Undercover Girl

This was only the second film directed by Joseph Pevney, and although it was made on the same old B picture shoe string which made the rounds of the footwear of every B producer, it is good sturdy stuff. Alexis Smith does an excellent job of portraying the lead character, revealing several different sides to the character with equal conviction. She can be soft, she can be tough, she can be nondescript, she can be glamorous. So she is very chameleon-like, and it works. Her two love interests are Scott Brady and Richard Egan, both convincing. The film is strengthened by the brief but reassuring presence of Connie Gilchrist as Sadie, who may have a small part but she adds fibre to the diet. Gerald Mohr is there, a smoothie psycho gangster, just the sort of guy we don't want to meet. And this film marked the film debut of the extraordinary character actor Royal Dano. He plays a loser 'groupie' to some gangsters, and of course after playing with fire gets seriously burned. We really worry about him as he whines his way from crisis to crisis. He has that lean, tormented look of a starving hound dog, and wears a wonderful garish tie with a naked girl on it, which he hopes makes him look tough. Edmon Ryan is interesting as a crooked doctor wracked with remorse, oscillating between killing people and wanting to be a good dad and renew his Hippocratic oath. The film is surprisingly robust, and it holds one's attention well. Will the undercover girl get the guys who killed her pa? Or will they get her first? This is a surprisingly early film about drug-dealers. Any undercover cop seeing it must get the shivers when he hears the line, delivered ominously: 'Nobody in Chicago knows you.' Watch out! Your alibi is unravelling! Yes, it has its nervous moments. Undercover work is best watched on the screen, far preferable to undertaking it in real life, dontchathink?

Rookie policewoman Alexis Smith (Chris/Sally) goes undercover to help Police Lieutenant Scott Brady (Trent) smash a drugs gang and exact revenge on the man who killed her father.

The story is ok but the picture quality isn't too good. It's also unbelievable nonsense. Smith is badly cast - she doesn't have the looks to physically attract so many people and she is too square-looking to convince as a top gangster woman. It also makes no sense why seasoned bad girl Gladys George (Liz) would open up to her and tell her all that she does. There is also no way that Smith would be sent in to carry out that final sting. There is so much that is just a load of tosh with this film, but it keeps the audience watching.

Goodness knows why the female trainee officers have to wear shorts during target practice. Very funny. They should also wear shorts when making arrests. And when answering the telephone.

Alexis Smith and Scott Brady star in "Undercover Girl" from 1950.

After her police detective father (Regis Toomey) is murdered by people in the drug business, Chris Miller (Smith), a cop herself, infiltrates the gang on the recommendation of another female officer (Connie Gilchrist).

Chris turns out to be made for undercover, a quick thinker and quite an actress, able to be tough and sexy. She manages to convince them all.

Director Joseph Penney keeps the suspense going and the audience wondering if Chris will be found out.

Routine but a nice part for Gladys George, and an early one for Richard Egan as Chris' boyfriend. And Smith is a knockout.

This is a highly unpleasant and nasty noir dealing with the very bottom end of dirty business and criminal rackets, the drug business manufactured and delivered through the respectable front of a doctor, while his gang of hoodlums, gangsters, murderers and inhuman racketeers is one of the worst possible conceivable rogues gallery, one constantly growing more desperate in fear and anxiety (Royal Dano) while the scariest is the bulky thug with a broken neck. They are really monsters all of them, while stepping down to them and standing out of the film with glory is Alexis Smith, always stylish and making a magnificent appearance, here also dressed up extra in the stola and luxury wardrobe of the dame she acts to personify in order to get at the gang and especially her father's murderer. It is one of the most revolting noirs for its abhorrent story but magnificently worked out and made real in nerve-racking realism, while once again you will never forget Alexis Smith.

A cop has taken money from mobsters, though he now has second thoughts and decides instead to arrest these drug dealers. But they get the drop on him...killing him instead. A short time later, a cop approaches a policewoman candidate, Christine Miller (Alexis Smith) to inform her that her father was the man who had been killed and he needs help to figure out who was responsible. She agrees to leave her department to come to work with him on exposing the killers. This will mean her going under cover and pretending to be a crook looking to make a big drug deal and the hope is that as she works her way up through the gang that they'll find out who is in charge...and who killed her dad.

The best thing about this film is that it doesn't resort to the usual cliches and is a well made tale. Not exactly brilliant but still quite enjoyable and worth your time.