The Killer That Stalked New York

This is a really dark movie. Noir indeed. The title character is smallpox, brought into New York City unknowingly by Evelyn Keyes.

She is on one mission when she arrives and on a rougher one after she's spoken to her no longer innocent sister. But she herself is not intentionally a killer. This doesn't mean she doesn't kill. It doesn't mean her presence somewhere among eight million other people doesn't throw the city into turmoil.

Keyes is excellent. The supporting cast is very good too. There are several little-known people involved in this -- the director included. Don't be put off. It is a movie to be reckoned with! (And how nice to see a Columbia picture. Columbia and Republic turned out wonderful comedies and noirs; yet we hardly ever see them anymore.)

I caught this movie late at night on the Encore Mystery Channel. There was never a dull moment. The plot was plausible, the acting very good, and the photography great! I find it "amazing" how the scripts and dialogues were so often more intelligible back in the "good old days" of movies. There was not the incessant obscene and crude language that pervades most of today's films. The pacing was right on and the ending suspenseful. I only wish I could purchase it. Oh, by the way, am I the only one bored by the never ending credits? They seem almost as long as the movie. Does anyone, besides mommy or daddy, really care who the movie's caterer or grip was? With the above out of my system, if you get the chance, see this flick. It is a winner.

From 1950 comes a neat thriller about a couple smuggling diamonds from abroad and also the contagious disease smallpox. Evelyn Keyes pulls out all stops as the essential victim of this film-noir. Once back in the United States she is not aware that she could be spreading the disease on everyone and everything she comes in contact with. Eventually she is pursued and must be stopped before an epidemic occurs. Other than Keyes striking performance there is good support from villainous Charles Korvin, William Bishop, Dorothy Malone, Lola Albright and Whit Bissell. The finale is a humdinger with Miss Keyes on the ledge of a building with spotlights and hundreds of spectators below. A good B flick!

THE KILLER THAT STALKED NEW YORK is small pox. The woman who has it is EVELYN KEYES, whose bleached blonde hair and harsh unflattering make-up makes her look a far cry from the cutie she played in THE JOLSON STORY. She gives a chilling performance as a woman stiffed by her boyfriend (CHARLES KORVIN), both of them diamond smugglers unaware that in Cuba she picked up the deadly smallpox disease.

The good supporting cast includes WILLIAM BISHOP, WHIT BISSELL, RICHARD EGAN, DOROTHY MALONE, LOLA ALBRIGHT, and JIM BACKUS. It's photographed in film noir documentary style with voice-over narration, as many films of the '40s and '50s were--similar, in fact, to PANIC IN THE STREETS, another thriller with Jack Palance as the deadly carrier.

It's fast paced, with never a wasted moment of time in telling a story that runs one hour and nineteen minutes. Miss Keyes demonstrates that she was a much more talented actress than anyone ever suspected, with hidden depths in her portrait of a vengeful woman.

Well worth watching.

This film about a woman who returns from Cuba to New York City with both smuggled diamonds and smallpox is a fairly typical film-noirish melodrama of the late 40's/early 50's. Will the police and Health Department officials find her in time to save NYC from an epidemic? The film has all the elements one expects from this type of film: great black and white cinematography, romantic subplots, over-the-top shady characters (one played by Jim Backus, "Mr. Howell" of "Gilligan's Island" fame) and too-good-to-be-true good guys, and great New York locations. It also has a hammy narration and some corny dialogue, but it is a fairly suspenseful and generally fun way to spend 75 minutes.

However, the situation which probably seemed like far-fetched (but plausible) fiction in 1950, seems frighteningly possible today. The anthrax attacks of 2001, the fears of weaponized smallpox being used by terrorists, the concerns about vaccinations and the amount and safety of vaccines, the inability of governmental agencies to work together and share information effectively all come to mind when one watches this film. This gives it a bit more resonance today than other more dated noirish "chase" films of the same era.

Overall, only a pretty good film but definitely worth a watch for the subject matter and its relevance to today's fears about bio-terrorism.