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Chicago Calling

  • 1951
  • 1 घं 15 मि
IMDb रेटिंग
7.1/10
382
आपकी रेटिंग
Dan Duryea, Mary Anderson, Judith Trafford, Melinda Casey, Ross Elliott, and Gordon Gebert in Chicago Calling (1951)
फ़िल्म नोयरड्रामाथ्रिलर

अपनी भाषा में प्लॉट जोड़ेंA poor father makes monumental efforts to get money to keep his phone installed, so he can get word on his critically injured little daughter.A poor father makes monumental efforts to get money to keep his phone installed, so he can get word on his critically injured little daughter.A poor father makes monumental efforts to get money to keep his phone installed, so he can get word on his critically injured little daughter.

  • निर्देशक
    • John Reinhardt
  • लेखक
    • John Reinhardt
    • Peter Berneis
  • स्टार
    • Dan Duryea
    • Mary Anderson
    • Gordon Gebert
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.1/10
    382
    आपकी रेटिंग
    • निर्देशक
      • John Reinhardt
    • लेखक
      • John Reinhardt
      • Peter Berneis
    • स्टार
      • Dan Duryea
      • Mary Anderson
      • Gordon Gebert
    • 13यूज़र समीक्षाएं
    • 9आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो8

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 2
    पोस्टर देखें

    टॉप कलाकार28

    बदलाव करें
    Dan Duryea
    Dan Duryea
    • William R. Cannon
    Mary Anderson
    Mary Anderson
    • Mary Cannon
    Gordon Gebert
    Gordon Gebert
    • Bobby
    Ross Elliott
    Ross Elliott
    • Jim
    Melinda Casey
    • Nancy Cannon
    • (as Melinda Plowman)
    Judith Trafford
    • Barbara 'Babs' Kimball
    • (as Judy Brubaker)
    Marcia Mae Jones
    Marcia Mae Jones
    • Peggy
    • (as Marsha Jones)
    Roy Engel
    Roy Engel
    • Pete
    Dick Curtis
    Dick Curtis
    • Road Gang Foreman
    • (बिना क्रेडिट के)
    Bob Fallon
    • Art
    • (बिना क्रेडिट के)
    Norman Field
    • Railroad Switchman
    • (बिना क्रेडिट के)
    Charles Flynn
    • Plainsclothesman
    • (बिना क्रेडिट के)
    Roy Glenn
    Roy Glenn
    • Shoeshine Man
    • (बिना क्रेडिट के)
    Bernard Gorcey
    Bernard Gorcey
    • Minor Role
    • (बिना क्रेडिट के)
    Jean Harvey
    • Christine
    • (बिना क्रेडिट के)
    Billy Lechner
    • Friendly Finance Man
    • (बिना क्रेडिट के)
    Grace Loman
    • Housewife
    • (बिना क्रेडिट के)
    Jack Low
    • Baseball Fan
    • (बिना क्रेडिट के)
    • निर्देशक
      • John Reinhardt
    • लेखक
      • John Reinhardt
      • Peter Berneis
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं13

    7.1382
    1
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    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    9alonzoiii-1

    Brilliant Non-Noir Featuring Excellent Duryea Performance

    Dan Duryea needs $52.00 to get his phone turned back on, to hear about his daughter, injured in an accident. When it is CHICAGO, CALLING on his phone, will Dan hear what happened to his wife and child, or is Duryea just as doomed to misery as any other noir protagonist.

    It seems like every b&w movie made circa 1950 that doesn't have Abbott and Costello or Martin & Lewis gets labeled a noir by somebody. In this case -- the label is simply wrong, as there is no real crime, or fatalistic resignation to fate. Instead, this is a character study in which Duryea has what, one hopes, is the worst week of his life. Fate and surprises do play a role, but chance in this one flings both good and bad surprises, and provide hope and despair. There are some really lousy people, but good ones too.

    Duryea, himself, plays a well-rounded character, who really is the author of his current despair, but also the author of the circumstances that might just bring about his own redemption. And Duryea, given a truly good role, responds with the sort of subtle, well-rounded performance that is supposed to earn an actor an Oscar. No such luck, alas -- the independent film that played the art houses had not been invented yet, and this out of step cheaply made story of the downwardly mobile was not the sort that got bookings -- even as the second part of a double feature.

    This film is sort of semi-rediscovered. Film blogs have noticed it. IMDb rates it highly. There is a DVD, I believe. But I wonder if it will ever get the respect it deserves. The director made a few cheap noirs for Monogram, and not much else. Duryea is respected as an actor, but beloved for his villainy in westerns and noirs, rather than his occasional star turns, in which his flawed heroes suffer for their flaws. This is a brilliant film. But it does not fit a category, and its world view is perhaps not as bleak as intellectual fashion would prefer.

    So, find this movie and see it. And spread the word. While the cinematic and critical sins of 1951 cannot be fixed, our view of the past and what it has to offer us can always evolve.
    8clore_2

    Don't hang up on Duryea

    This was a nice little film. Duryea played the average man here, a bit down on his luck as we first see him, a point emphasized by the stairway that we see him descending in the Bunker Hill section of Los Angeles en route home. His wife is about to leave him since he's chronically unemployed, and says she's going to take their daughter with her.

    This happens the next day and then he later gets a telegram stating that his daughter was injured in a car accident and is about to undergo surgery. He'll supposedly get the details the next day via a phone call. But that's just it - his day started out bad, and only got worse as the phone company terminated his service and if that isn't bad enough, his dog is also injured in an accident while he's out trying to scrounge up money to pay the bill so he can get the call the next day.

    It reminded me of Loretta Young's "Cause For Alarm" in which we follow the protagonist through an agonizing day, in her case she was trying to retrieve an incriminating letter. It may have been sunny in each film, but the characters are having one very dark day.

    "Chicago Calling" may be the title, but what we get is the lower environs of Los Angeles in all of its seediness. But still some helpful characters emerge, such as a counter-woman who must have seen The Grapes of Wrath and has a soft spot for Duryea's woe, and a young boy, the one whose bicycle hits Duryea's dog. The boy's "help" only compounds Duryea's problems, but he meant well.

    A very nice job on a low budget, the director John Reinhardt died the next year, but based on this and "Open Secret" - another budget job that had antisemitism in its sights, he had a lot of promise that might have been fulfilled had he gotten the breaks.
    8StephanieGBU

    I give 7.5 for Dan Duryea

    I wrote my review and then it didn't "submit' so I lost it. I am going to attempt writing it again because I really stand by what I wrote.

    Firstly, as far as this type of noir -- they are often stressful and bad news every turn -- Chicago Calling has ups and downs along the way. So it was far less mundane as similar style noirs. An overall good story.

    I always knew Duryea was a wonderful actor, but many films I have seen him in were smaller roles or as one of his slimy heavies. So to see this performance, playing in the sole star role and as a caring and kind fatherly figure, was very believable and moving.

    The story moves along with good acting, and appropriate scene lengths, timing, settings, relevance, and fine acting all around. The kids held their own with the adults, particularly Gordon Gebert as Bobby.
    Pepito-5

    A movie I never forgot.

    This is a movie I never forgot, nor the actor Dan Duryea. Every time I see Dan Duryea in a movie, I always remember the movie "Chicago Calling". If I remember correctly, I first saw the movie in the late 50's; and being ten or eleven years old, was very sad to see a father trying so hard to get his phone back on so as to be able to get word from his wife, that she and their son were going to be okay after a car accident. The accident with the little dog made it even sadder. It's nice to know, though, that there are good people working for the telephone company, as was the character that played the part of the telephone man sent to disconnect the phone, but is nice enough to make sure a man waiting for a call from a loved one that was involved in an accident, is given an an opportunity to connect and not be disconnected, like what happens to many of us when we are late in paying our telephone bill. Gee, I really would like to see this movie again.
    9skyotter

    "Chicago Calling" left a lasting impression on me.

    I saw "Chicago Calling" sometime in the 1950's. I was a kid at the time. I have seen this movie only that one time; it left an indelible impression on me. I really FELT for this man who was waiting for a phone call to find out the status of his wife and child -- who were in a car accident. Whenever I hear the name of the actor, Dan Duryea, I recall his amazing, heart-wrenching performance in this film. And I remember the ANXIETY Duryea's character endured; that his telephone -- while waiting for this crucial call -- was going to be disconnected for non-payment. Since that first and only time of seeing this movie, I have had a desire to see it again -- as an adult. I'm curious to see if it will still affect me so strongly. Fifty years of living since seeing it -- no doubt -- will make it a different viewing experience. It's been a few years since I checked to see if it's available now in any format. I hope it will someday be available . . . HOLD THAT THOUGHT! I just Googled it and see that it IS now available in VHS or DVD format!!! WOW! I am going to order it as soon as I post this message! I'm very excited about this! I'm not kidding. This is a sincere post!

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    कहानी

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    • कनेक्शन
      Featured in John Reinhardt: Direction Without Borders (2022)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
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    बदलाव करें
    • रिलीज़ की तारीख़
      • 11 जनवरी 1952 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Chicago Calling!
    • फ़िल्माने की जगहें
      • Motion Picture Center Studios, हॉलीवुड, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Studio)
    • उत्पादन कंपनी
      • Arrowhead Pictures
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 15 मि(75 min)
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

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