IMDb रेटिंग
6.9/10
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आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn urchin, scavenging on a bank of the River Thames, finds a cameo depicting Queen Victoria. So taken by her beauty, he is determined to see her and sets off for Windsor Castle.An urchin, scavenging on a bank of the River Thames, finds a cameo depicting Queen Victoria. So taken by her beauty, he is determined to see her and sets off for Windsor Castle.An urchin, scavenging on a bank of the River Thames, finds a cameo depicting Queen Victoria. So taken by her beauty, he is determined to see her and sets off for Windsor Castle.
- 1 ऑस्कर के लिए नामांकित
- 2 जीत और कुल 1 नामांकन
Nicholas Amer
- Servant
- (बिना क्रेडिट के)
Pamela Arliss
- Princess Christian
- (बिना क्रेडिट के)
Wallace Bosco
- MP
- (बिना क्रेडिट के)
Michael Brooke
- Prince Albert
- (बिना क्रेडिट के)
Ernest Clark
- Hammond
- (बिना क्रेडिट के)
Joe Cunningham
- Member of Parliament
- (बिना क्रेडिट के)
Patricia Davidson
- A Maid in Windsor Castle
- (बिना क्रेडिट के)
Grace Denbeigh-Russell
- Queen's Maid
- (बिना क्रेडिट के)
George Dillon
- Jailer
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Charming adaptation of a story that could very well have happened during the days of Victoria's reign after Prince Albert died.
I am not sure if it is a concoction of the imaginative author or not.
Either way, the heavyweight cast delivers as does the director and production -- and of course -- the charming Mudlark simply named "Wheeler". Here is a tale where our imaginations are treated to a fantasy of grand proportions. The comedy of errors during some scenes are enough to make us all giggle. Dunne and Guiness were wonderful!
I have not heard where Andrew Ray wound up. Does anyone know of his whereabouts?
This unlikely Anglophile gives it 10 thumbs up!
I am not sure if it is a concoction of the imaginative author or not.
Either way, the heavyweight cast delivers as does the director and production -- and of course -- the charming Mudlark simply named "Wheeler". Here is a tale where our imaginations are treated to a fantasy of grand proportions. The comedy of errors during some scenes are enough to make us all giggle. Dunne and Guiness were wonderful!
I have not heard where Andrew Ray wound up. Does anyone know of his whereabouts?
This unlikely Anglophile gives it 10 thumbs up!
When I saw that Irene Dunne was cast as Queen Victoria, I was ready to hate the film. After all, she seems about as much like this historical figure as Shirley Temple! There was absolutely no way they could make this work. Well, was I wrong...she was terrific and they managed to make her look like the middle-aged monarch. I was amazed.
The film begins on the filthy bank of the Thames River in London. Poor, wretched boys work the bank as 'mudlarks'--kids who will scour the shore for anything of value. This is much like the pathetic kids in places like India and Brazil who live among the garbage and scavenge for a meager living. A boy sees a cameo of the queen. He has no idea who she is but is captivated by how beautiful she looks. When he does learn it's the queen, he decides to go to Windsor Castle and try to see her. By some strange circumstances, he is able to make it inside and is eventually discovered. Where this fantasy story goes next is something you'll just need to see for yourself, but in some ways it's like another fictional story about the British monarchy, "The Prince and the Pauper". But it also has a bit of the Dickens touch--as there is quite an emphasis on social responsibility and the poor.
The acting is just lovely. Dunne is perhaps at her best, Alec Guinness is his usual amazing best and Finlay Currie, though not exactly a mirror image of the man he played (John Brown), was lovely as well. A great script, nice direction and quality all around make this a neat little fantasy film...and one that can be enjoyed by all ages.
The film begins on the filthy bank of the Thames River in London. Poor, wretched boys work the bank as 'mudlarks'--kids who will scour the shore for anything of value. This is much like the pathetic kids in places like India and Brazil who live among the garbage and scavenge for a meager living. A boy sees a cameo of the queen. He has no idea who she is but is captivated by how beautiful she looks. When he does learn it's the queen, he decides to go to Windsor Castle and try to see her. By some strange circumstances, he is able to make it inside and is eventually discovered. Where this fantasy story goes next is something you'll just need to see for yourself, but in some ways it's like another fictional story about the British monarchy, "The Prince and the Pauper". But it also has a bit of the Dickens touch--as there is quite an emphasis on social responsibility and the poor.
The acting is just lovely. Dunne is perhaps at her best, Alec Guinness is his usual amazing best and Finlay Currie, though not exactly a mirror image of the man he played (John Brown), was lovely as well. A great script, nice direction and quality all around make this a neat little fantasy film...and one that can be enjoyed by all ages.
Quite an under-stated classic with some superb film-noir scenes shot on the river-bank.
Mudlarks, scavengers for anything at all on the Thames' tidal mud-banks, were only one of the Victorian under-class of homeless, often orphan kids forced to scratch a living, some-how, or die without raising an eye-brow in the great metropolis. This film tells how one of these poor kids attempts to see "The Mother of the Country". Andrew Ray, who plays 'Wheeler' died in 2003. The rest of the cast can never quite out-act the young lad though Findlay Currie as the boozy, kind and understanding John Brown comes close.
Mudlarks, scavengers for anything at all on the Thames' tidal mud-banks, were only one of the Victorian under-class of homeless, often orphan kids forced to scratch a living, some-how, or die without raising an eye-brow in the great metropolis. This film tells how one of these poor kids attempts to see "The Mother of the Country". Andrew Ray, who plays 'Wheeler' died in 2003. The rest of the cast can never quite out-act the young lad though Findlay Currie as the boozy, kind and understanding John Brown comes close.
I found this on YouTube and I'm pleased I did. This is a black and white film from the good old days of movies, before CGI, profanity and mindless action were essential to a movie's credibility; when good acting and intelligent writing were much more important. I'm being overly cynical, I know, but you get the point.
The Mudlark is an enjoyable little film, with a cast of fine British actors of yesteryear who are a pleasure to see in action once more. The plot of this may be a bit silly in places, and sometimes it gets a bit slow (a half baked and totally unnecessary romantic sub plot doesn't help), but for the most part this is a charming movie and should be enjoyed by adults and older children alike.
The Mudlark is an enjoyable little film, with a cast of fine British actors of yesteryear who are a pleasure to see in action once more. The plot of this may be a bit silly in places, and sometimes it gets a bit slow (a half baked and totally unnecessary romantic sub plot doesn't help), but for the most part this is a charming movie and should be enjoyed by adults and older children alike.
A fine film that is mainly forgotten but still worth seeing, it deals with a homeless boy in Victorian London (1876) who rubs shoulders with two of the leading figures of the time - Queen Victoria and Benjamin Disraeli.
A heart-warming story of historical fiction, directed by Jean Negulesco, it displays the formidable acting talent of Irene Dunne and Alex Guinness. Disreali's audience with the Queen at the start draws us into the main themes of the movie. Andrew Ray, as the boy, is exceptional. The great character actor Finlay Currie plays the role of the Queen's friend John Brown, a crusty, boozy Scot and a close companion of the Queen, who takes a personal interest in the boy. (The character of John Brown was also the subject of the movie from the 1990's - Mrs. Brown, played by Dame Judi Dench.)
The role of the mudlark-a child who scavenges on the banks of the Thames is played by Andrew Ray. It was while doing this,that he found a cameo of the Queen. Illiterate and poverty-stricken, he knows nothing about the Queen but when he finds out who she is, he wants to meet her. The discovery of the child during a banquet at Windsor Castle becomes a national story, in which the Prime Minister (Alex Guinness as Disraeli) uses the issue to underscore the need for social reform and to thus win support for his government's program. The speech in the House of Commons is a high point in the movie, as is the widowed Queen's encounter with the boy near the end of the film.
Colourful conversations between Alex Guinness (Disraeli) and Findlay Currie (John Brown) add sparkle to the film as does a well-lubricated Brown as he takes the boy on a tour of the castle.
At the end, Disraeli and Brown, totally different in character, are drawn together by their love of the monarch. The widowed monarch, at first alarmed by the boy's stealing into her private residence, is moved by a second encounter when she learns that he merely wanted to see her. This also suited the Prime Minister's purpose of giving the monarch confidence to come out of seclusion.
A heart-warming story of historical fiction, directed by Jean Negulesco, it displays the formidable acting talent of Irene Dunne and Alex Guinness. Disreali's audience with the Queen at the start draws us into the main themes of the movie. Andrew Ray, as the boy, is exceptional. The great character actor Finlay Currie plays the role of the Queen's friend John Brown, a crusty, boozy Scot and a close companion of the Queen, who takes a personal interest in the boy. (The character of John Brown was also the subject of the movie from the 1990's - Mrs. Brown, played by Dame Judi Dench.)
The role of the mudlark-a child who scavenges on the banks of the Thames is played by Andrew Ray. It was while doing this,that he found a cameo of the Queen. Illiterate and poverty-stricken, he knows nothing about the Queen but when he finds out who she is, he wants to meet her. The discovery of the child during a banquet at Windsor Castle becomes a national story, in which the Prime Minister (Alex Guinness as Disraeli) uses the issue to underscore the need for social reform and to thus win support for his government's program. The speech in the House of Commons is a high point in the movie, as is the widowed Queen's encounter with the boy near the end of the film.
Colourful conversations between Alex Guinness (Disraeli) and Findlay Currie (John Brown) add sparkle to the film as does a well-lubricated Brown as he takes the boy on a tour of the castle.
At the end, Disraeli and Brown, totally different in character, are drawn together by their love of the monarch. The widowed monarch, at first alarmed by the boy's stealing into her private residence, is moved by a second encounter when she learns that he merely wanted to see her. This also suited the Prime Minister's purpose of giving the monarch confidence to come out of seclusion.
क्या आपको पता है
- ट्रिवियाAlec Guinness' speech to Parliament, in the role of Benjamin Disraeli, is delivered in an unbroken, single take of nearly seven minutes of impassioned dialogue.
- कनेक्शनVersion of Victoria the Great (1937)
- साउंडट्रैकSilent Night, Holy Night
(1818) (uncredited)
Music by Franz Xaver Gruber
Lyrics by Joseph Mohr
Sung by Carolers during the Christmas season
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Mudlark?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Der Dreckspatz und die Königin
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 39 मि(99 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
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