IMDb रेटिंग
7.4/10
2.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंIn 1865, the small Southern town of Walesburg has become so dangerous that Parson Josiah Doziah Gray gives his sermons while holding a gun.In 1865, the small Southern town of Walesburg has become so dangerous that Parson Josiah Doziah Gray gives his sermons while holding a gun.In 1865, the small Southern town of Walesburg has become so dangerous that Parson Josiah Doziah Gray gives his sermons while holding a gun.
- पुरस्कार
- कुल 1 जीत
James Arness
- Rolfe Isbell
- (बिना क्रेडिट के)
Jessie Arnold
- Annie
- (वॉइस)
- (बिना क्रेडिट के)
Polly Bailey
- Mrs. Belsher
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
I must admit that this movie took its time to grab me.It's a movie which grows on you.Some called it "western" but western fans won't get anything of it.It's rather a chronicle,sweet memories of a grown up who remembers his dear past with a marvelous preacher man and a loving auntie.
There is no plot but subplots for it is primarily the depiction of a city in the south.Around the minister,we find the "new generation" doctor who has his doubts and who doesn't believe that healing the soul is that much important;he comes into conflict with Gray .There's also a KKK side and their "methods" to do good old Uncle Famous Pril away from his valuable property.The scene which finally won me over was the reading of Pril's "last wills" .When you discover the truth,you won't believe your eyes!This scene alone raises the movie to greatness by recurrence.And what a tuneful canticle!
There is no plot but subplots for it is primarily the depiction of a city in the south.Around the minister,we find the "new generation" doctor who has his doubts and who doesn't believe that healing the soul is that much important;he comes into conflict with Gray .There's also a KKK side and their "methods" to do good old Uncle Famous Pril away from his valuable property.The scene which finally won me over was the reading of Pril's "last wills" .When you discover the truth,you won't believe your eyes!This scene alone raises the movie to greatness by recurrence.And what a tuneful canticle!
STARS IN MY CROWN is a nice slice of life movie about the life about a country preacher in the years immediately following the Civil War. Joel McCrea plays the preacher and Dean Stockwell plays an orphan that is taken in by the preacher and his wife. However, the film isn't just about them but about the people in the town. It focuses quite a bit on a young and somewhat cocky doctor as well as a gentle and beloved Black man (played exceptionally by the wonderful character actor, Juano Hernandez).
Both plots are exceptional--particularly the one involving Hernandez because the film dared in 1950 to attack prejudice--something Hollywood was seldom willing to do at that time. Often, when Blacks were in mainstream films, they were one-dimensional and the racial divide in America was ignored. For 1950, this was a brave film--though some will no doubt notice that the film is perhaps a bit overly idealistic in how it portrayed how the White Southerners generally loved Hernandez.
The plot involving the doctor was also rather touching and had a lot to say about the supposed gap between faith and science. I particularly liked how McCrea AND the doctor struggled with this divide.
STARS IN MY CROWN reminds me of another film that is also about a small town preacher (ONE FOOT IN HEAVEN) and both have a nice gentle spirit but also aren't preachy or saccharine despite being films about the clergy. I especially like how both ministers (in this case, Joel McCrea and in the other film, Frederic March) were human beings--not dull caricatures. Some may be offended because the films AREN'T really religious movies (you get no Gospel or Bible-thumping here) but for a general audience these films are sure to please. I recommend both heartily because they were written so well and the acting was on target. See these films.
Both plots are exceptional--particularly the one involving Hernandez because the film dared in 1950 to attack prejudice--something Hollywood was seldom willing to do at that time. Often, when Blacks were in mainstream films, they were one-dimensional and the racial divide in America was ignored. For 1950, this was a brave film--though some will no doubt notice that the film is perhaps a bit overly idealistic in how it portrayed how the White Southerners generally loved Hernandez.
The plot involving the doctor was also rather touching and had a lot to say about the supposed gap between faith and science. I particularly liked how McCrea AND the doctor struggled with this divide.
STARS IN MY CROWN reminds me of another film that is also about a small town preacher (ONE FOOT IN HEAVEN) and both have a nice gentle spirit but also aren't preachy or saccharine despite being films about the clergy. I especially like how both ministers (in this case, Joel McCrea and in the other film, Frederic March) were human beings--not dull caricatures. Some may be offended because the films AREN'T really religious movies (you get no Gospel or Bible-thumping here) but for a general audience these films are sure to please. I recommend both heartily because they were written so well and the acting was on target. See these films.
Yes this was a good film mostly on the strength of its ensemble cast. You really can't do much better than Ed Begley, Jim Arness, Arthur Hunnicutt and the great Alan Hale (Sr). The leads McCrea, Drew, and Stockwell are good also.
I didn't see the script as being particularly realistic. Maybe a preacher could talk a clan mob out extreme violence? This would not have happened in a film like "To Kill a Mockingbird" which came along about ten years later, also involving a child narrating the film as an adult like "Stars in my Crown."
But I liked the film's dealing with their health crises and the conflict between medicine --such as it was in that time period-- and the idea that prayer had a factor in the healing process.
I didn't see the script as being particularly realistic. Maybe a preacher could talk a clan mob out extreme violence? This would not have happened in a film like "To Kill a Mockingbird" which came along about ten years later, also involving a child narrating the film as an adult like "Stars in my Crown."
But I liked the film's dealing with their health crises and the conflict between medicine --such as it was in that time period-- and the idea that prayer had a factor in the healing process.
According to TCM this was Joel McCrea's favorite film. Of all the wonderful westerns that Mr McCrea appeared in this says a lot. I found this movie almost hypnotic. A picture of a time in America's past that has gone by the way side. Parson Gray,Played by Mr McCrea is what I would personally want a minister of the gospel to be like. Strong and courageous and committed to his calling. Juano Hernandez plays Uncle Famous Prill and was deserving of an Oscar for his courage in facing the racism of the day by the night riders or KKK of the day. This movie took the courage to show that not all white people hated black people in this day and age. Something I personally know to be true and factual.This was Alan Hale Sr's last movie. He died before this movie was released.John Kenyon,played by Dean Stockwell was an orphan living with Parson Gray and his wife,played by Ellen Drew. Stockwell gave such a performance that if Children didn't really behave that way in those days, they should have. Stars in My Crown is one of those lost treasures that has long since been forgotten. Any movie with a character named Cloroform has got to be special. Throw in Ed Begley as the man who try's to have a "Finger in every pie" and James Mitchell as young Doc Harris who comes home fresh out of medical school and runs straight into Slow(Typhoid)fever and at the same time falls in love with Lovely Faith Samuels played by Amanda Blake(of Gunsmoke fame).Theirs even a traveling medicine show featuring Professor Jones and his two companions who sing and play like a cross-eyed meadowlark. Wonderful movie that makes you feel better after viewing it which explains why I can easily watch it over and over.
This, the second of director Jacques Tourneur's westerns after CANYON PASSAGE and one of several collaborations with actor Joel McCrea, finds him at least at first sight as far removed from the ambiguous psychological Gothic horror films he became famous through a couple years back for Val Lewton's RKO horror unit, yet once we scratch the surface, peel back the layers of faith-restoring sentimentality which lies at the film's core, we'll find this can be a pretty dark film.
Not only because the life of a small rural town in the post-Civil War South has to face a typhoid epidemic and Klan racism because the 'family' nature of the film ensures these are merely obstacles to be overcome, each of them a lesson learned in Christian love and brotherhood not only for the characters but also for the audience, but mostly because of the way Tourneur shoots the major set-pieces that revolve around them. Going back to what he learnt next to Val Lewton at RKO, Tourneur gives an otherwise saccharine film a dark underbelly, Klansmen pinning threatening notes on negros in front of burning crosses et al.
Yet STARS IN MY CROWN never feels like a film whose message and theme is beneath the director. Tourneur approaches the story in earnest. The truth is that it takes a while for things to get going. That the film is a bit too episodic and scattershot to really register until the final 15 minutes when parson Joel McCrea has to face off alone with a mob of Klansmen to save the life of a negro. That the small vignettes scattered throughout the film push the two major plots (smalltown biggotry and typhoid epidemic) a bit too far apart, the result making the first half a pretty meandering anemic affair. But the denouement, for all its saccharine 'everybody gets together to sing hymns in the church' quality, feels honest and I find it hard to fault such a film. Building something as emotionally earnest and unassuming as this is harder than tearing it down with cynicism.
Not only because the life of a small rural town in the post-Civil War South has to face a typhoid epidemic and Klan racism because the 'family' nature of the film ensures these are merely obstacles to be overcome, each of them a lesson learned in Christian love and brotherhood not only for the characters but also for the audience, but mostly because of the way Tourneur shoots the major set-pieces that revolve around them. Going back to what he learnt next to Val Lewton at RKO, Tourneur gives an otherwise saccharine film a dark underbelly, Klansmen pinning threatening notes on negros in front of burning crosses et al.
Yet STARS IN MY CROWN never feels like a film whose message and theme is beneath the director. Tourneur approaches the story in earnest. The truth is that it takes a while for things to get going. That the film is a bit too episodic and scattershot to really register until the final 15 minutes when parson Joel McCrea has to face off alone with a mob of Klansmen to save the life of a negro. That the small vignettes scattered throughout the film push the two major plots (smalltown biggotry and typhoid epidemic) a bit too far apart, the result making the first half a pretty meandering anemic affair. But the denouement, for all its saccharine 'everybody gets together to sing hymns in the church' quality, feels honest and I find it hard to fault such a film. Building something as emotionally earnest and unassuming as this is harder than tearing it down with cynicism.
क्या आपको पता है
- ट्रिवियाCast includes a young James Arness and Amanda Blake. They appeared together for 19 (of 20) seasons on the television series Gunsmoke (1955) as Matt Dillon and Kitty Russell.
- गूफ़Movie state narrator states "the first hard years following the war between the states". The title song was not written until 1897.
- भाव
John Kenyon: There's no writin' on here. This ain't a will.
Josiah Doziah Gray: Yes, it is, son. It's the will of God.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Stars in My Crown?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Pionjärer
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $11,75,000(अनुमानित)
- चलने की अवधि
- 1 घं 29 मि(89 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
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