Shadow on the Wall

David (Zachary Scott) is married to a no-good cheat, Celia. After returning from a business trip, he learns at a dinner party that his wife and 'friend' are having an affair. Later, as the two are arguing over this, Celia knocks out David. In the meantime, Celia's sister, Dell (Ann Sothern) arrives and confronts Celia for stealing her fiancé. Soon Dell kills Celia...and with David unconscious, he's assumed to have done the killing...and David isn't sure he didn't. David's been sent to death row and the only glitch in Dell's plan is that David's young daughter (Gigi Perreau) might have witnessed the killing and Dell needs to be certain she won't talk. While the young girl is too traumatized to fully recall the events, she could remember through the course of therapy...and it could be Dell on death row instead! So Dell can either wait and hope the child cannot remember or kill her to make certain!

This is an unusual film due to the casting. This is NOT a complaint, but seeing Ann Sothern playing a killer is interesting, as she usually played nice, sweet folks like her Maisie character from the 1940s. At first, you can understand her motivation in killing her sister...but to see her attempting to murder an innocent child...that is a dark and twisted character! Additionally, this is one of the few films I've seen where Nancy David (Reagan) is given a chance to really act and she was quite nice as the child psychiatrist, Caroline. In other films, such as "Hellcats of the Navy" and "The Next Voice You Hear", Davis never really had a chance to shine as an actress.

As for the film itself, it is very good and worth seeing. It's also very unusual for MGM...a studio that wasn't known for such dark films back in 1950. In general, film noir pictures were done by other studios and MGM preferred making 'nice' movies...but here they've created a rather hard-hearted film! This is NOT a complaint...I liked the film and can easily recommend it to anyone.

By the way, one odd thing you see in the film is 'hydrotherapy'. Back in the bad old days of psychiatric treatment, hospitals often used baths to somehow try to cure or alleviate suffering in mental patients. In the really bad old days, it was ice water! Here, in the more enlightened 20th century, the baths were less traumatic and more soothing--with warm water. Of dubious value...but at least not harmful in the latter.

During the opening theme, the music starts out happy go lucky, and suddenly turns heavy and dark. This indicates that all is not well.... Zachary Scott (best known for Mildred Pierce) is David, who has a little daughter from his first wife. of course, the daughter Susan doesn't like new mom, Celia, played by Kristine Miller. to add intrigue, Celia has a man on the side. and David knows. and lets everyone know that HE knows. then things really go south! Ann Sothern is Celia's sister "Dell". Nancy (davis) Reagan is in here as Doctor Canford. She's treating Susan, who may or may not have witnessed a terrible event. Some psychiatrist therapy and discussions, as we try to unlock what really happened. pretty good stuff. the music is great. mostly good acting and story. Directed by Brit Pat Jackson. didn't win any oscars, but seems to have had a pretty successful career in hollywood before returning to England.

A young girl(Gigi Perreau)suffers amnesia after witnessing her stepmother's murder. Zachary Scott is the husband mistakenly put in prison for the murder. Ann Southern, straying from her comedic roles, has trouble hiding her guilt and even thinks of causing harm to the little girl to keep her quiet.

Fast moving film-noir also starring John McIntire and Nancy Davis. This was before Miss Davis became Mrs. Ronald Reagan. Small roles for familiar Barbara Billingsley and Jimmy Hunt.

A young girl(Gigi Perreau) becomes traumatized after she witnesses the accidental killing of her stepmother(Kristine Miller). Well-acted film noir showcases the dramatic talents of the exceptionally gifted actress Ann Sothern, who was known primarily for her 'light' roles in films like MAISIE. The film also features an early appearance by Barbara Billingsey, better known as June Cleaver on the popular '50's sitcom LEAVE IT TO BEAVER.

Unheralded little thriller with a number of nice touches. Little Gigi Perreau (Susan) has the pivotal role and comes through beautifully. If we don't identify with her or her emotional trauma, the movie doesn't work. Fortunately, we do. The movie scared the heck out of me as a boy, mainly because I was viewing the menace through the eyes of my peer, little Susan. Still, it's the movie's ability to engage even adults through Susan's eyes that drives the suspense. For the little girl, it's an adult world only dimly comprehended that one night turns so shockingly ugly, she must repress it totally. Nancy Davis Reagan-- perhaps surprisingly for many viewers-- is very persuasive as the doctor helping Susan to recover.

Looks like this was another B-movie from MGM's Dore Schary period when he was refashioning the studio's star-studded image. The under-rated Scott and Sothern are certainly playing against type, he as a kind-hearted father, she as a cold-hearted murderess. Oddly, the screenplay shares focus among these four players instead of centralizing one or two as is usually the case. In terms of actual screen time, it's probably Nancy Davis's movie, though she was likely too unknown to get star billing. Then too, whatever happened to Kristine Miller as Scott's faithless wife. She certainly looks the part and acts it wickedly.

Speaking of talented unknowns, director Pat Jackson put this neat little package together. His career appears a rather brief one, mainly in England, where he also directed several episodes of the cult TV series, The Prisoner. Too bad he disappeared so quickly, because there are a number of nice directorial touches here. Note Pike's (John McIntire) shadow engulfing Dell (Sothern) at movie's end indicating the retribution to come; the blurry special effects mirroring little Susan's traumatized mental state; the suggestive hair-drier closing over Dell's head like an electrocution helmet; the great noirish shot of Dell framed against ominous skyscrapers suggesting dark powers looming over Susan. Anyway, this all adds up to a very effective little thriller, proving that even though late to the party, MGM could B- movie with the best of them.