अपनी भाषा में प्लॉट जोड़ेंA clumsy, accident-prone taxicab driver, after inventing elastic glass, risks losing his valuable invention to a group of con men led by a crooked lawyer, but the pretty lady owner of the Ye... सभी पढ़ेंA clumsy, accident-prone taxicab driver, after inventing elastic glass, risks losing his valuable invention to a group of con men led by a crooked lawyer, but the pretty lady owner of the Yellow Cab Co. comes to his aid.A clumsy, accident-prone taxicab driver, after inventing elastic glass, risks losing his valuable invention to a group of con men led by a crooked lawyer, but the pretty lady owner of the Yellow Cab Co. comes to his aid.
Gloria DeHaven
- Ellen Goodrich
- (as Gloria De Haven)
Herbert Anderson
- Willis Tomlin
- (as Guy Anderson)
Jessie Arnold
- Accident Witness
- (बिना क्रेडिट के)
William Bailey
- Accident Witness
- (बिना क्रेडिट के)
Michael Barrett
- Attendant
- (बिना क्रेडिट के)
Margaret Bert
- Mother
- (बिना क्रेडिट के)
Gladys Blake
- Irate Wife
- (बिना क्रेडिट के)
Bert Block
- Home Appliance Demonstrator
- (बिना क्रेडिट के)
Jack Boyle Jr.
- Reporter
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
The movies from my youth. This movie which I wish was on DVD! is a great ole movie for a rainy day. Red'd never been better getting away from the bad guys. And of course winning the girl and keeping Unbreakable Soft Glass he invented for his Cab!
Some belly laughs in this Skelton madcap. As usual Red plays a good-hearted schlemiel who stumbles from one mishap to the next, but somehow muddles through to win the girl (Gloria DeHaven) and the climax. Here he's an amateur inventor and Yellow Cab man battling veteran baddies Walter Slezak and Edward Arnold.
A great job by the writers. The comedy set-ups are consistently funny and inventive from the mine-field opening of Red walking down the street to the whirlwind close at the L A Home Show . (Forget the muddled story-line which is just a handy post to hang the hi-jinks on.) This was just the kind of slapstick that Skelton could turn into a wild and crazy romp, and he does. .
Catch the great comedic architecture in the early sequence that builds hilariously from the baby-sitting beginning to the nine-one-one close. Too bad this kind of engineering has largely disappeared from today's movie screen. Then too, the crib scene with Red playing both his toddler self and infant sister amounts to 60 second knee-slapper.
In fact, there are a number of special effects scenes that work up more than a few chuckles. But the North Pole dream has something of a nightmarish undercurrent as does Red's getting shoved into the mixer.
I guess my only complaints are the cheapness of the street sets and the dull-grayish quality of the filming (at least, in my copy). Coming from big-budget MGM, such cost-cutters affecting overall quality seem surprising.
Nonetheless, this is a fine little post-war flick whose futuristic house at the Home Show expresses something of the surging spirit of a 1950's America then on the economic upswing.
A great job by the writers. The comedy set-ups are consistently funny and inventive from the mine-field opening of Red walking down the street to the whirlwind close at the L A Home Show . (Forget the muddled story-line which is just a handy post to hang the hi-jinks on.) This was just the kind of slapstick that Skelton could turn into a wild and crazy romp, and he does. .
Catch the great comedic architecture in the early sequence that builds hilariously from the baby-sitting beginning to the nine-one-one close. Too bad this kind of engineering has largely disappeared from today's movie screen. Then too, the crib scene with Red playing both his toddler self and infant sister amounts to 60 second knee-slapper.
In fact, there are a number of special effects scenes that work up more than a few chuckles. But the North Pole dream has something of a nightmarish undercurrent as does Red's getting shoved into the mixer.
I guess my only complaints are the cheapness of the street sets and the dull-grayish quality of the filming (at least, in my copy). Coming from big-budget MGM, such cost-cutters affecting overall quality seem surprising.
Nonetheless, this is a fine little post-war flick whose futuristic house at the Home Show expresses something of the surging spirit of a 1950's America then on the economic upswing.
Skelton was never as popular as the other leading comics of his day including Hope, Crooner/Comic Crosby, Danny Kaye, Abbott and Costello for a while and many others but his movies made money as this one did too. The concept of this movie is not original but congenial and in an era of remakes would a nice, tidy vehicle for a Ben Stiller type. Watching Skelton convincingly bungle and bumble his way through scene after scene is a complete hoot. The jokes come naturally and to me, he is better at delivering these jokes than Bob Hope ever was. The mad cap finale is generally fun in this warm two hander with Gloria de haven. And direction is generally snappy and on point as our cab driver causes obvious hijinks in this on the nose but funny tale.
8tavm
I had discovered this obscure Red Skelton movie on YouTube recently and just decided to watch it now because of many glowing reviews on this site. In a nutshell, Red is an accident-prone fella who eventually becomes a cab driver after initially being hit by one! He's also an inventor with some crazy contraptions in his apartment. I'll stop there and just say this was very funny from beginning to end. There's an unusual distorted sequence that must have turned some minds on at the time and a hilarious end chase sequence taking place in a demonstration home. So on that note, I highly recommend The Yellow Cab Man. P.S. Since I always like to cite when someone that was in my favorite movie-It's a Wonderful Life-is in something else, here it's Charles Lane-the one who told Mr. Potter he'd one day work for George Bailey-who plays an insurance man who rejects an offer to insure Mr. Skelton!
Accident-prone inventor Augustus 'Red' Pirdy (Red Skelton) keeps having accidents. He gets hit by a cab. Ellen Goodrich (Gloria DeHaven) works for the cab company. Red makes friends with the cab driver and Ellen. Eventually, he's driving a cab himself. He had also invented an unbreakable glass called elastic glass. Others are trying to steal it.
The character allows Red to do a lot of physical comedy and his brand of bumbling character. I don't know if this is the best written. A lot of time, it seems to be an excuse for one comedic scenario to the next. This is for the Red Skelton fans in all of us.
The character allows Red to do a lot of physical comedy and his brand of bumbling character. I don't know if this is the best written. A lot of time, it seems to be an excuse for one comedic scenario to the next. This is for the Red Skelton fans in all of us.
क्या आपको पता है
- ट्रिवियाThis film was a success at the box office, earning MGM a profit of $545,000 ($5.84M in 2018) according to studio records.
- गूफ़When the little boy rises off the ground after grabbing the large balloon, it can be seen that he is being lifted by a harness. The back of the collar of his jacket has a wire attached.
- भाव
Augustus 'Red' Pirdy: Well I know I went to the North Pole!
- क्रेज़ी क्रेडिटDuring the title credit, dressed as a cabbie, Skelton falls down the stairs towards his taxi. He then appears in a hospital room and, speaking to the camera, says "this is my best cast yet". The camera pans down to his arm and then his legs where the film credits are written on his cast(s).
- कनेक्शनReferences You Can't Take It with You (1938)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Un loco al volante
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $11,95,000(अनुमानित)
- चलने की अवधि1 घंटा 25 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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