IMDb रेटिंग
6.7/10
1.1 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn industrialist and a pianist who fall in love in postwar Italy are pronounced dead when they miss their flight home, but the former's wife does not give him up.An industrialist and a pianist who fall in love in postwar Italy are pronounced dead when they miss their flight home, but the former's wife does not give him up.An industrialist and a pianist who fall in love in postwar Italy are pronounced dead when they miss their flight home, but the former's wife does not give him up.
- पुरस्कार
- 1 जीत और कुल 1 नामांकन
Larry Arnold
- Italian Waiter
- (बिना क्रेडिट के)
Lorenzo Belmuda
- Rinaldo
- (बिना क्रेडिट के)
Dino Bolognese
- Flower Vendor
- (बिना क्रेडिट के)
Nick Borgani
- Italian Workman
- (बिना क्रेडिट के)
Enrico Caruso
- Self - Vocalist
- (आर्काइव ध्वनि)
- (वॉइस)
- (बिना क्रेडिट के)
Iphigenie Castiglioni
- Maid
- (बिना क्रेडिट के)
Harry Cheshire
- Jim
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
This is my favourite movie of all time.
I often watch this with friends and family who have never seen the movie and I dare not tell the ending. It is very romantic and at the same time a bit sappy as hollywood Romance movies go.
This movie along with An Affair To Remember and Imitation of Life will have most of you in tears. A great 3-pack weekend tear-jerker selection.
September Affair is unique in the sense that even though the plot line seems far fetched...It actually could happen and has probably crossed a few peoples minds at that. This movie is not to be missed.
Do not Rent this one, purchase it and I assure you you will watch this one over, and over again. I give this movie a 10 out of 10.
Enjoy all you lovers.
Peter.
I often watch this with friends and family who have never seen the movie and I dare not tell the ending. It is very romantic and at the same time a bit sappy as hollywood Romance movies go.
This movie along with An Affair To Remember and Imitation of Life will have most of you in tears. A great 3-pack weekend tear-jerker selection.
September Affair is unique in the sense that even though the plot line seems far fetched...It actually could happen and has probably crossed a few peoples minds at that. This movie is not to be missed.
Do not Rent this one, purchase it and I assure you you will watch this one over, and over again. I give this movie a 10 out of 10.
Enjoy all you lovers.
Peter.
All the comments about this film are favorable except for Mr. Neil Doyle's. I wonder what grumpy pill he took when he watched this or maybe he just isn't a romantic guy. Not one person said his review was "helpful."
This film is well-acted, scripted, and an interesting premise. The music is fabulous and the setting great. Like another reviewer said, Joan Fontaine's facial expressions say as much or more than the words she was given to speak. She is one excellent actress and Joseph Cotten is a veteran actor who once again turns in a fabulous performance.
I unconditionally recommend this movie to all classic movie lovers to fans of Joan Fontaine and/or Joseph Cotten and to all romantics everywhere.
This film is well-acted, scripted, and an interesting premise. The music is fabulous and the setting great. Like another reviewer said, Joan Fontaine's facial expressions say as much or more than the words she was given to speak. She is one excellent actress and Joseph Cotten is a veteran actor who once again turns in a fabulous performance.
I unconditionally recommend this movie to all classic movie lovers to fans of Joan Fontaine and/or Joseph Cotten and to all romantics everywhere.
In "September affair ",the real star is Italy :we are taken to a guided tour of Pompey (it was made before Rossellini 's "viaggio in Italia " starring Bergman and Sanders) , of Capri ,of Florence (so there are two David :Cotten's and Michelangelo's); what a pity it was not filmed in color :it would have been a feast for the eye,mainly the first part.
As for the story itself,it 's part soap opera ,part valid drama ; Dieterle is here on Douglas Sirk 's territory but less efficient than him in melos .The excellent cast is the main asset of a rather derivative screenplay , using hackneyed tricks (the plane crash) .Cotten is true to himself ,as good as a romantic man subject to the middle-age lust as he was the terrific wicked uncle in " shadow of a doubt" or the unfortunate deceived husband in "beyond the forest " ; Fontaine has always been the dainty heroine ,frail and coy ,but who hides a genuine strength under her angel face ("Rebecca" "suspicion" "letter from an unknown woman") ;and the French audience will be thrilled about Françoise Rosay's presence , an actress who played with the best French directors (Feyder ,Carné,Duvivier) and who played opposite both sisters (Joan in this movie, Olivia in "that lady") ;so did Cotten (see "hush hush sweet Charlotte ")
The title is well-chosen ;September is the end of Summer and indicates a new phase in someone's life ;Sinatra had an album called " September of my years" .Music plays a prominent part from Italian bel canto to American songs to classic music grand finale ;it recalls sometimes Borzage's "I've always loved you" (1946)
As for the story itself,it 's part soap opera ,part valid drama ; Dieterle is here on Douglas Sirk 's territory but less efficient than him in melos .The excellent cast is the main asset of a rather derivative screenplay , using hackneyed tricks (the plane crash) .Cotten is true to himself ,as good as a romantic man subject to the middle-age lust as he was the terrific wicked uncle in " shadow of a doubt" or the unfortunate deceived husband in "beyond the forest " ; Fontaine has always been the dainty heroine ,frail and coy ,but who hides a genuine strength under her angel face ("Rebecca" "suspicion" "letter from an unknown woman") ;and the French audience will be thrilled about Françoise Rosay's presence , an actress who played with the best French directors (Feyder ,Carné,Duvivier) and who played opposite both sisters (Joan in this movie, Olivia in "that lady") ;so did Cotten (see "hush hush sweet Charlotte ")
The title is well-chosen ;September is the end of Summer and indicates a new phase in someone's life ;Sinatra had an album called " September of my years" .Music plays a prominent part from Italian bel canto to American songs to classic music grand finale ;it recalls sometimes Borzage's "I've always loved you" (1946)
Eerily similar in storyline and backdrop to William Wyler's 1936 masterpiece, Dodsworth. It's not so much the script or the direction that doom this film, it's the premise and its execution. Don't get me wrong; I like the film. However, it could have been much better. As other reviewers stated, the actors, their chemistry were excellent. It's the character development that's faulty.
Whereas in Dodsworth the triangle is played out logically, along the lines of solid character development so that the hero ends up in Naples with the other woman; in September Affair (1950), love takes a back seat to 1950's morality, or "family values" which state that if you sin, you must pay.
To represent this on the screen, the screenwriter uses the deus ex machina device of having the wife morph from shrew to martyr, not by showing us, as a film should do, but by telling us, in a letter no less, that she won't agree to a divorce. But when we actually see her, she doesn't seem all that bad a person. She's not like the woman in the letter and she's not the woman Cotten makes her out to be. With Ruth Chatterton (star of Dodsworth), the character development progressed faultlessly. In September Affair, the wife's character arc is unbelievable. Which is she? A shrew or a noble, long-suffering wife? If the latter, the film couldn't end with Joseph Cotten walking away from that sort of woman. He would have lost favor with the audience.
That means forcing credibility to depend on us buying the unbelievable character arc of the wife who somehow morphs from meanie to martyr.
He goes back to his wife and I'll bet the first thing she does is revert to her original persona (you can't escape that easily) — her Ruth Chatterton ways, emasculating Cotten out of spite, and he'll end up with no way back to the woman he loves, who loves him because she's also foolishly played the martyr to the point of NO return.
The film is a cop out. No film should hinge on the changes in a minor character; it should be the leads whose actions set the course. In fact, the ending even goes against common sense:
1) the wife's new persona has accepted the split, so has the son. That he's alive is enough for her.
2) As for Joan, he loves her and Joan loves him. They've taken it to another level — like John Huston and Mary Astor in Dodsworth, a level the wife can't understand. They are clearly superior in their maturity, their lifestyles, their tastes.
Why not let them fade into the Florence sunset together, she with her piano, him with his engineering projects?
Whereas in Dodsworth the triangle is played out logically, along the lines of solid character development so that the hero ends up in Naples with the other woman; in September Affair (1950), love takes a back seat to 1950's morality, or "family values" which state that if you sin, you must pay.
To represent this on the screen, the screenwriter uses the deus ex machina device of having the wife morph from shrew to martyr, not by showing us, as a film should do, but by telling us, in a letter no less, that she won't agree to a divorce. But when we actually see her, she doesn't seem all that bad a person. She's not like the woman in the letter and she's not the woman Cotten makes her out to be. With Ruth Chatterton (star of Dodsworth), the character development progressed faultlessly. In September Affair, the wife's character arc is unbelievable. Which is she? A shrew or a noble, long-suffering wife? If the latter, the film couldn't end with Joseph Cotten walking away from that sort of woman. He would have lost favor with the audience.
That means forcing credibility to depend on us buying the unbelievable character arc of the wife who somehow morphs from meanie to martyr.
He goes back to his wife and I'll bet the first thing she does is revert to her original persona (you can't escape that easily) — her Ruth Chatterton ways, emasculating Cotten out of spite, and he'll end up with no way back to the woman he loves, who loves him because she's also foolishly played the martyr to the point of NO return.
The film is a cop out. No film should hinge on the changes in a minor character; it should be the leads whose actions set the course. In fact, the ending even goes against common sense:
1) the wife's new persona has accepted the split, so has the son. That he's alive is enough for her.
2) As for Joan, he loves her and Joan loves him. They've taken it to another level — like John Huston and Mary Astor in Dodsworth, a level the wife can't understand. They are clearly superior in their maturity, their lifestyles, their tastes.
Why not let them fade into the Florence sunset together, she with her piano, him with his engineering projects?
This is one of my very favourite films. It is about two people who are approaching early middle age having a chance at real unconditional love - and taking that chance. The casting is so wonderful and the setting is just beautiful. Although, it is an American film it has the ambiance of the post war realism of a an Italian film (Never Take No For An Answer also has this realism). The film is romantic and yet it is unsentimental. Both Joseph Cotton and Joan Fontaine are so very convincing as the lovers. On visits to Italy my wife and I have visited most of the films location. When there I just cant stop myself from singing September Song.
क्या आपको पता है
- ट्रिवियाThis was the earliest American film to feature extensive location work in Italy involving the principal actors. Whilst filming, Joseph Cotten was invited to lunch by his old friend Orson Welles, who confided that he had also invited a couple of Italian businessmen whom he wanted to invest in his film version of "Othello". The presence of a film star would, Welles hoped, influence them to put up some money. Also in the restaurant was Sir Winston Churchill, whom Welles hailed most affectionately as he walked past. He later admitted to Cotten that he and Churchill had never previously met, but that he was hoping that this, too, would impress the Italians. His strategies worked; they agreed over lunch to help finance Welles's film, and Cotten and his co-star Joan Fontaine even played uncredited cameos in "Othello" whilst they were still filming "September Affair".
- गूफ़Right after David Lawrence Jr says to Marianne 'Manina' Stuart, "We weren't sure that Madame Salvatini would forward it to him.", the street scene out the window behind them skips, revealing a projected film loop starting over again.
- कनेक्शनFeatured in Down Came a Blackbird (1995)
- साउंडट्रैकSeptember Song
from "Knickerbocker Holiday"
Music by Kurt Weill
Lyrics by Maxwell Anderson
Sung by Walter Huston
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is September Affair?Alexa द्वारा संचालित
विवरण
- चलने की अवधि1 घंटा 44 मिनट
- रंग
- पक्ष अनुपात
- 1.33 : 1
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