Tripoli

I've seen this film a number of times on TV and caught it in the theaters over a half-century ago and loved it. As a kid, it had great appeal to me and lots of action, fun and, of course, the lovely Maureen O'Hara, who was always worth the price of admission. John Payne was an underused, underrated actor who always turned in solid, albeit low key, performance. This film, which is a yarn based on the military action of the US Marines against the Tripoli pirates basically spins fight scenes between the bad guys and a coalition of good guys, including veteran character actor Howard Da Silva as a Greek mercenary. The good guys win, of course and Payne gets the girl (but we knew that anyway, didn't we?) and this is a film that if it pops up on the late show (no video or DVD listed), is certainly worth checking out for some good, solid escapism.

kenneth roberts deserves credit as the author of a book made into two separate movies: (a) Lydia Baily a serious movie which explores the racial conflict in the haitian rebellion when Afro-French (Haitians) claimed the rights of Frenchmen to Liberte Egalite et Fraternite and (b) regrettably Tripoli, america's war with certain peoples of a near eastern background, the radicals of their time belonging to a certain religious grouping.

the movie is nerdy in its presentation of american fighting men confronting the culture of the exotic near east. particularly the movie makes LT O'Bannon into a sexually repressed nerd, unable to speak in the presence of beveiled women.

I gave this movie a six instead of the zero it deserves because the young american republic is so poorly represented in the cinema.

I have to disagree with the other reviewers of this film, in that what they thought was a plus I found extremely negative. That of course I am talking about the incredibly annoying character Countess D'Arneau played by Maureen O'Hara. The character of the Countess D'Arneau seems like it was written for a different movie, or every other action was written for a different movie. The movie therefore cannot choose which way it wants to go, sweet romantic comedy or macho manly movie about solders racing across the desert. Unfortunately it tries to do both and fails miserably. It is very possible to re-cut the film and take out every scene with Maureen O'Hara. This would leave us with a dandy little historical war film (although short). Obviously this left me very disappointed because there are so few films about the time and subject and when one is as good as this it gets ruined by Hollywoods need to put a leading lady into every film.

Bottom line... Unless you are willing to fast forward through the needless drivel avoid this one. If you are willing than the rest is a well acted and well staged piece of American history.

Although Tripoli is never reached, this film is the story of the US Marines hoisting the American flag for the first time over foreign soil at the port city of Derna in Libya. Our capture of that city forced a negotiated peace on the Sultan of Tripoli and ended our war there which began against the Barbary States and the pirate ships they employed for plunder and ransom.

Now how Maureen O'Hara as an exiled French countess in the court of the exiled Sultan figured in these events is something left to the writers of this film. At least her flaming red hair was explained somewhat in this particular potboiler.

In her memoirs O'Hara thought her casting in these films was as ridiculous as anyone else, but she thought that just keep working, take anything they give you and the better roles will eventually come.

John Payne plays the real life Lieutenant O'Bannion who with his squad of US Marines led the land action while the Navy bombarded the guns guarding Derna from sea attack. He did not have a romance with a French exiled countess. Howard DaSilva has a nice and droll part as a Greek mercenary captain. This flag waver of a film was an ironic twist in DaSilva's career, he went on the blacklist shortly afterward.

Philip Reed is the exiled Sultan who lives pretty good for a guy in exile and he's the diplomatic catspaw the United States used. And I mean used since he was not restored to his throne as promised in the film and in real life. Of course as he's shown here Reed is quite the duplicitous character so nobody cares if he was or not. What he was in real life, who knows. But there are those who feel America broke a commitment. In any event the Sultan of Tripoli stopped seizing our ships and that's what we wanted.

What is an interesting if not often told tale of American history is reduced to the Saturday matinée kiddie potboiler of the pulp fiction variety. Tripoli has not worn well over the decades.

This isn't an half bad little action adventure film with Maureen O'Hara on feisty form as the "Countess D'Arneau". She is the love interest/advisor to the refugee Pasha of Tripoli (Phillip Reed) whom the US government wants to see returned to his throne so the Tripolitan pirates will stop harassing US merchantmen. To that end, they send a small troop led by "O'Bannion" (John Payne) and what ensues is quite an action-packed yarn with plenty of subterfuge, a bit of lively love rivalry (on and off camera, apparently) before quite a an exciting conclusion. There is just the slightest hint of historical fact to the story, but historians need not reach for their red pencils - this is just colourful, well made escapism that works well on a wet Saturday afternoon.