and is even more applicable today that it was back then (only now we can add the destruction of our own world to the mix).
This movie is as close to pristine as a movie can get (for that day) , and proudly takes its place among non-sci-fi classics-- and even sci fi classics that came later. Had the HUGO awards existed in '51 I have no doubt this film would have taken top slot.
क्या आपको पता है
- ट्रिवियाLock Martin, the doorman at Grauman's Chinese Theater, was cast because of his nearly seven-foot height; however, he was not a physically strong man and could not actually carry Patricia Neal, so he had to be aided by wires (in shots from the back where he's carrying her (actually a lightweight dummy in his arms). He also had difficulty with the heavy Gort suit and could only stay in it for about a half hour at a time.
- गूफ़Klaatu arranges to have the electromagnetic fields neutralized from 12.00 pm to 12:30 pm EST, yet it is clearly broad daylight in every country in which people are struggling with inoperative devices. In Asia and the Middle East, it should've been nightfall during this time frame.
- क्रेज़ी क्रेडिटElmer Davis, H.V. Kaltenborn, and Drew Pearson identify themselves when they appear on screen. Radio personality Gabriel Heatter is identified by an announcer.
- कनेक्शनEdited into The Giant Claw (1957)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- El día que paralizaron la Tierra
- फ़िल्माने की जगहें
- The Ellipse, National Mall, वॉशिंगटन, कोलंबिया का ज़िला, संयुक्त राज्य अमेरिका(landing of the flying suacer on the oval)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $12,00,000(अनुमानित)
- दुनिया भर में सकल
- $651
- चलने की अवधि1 घंटा 32 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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