Along the Great Divide

Along the Great Divide is directed by Raoul Walsh and written by Walter Doniger and Lewis Meltzer. It stars Kirk Douglas, Virginia Mayo, John Agar, Walter Brennan, Ray Teal, James Anderson and Morris Ankrum. Music is by David Buttolph and cinematography by Sidney Hickox.

U.S. Marshall Len Merrick (Douglas) and two deputies rescue suspected murderer Tim Keith (Brennan) from a lynch mob led by a local cattle baron who is convinced that Keith killed his son. The lawmen embark on a hazardous journey across the rugged terrains, determined to get Keith to Santa Loma for a fair trial...

Kirk Douglas' first Western is something of an undervalued treat. It was a film he didn't enjoy making, where working out in the desert with Raoul Walsh proved something of a cross to bear. Yet the director got a very good turn out of Douglas, allowing the actor to put down a marker in the genre that would serve him well throughout his career.

It sits very much in the psychological Western realm, a fact that some critics of the time failed to grasp - since complaints about not being a standard Oater were floated about! It really shouldn't have surprised anyone given that Douglas had already made a handful of superb film noir pictures, he was surely cast for this pic on the strength of his noir characters.

There's big father issues abound in the whole film, the various strands keeping the narrative edgy. Merrick is a damaged man, and his companions that make up the group will all test his metal to the max. Not just for father issues, and a lack of water, but also via the presence of Keith's daughter, Ann (Mayo), who mercifully isn't just a token female dressage character (she's feisty with believable emotional outpourings). It's a fraught journey for many reasons and Walsh, notwithstanding cheesing Douglas off, keeps it deftly wound tight.

The surroundings offer more troublesome discord to envelope the characters. Shot in gorgeous black and white by Hickox, the Alabama Hills and Mojave Desert locales provide barren landscapes that are juxtaposed with threatening looking rock formations. This often at times feels like an Anthony Mann/James Stewart landscape, which is high praise indeed. While the cast can't be faulted as they bring the drama to life, benefiting from the fine research of writers Doniger and Meltzer.

Undeniably the film's major drawback is the lack of whodunit worth. The pic unfortunately plays its hand far too early in this respect, meaning we know who the killer is. This could have lessened the excitement at story end, damagingly so, but we are never sure if we are going to be party to an Ox-Bow Incident or otherwise. This is well worth seeking out for fans of psychological Westerns, the many Oedipal themes and the scorching landscapes ensure it's a tasty little number. 8/10

Federal marshal Len Merrick (Kirk Douglas) rescues cattle rustler Tim "Pop" Keith (Walter Brennan) from a lynching by rancher Ned Roden who believes that he killed his son. Merrick intends to take Keith to Santa Loma for a real trial. Roden and son insist on getting revenge. Keith leads the party home where they are ambushed by his daughter Ann (Virginia Mayo).

I love me some Kirk Douglas. This has some good tension although it could heighten it even more. First, it's understandable that Merrick and his men took Pop lightly at the beginning. It's unlikely after Ann starts shooting. They should be tied up much earlier on especially in Pop's own home where he could have a gun hidden anywhere. As for the tension, I like Merrick with only one deputy. Two seems too many and it lowers tension because his situation is not as precarious. Overall, this is a solid Kirk Douglas film for any of his fans.

Walter Brennen, three time Academy Award winner, and one of the greatest character actors of all time, is combined with Kirk Douglas for 88 minutes of action and drama. This is what a great Western is supposed to be! Gunfire, fistfights, and Walter Brennen almost getting his neck stretched, twice! One of my video guides says: "the pace is slow, but the scenery is grand". Most of the film was shot in the Alabama Hills, just west of Lone Pine, California. Over 300 movies have been filmed at the base of Mt. Whitney, the tallest peak in the lower 48 states. "Joe Kidd", "The Tall T" and hundreds more were made in those rocks that are so famous. Almost as famous as any actor. "Along The Great Divide" is a great ride, and lots of fun.

I caught this on the Grit channel a few weekends ago and while I don't really watch Westerns, I really enjoyed this movie. I didn't know Kirk Douglas was around long enough to be in Black & White movies!

It's a solid movie with undertones of "obeying the law" vs "doing what's right".

Tough, up-right, and by-the-book Marshal Len Merrick (Kirk Douglas) is forced to transport a murder suspect (Walter Brennen) across an unforgiving desert with a lynch mob in pursuit. Whatever tension the film builds is wasted as Merrick repeatedly does foolish things (spending a night in the accused's house, allowing the potential killer's daughter to tag along (after she's pulled a gun on him), taking the pistol but not the cartridges from a potential threat etc.) but the biggest weakness is the blatantly obvious 'real killer', which makes the ending painfully predictable and unrewarding. Raoul Walsh was a great director but this oater, while beautifully filmed, suffers from a cliched script, unbelievable characters, and a lack of attention to detail. I'm not a huge fan of Douglas's clenched-tooth style of toughness but he's OK (as is Walter Brennen) but John Agar (who later would dominate the goofy world of low-budget '50s sci-fi) is out of his depth and Virginia Mayo is completely unconvincing as Brennen's tough ranch-girl daughter (and half of a contrived shoe-horned-in love story). All in all, a weak start to Douglass's extensive career in westerns.