Chicago Calling

I saw "Chicago Calling" sometime in the 1950's. I was a kid at the time. I have seen this movie only that one time; it left an indelible impression on me. I really FELT for this man who was waiting for a phone call to find out the status of his wife and child -- who were in a car accident. Whenever I hear the name of the actor, Dan Duryea, I recall his amazing, heart-wrenching performance in this film. And I remember the ANXIETY Duryea's character endured; that his telephone -- while waiting for this crucial call -- was going to be disconnected for non-payment. Since that first and only time of seeing this movie, I have had a desire to see it again -- as an adult. I'm curious to see if it will still affect me so strongly. Fifty years of living since seeing it -- no doubt -- will make it a different viewing experience. It's been a few years since I checked to see if it's available now in any format. I hope it will someday be available . . . HOLD THAT THOUGHT! I just Googled it and see that it IS now available in VHS or DVD format!!! WOW! I am going to order it as soon as I post this message! I'm very excited about this! I'm not kidding. This is a sincere post!

I wrote my review and then it didn't "submit' so I lost it. I am going to attempt writing it again because I really stand by what I wrote.

Firstly, as far as this type of noir -- they are often stressful and bad news every turn -- Chicago Calling has ups and downs along the way. So it was far less mundane as similar style noirs. An overall good story.

I always knew Duryea was a wonderful actor, but many films I have seen him in were smaller roles or as one of his slimy heavies. So to see this performance, playing in the sole star role and as a caring and kind fatherly figure, was very believable and moving.

The story moves along with good acting, and appropriate scene lengths, timing, settings, relevance, and fine acting all around. The kids held their own with the adults, particularly Gordon Gebert as Bobby.

This was a nice little film. Duryea played the average man here, a bit down on his luck as we first see him, a point emphasized by the stairway that we see him descending in the Bunker Hill section of Los Angeles en route home. His wife is about to leave him since he's chronically unemployed, and says she's going to take their daughter with her.

This happens the next day and then he later gets a telegram stating that his daughter was injured in a car accident and is about to undergo surgery. He'll supposedly get the details the next day via a phone call. But that's just it - his day started out bad, and only got worse as the phone company terminated his service and if that isn't bad enough, his dog is also injured in an accident while he's out trying to scrounge up money to pay the bill so he can get the call the next day.

It reminded me of Loretta Young's "Cause For Alarm" in which we follow the protagonist through an agonizing day, in her case she was trying to retrieve an incriminating letter. It may have been sunny in each film, but the characters are having one very dark day.

"Chicago Calling" may be the title, but what we get is the lower environs of Los Angeles in all of its seediness. But still some helpful characters emerge, such as a counter-woman who must have seen The Grapes of Wrath and has a soft spot for Duryea's woe, and a young boy, the one whose bicycle hits Duryea's dog. The boy's "help" only compounds Duryea's problems, but he meant well.

A very nice job on a low budget, the director John Reinhardt died the next year, but based on this and "Open Secret" - another budget job that had antisemitism in its sights, he had a lot of promise that might have been fulfilled had he gotten the breaks.

The feature CHICAGO CALLING is a great example of two things, first it is a fine independent feature shot on location with a realistic, gritty feel and believable characters.

Secondly, it's a brand new film print made in our film lab on the third floor from the original picture and sound nitrate negatives also stored in this building and an excellent example of what film preservation is all about. Saving the forgotten films, the orphans if you will. These neglected films have good stories and need to be seen on the big screen with an audience.

And tonight, is extra special for another reason: in our audience is one of the stars of this 1952 feature film, Gordon Gebert (pronounced Gee- burt) who played the young boy that befriends the lead actor played by Dan Duryea.

Gordon would you please stand up so these fine folks can give you a hand?

Since we have Gordon Gebert here in person, I'm going to shorten my usual opening remarks so we can spend more time after the film talking with him about his amazing early career and what he is doing now days.

We invite you to stay a few minutes after the film, which is only 75 minutes long, and we'll play a short video showing Gordon with some of his other co-stars including: Loretta Young, Janet Leigh, Robert Mitchum, Burt Lancaster, Ray Milland, Paul Douglas and John Wayne.

Scenes from some of Gordon's 31 film and television appearances including: Come To The Stable; Holiday Affair; The Flame And The Arrow; Night Into Morning; Fourteen Hours; The House On Telegraph Hill; Flying Leathernecks and Narrow Margin.

Then we will chat with this former child star and you'll have a chance to ask him about his life in the movies who is now a professor of architecture at the City College of New York after getting degrees from both Princeton & MIT!

Now let's watch Chicago Calling

Prior to viewing Chicago Calling, I saw Dan Duryea in supporting roles in Woman in the Window, Scarlet Street, and Winchester '73 to name a few. Those were all unlikable villains with no redeemable qualities. With him as the star of Chicago Calling, I was skeptical if he could carry a film, particularly as a character I could sympathize with.

Duryea, however, proved he is far more dynamic than I previously thought. The premise is simple: a man who lost everything with only himself to blame needs money to receive a phone call that will tell him the condition of his daughter after a serious car accident. Duryea's character grieves, pities himself, and has periods of self-reflection all with compelling sincerity. Paired with him is the child actor Gordon Gebert, who has good chemistry acting alongside Duryea.

Chicago Calling will probably always remain an obscure film noir, but it is arguably the best of Duryea's career. I expected a typical film of the genre, and it exceeded my expectations. Duryea may not have the star power of Humphrey Bogart or Robert Mitchum, but do yourself a favor and watch a performance that greatly raised my opinion of him.