Chicago Calling

This was a nice little film. Duryea played the average man here, a bit down on his luck as we first see him, a point emphasized by the stairway that we see him descending in the Bunker Hill section of Los Angeles en route home. His wife is about to leave him since he's chronically unemployed, and says she's going to take their daughter with her.

This happens the next day and then he later gets a telegram stating that his daughter was injured in a car accident and is about to undergo surgery. He'll supposedly get the details the next day via a phone call. But that's just it - his day started out bad, and only got worse as the phone company terminated his service and if that isn't bad enough, his dog is also injured in an accident while he's out trying to scrounge up money to pay the bill so he can get the call the next day.

It reminded me of Loretta Young's "Cause For Alarm" in which we follow the protagonist through an agonizing day, in her case she was trying to retrieve an incriminating letter. It may have been sunny in each film, but the characters are having one very dark day.

"Chicago Calling" may be the title, but what we get is the lower environs of Los Angeles in all of its seediness. But still some helpful characters emerge, such as a counter-woman who must have seen The Grapes of Wrath and has a soft spot for Duryea's woe, and a young boy, the one whose bicycle hits Duryea's dog. The boy's "help" only compounds Duryea's problems, but he meant well.

A very nice job on a low budget, the director John Reinhardt died the next year, but based on this and "Open Secret" - another budget job that had antisemitism in its sights, he had a lot of promise that might have been fulfilled had he gotten the breaks.

I wrote my review and then it didn't "submit' so I lost it. I am going to attempt writing it again because I really stand by what I wrote.

Firstly, as far as this type of noir -- they are often stressful and bad news every turn -- Chicago Calling has ups and downs along the way. So it was far less mundane as similar style noirs. An overall good story.

I always knew Duryea was a wonderful actor, but many films I have seen him in were smaller roles or as one of his slimy heavies. So to see this performance, playing in the sole star role and as a caring and kind fatherly figure, was very believable and moving.

The story moves along with good acting, and appropriate scene lengths, timing, settings, relevance, and fine acting all around. The kids held their own with the adults, particularly Gordon Gebert as Bobby.

Dan Duryea gives a chilling performance in John Reinhardt's "Chicago Calling" as a man whose world has come crashing down around him. His desperation reels a number of people into his life as he tries to gather enough money to continue a call with his wife after learning that their daughter has been in a car crash. Among the film noir genre, this is not the most readily available movie, but that doesn't mean that you should blow off trying to see it. This is one of the most impressive movies that I've seen, and one of the most devastating. I don't know of any other movies that Reinhardt did, but if this is indication then he must have been a very good director.

More than anything, "Chicago Calling" shows why film noir was probably the best genre to arise in the post-war years. Gritty with minimal violence, chilling without being corny, and always thought-provoking. I've liked ever film noir that I've seen, and that includes this one. Really good.

This obscure super-low budget sleeper starts like a million b-movies with a small setback and a minor overreaction. However, as noir emeritus Dan Duryea slowly navigates the ensuing fall of dominoes and swirls and eddies of fate and temptation, CHICAGO CALLING gradually, inexorably pulls itself up by its boot gathers to become nothing less than one of the most touching takes on morality and desperation I've ever seen. It's going to be hard to find (not on DVD and rarely on TCM) but this startling, heartbreaking character study is a must see for any noirist. It's that good.

A lot of the credit must go to Dan Duryea. He so convincingly played such a long line of abusive creep boyfriends and irredeemably scummy thugs, one would have been tempted to take a swing at him on the street. In this case, however, Duryea is cast as the protagonist and it is a revelation. Given the chance to emote, Duryea reveals heretofore hidden depth of emotion and angst as he struggles to find his integrity and hope as the world falls down all around him. His performance is subtle and carefully modulated so that we are forced to wait a long time for the powerful payoff, which is his ultimate emotional reveal and Duryea's best moment in forty five years on film. The young boy also deserves a lot of credit... his unlikely friendship with Duryea is believable and powerful precisely because the boy's reactions make it so. There is almost a BICYCLE THIEF quality to their relationship, and Duryea's transformation is beautifully motivated (and tested) by the boy. I defy you not to tear up at the boy's train yard scene at the end.

The Bunker Hill location photography by De Grasse is striking and evocative. The score is effective.

Look for this one, fans. Duryea's touching performance is one for the ages and the movie will handsomely reward your effort to find it.

This is a movie I never forgot, nor the actor Dan Duryea. Every time I see Dan Duryea in a movie, I always remember the movie "Chicago Calling". If I remember correctly, I first saw the movie in the late 50's; and being ten or eleven years old, was very sad to see a father trying so hard to get his phone back on so as to be able to get word from his wife, that she and their son were going to be okay after a car accident. The accident with the little dog made it even sadder. It's nice to know, though, that there are good people working for the telephone company, as was the character that played the part of the telephone man sent to disconnect the phone, but is nice enough to make sure a man waiting for a call from a loved one that was involved in an accident, is given an an opportunity to connect and not be disconnected, like what happens to many of us when we are late in paying our telephone bill. Gee, I really would like to see this movie again.