The Wooden Horse

This unsung quiet gem tells the true story of a POW escape during WW II. The performances are incredible, especially Anthony Steele. The movie works on many different levels: cerebral, emotional, visual, and literal. The dialogue is ingenious and rings very true. In fact, an unusual all-around authenticity puts this one head-and-shoulders above most war epics.

The Wooden Horse is a real life World War Two escape story. Stalag-Luft III is supposed to be escape proof but this is proved wrong by three incredible escapers. The film is divided into two parts. Firstly, the escape from the camp and then the series of adventures while travelling through Germany and occupied Danmark. The method of escape is ingenious; a tunnel built under a vaulting horse that ends under the camp perimeter wire. The escapers of course are all officers (after all this is a Brtish film) and the camp itself has an air of an English public (private) school. The Germans are baited as if they were form masters or prefects. The film follows Eric William's book The Wooden Horse quite closely. There is an omission though. In the book the two escapers played brilliantly by Leo Genn and Anthony Steele meet up with members of the Danish resistance at a secluded farmhouse. One Jewish member of the resistance tells the escapers about the deportation of Jews and how members of the resistance helped Jews get to Sweden. Another member of the resistance tells of The Schalberg Corps an organization of Danish Nazis who the resistance battle with. However, The Wooden Horse is a very good film and well worth seeing.

While thinking of "The Great Escape" I allowed my mind to wander back to this little gem of a movie from my childhood. I had read and re-read the autobiographical novel from 1949 which inspired it, and when it came to the only cinema (we never used that word then , actually) in town that showed "foreign" films, I was first in line to buy my ticket.

As someone brought up on wartime newsreels and propaganda films during WWII, I had an avid interest in exploring the realities of that conflict as reflected in the memoirs and stories of men who were there in person. That extended later to a keen willingness over the years to buy any book on the subject, and eventually to read the equally compelling novels of Hans Helmut Kirst and Erich Maria Remarque, which provided an even deeper sensibility. The movie versions, however, were unlike this one in that they rarely delivered the goods.

The medium of black-and-white film has never been served so well as it was in those years. I have never seen any technicolor version of war that seems as authentic as do the deep chiaroscuros of films like "The Wooden Horse." If it is true that we are destined always to be captive to the images of our childhood, then I confess it freely.

And there will never be another the likes of Leo Genn as the emblematic British war hero on film. Not even Sir Alec.

In 1943, a group of RAF Officers, including Eric Wiiliams, decide to escape from a POW camp using a Gymnastic Vaulting Horse in the courtyard. In 1950, it was decided to film his account, and it kick-started a peculiar British Film Genre- the Military Prison Camp story that reached its apogee in Danger Within (1959).

The Wooden Horse is one of the quietest films I have ever watched. There are no great dramatic moments, but a steady storyline eventually builds to a climax that has more tension because the story doesn't give way for unlikely drama, jump cuts or jacked up (somethings about to happen!) music. It is utterly of its time and works beautifully.

Leo Glenn, Anthony Steel and David Tomlinson lead a curiously low key cast of extras and (I suspect) non-actors. Without exception, all are constantly mono-tonal and quiet. They keep emotion out of their roles. As so many were, until recently, ex-service, I suspect they recreated their war time roles as 'Officers and Gentlemen'.

This unemotional approach does not detract from any dramatic tension. On the contrary, unlike most Wartime Escape Films, the story doesn't end at the barbed wire: and that fact alone keeps me glued to the end.

The British stiff upper lip way of filming POW escape movies is evident here, since this is a low-key telling of how three men escaped from a German prison camp right in front of their captors by using the age-old device of a Trojan Horse in the guise of gym equipment.

LEO GENN, ANTHONY STEEL and David TOMLINSON are the men who conspire to use a vaulting mechanism as a means of escape. The first part of the film deals with the tension that mounts as the escape is prepared by tunneling to the escape point far from the men's barracks. The second half of the story follows their escape route as they hide from German authorities in order to escape to Denmark and then to safety in Sweden.

All of it is told in crisp, no frills fashion and in the very understated British style of filmmaking, vastly different from the way the subject matter would have been treated in an American film. Particularly impressive are the sequences where Genn and Steel must rely on their own wit and abilities to deceive the enemy after their escape from camp.

Tension mounts toward a satisfying ending. All told, an excellent British film that tells a true story without a lot of false bravado.