The Jackie Robinson Story

If the obviously affable Robinson doesn't come across as a "good" actor, it might be more the fault of the production than himself. Though it's an important movie about a great sports pioneer, it has too many marks of a B-movie production. Too much exposition by characters who should have more interesting stories (wouldn't you want to know more about the USC athletic director who said the only color he cares about is "blue and gold?" Also, Louise Beavers gave a very subdued performance considering it was one of her few roles where she wasn't playing someone's maid. Other hallmarks of the B production were about two minutes of running used for the stock footage of calendar leaves falling to mark the passage of time, the old "spinning headlines" of newspapers with the same articles beneath, the fact that Jackie's baseball scenes were shot at just two ballparks (I'm not even sure his Dodgers scenes were shot at Ebbets Field; the field doesn't quite match the long shots of Ebbets) and the "flashback voices" that ran through Jackie's head when he was set to fight with some white hecklers. This film could also be considered as a product of the McCarthy era in which it was made. It did ignore Jackie's problems in the Army (because it's "un-American" to criticize the military) and ends with Jackie's flag-waving radio address before Congress. Branch Rickey, who in real life did spend several years trying to get pro baseball to desegregate, has a lot of "let's behave like real Americans" dialogue, but tempered with his admission to Jackie that he scouted him because we wants the Dodgers to win a pennant. Despite my quibbles, I think this is an important movie and I'm glad it's around for us to see. I am also torn between feeling that it might be better remembered had it not been a small studio picture, and the possibility that a major studio would have completely glossed over the prejudice portrayed in the film. <i>Note: Jackie's Dodger uniform number, 42, had been officially retired by every team in Major League Baseball. "42" is also the Ultimate Answer to Life, the Universe and Everything, as explained in "The Hitch-Hiker's Guide to the Galaxy." Coincidence? I think not.

Yes, Jackie Robinson portrayed himself in this 1950 B-movie "docudrama." Perhaps that was a mistake. Robinson was a great baseball player, a pioneer, and a true hero of the civil rights movement. What he was not was an actor. And while this is an important film because of Robinson's presence, it is not a good film.

His historically important stint in the U.S. Army was glossed over. There was no mention of his court martial for refusing to sit at the back of the bus on an Army transport in Texas (he won--see movie "The Court Martial of Jackie Robinson"). There was nothing about the Kansas City Monarchs and his playing on the same team as legendary hurler/baseball showman Satchel Paige (see movie "Soul of the Game.")

While there was an attempt made to show the racial injustices Robinson faced, first as a member of the Triple-A Montreal Royals of the International League, then with the Dodgers, this movie was more of a feel-good, 1950s, African-American Horatio Alger piece of public relations. For all the bite the screenplay had, it could have been written by the Dodgers P.R. office. It also made a running joke of brother Mack's "steady job." Mack Robinson was a janitor/street sweeper who could not find a better job despite a college diploma and a silver medal as a sprinter in the 1936 Olympics. The only reason he wasn't hired somewhere as a coach was racism. The movie tried unsuccessfully to make that point, but racism was not a popular subject in 1950 America, especially when the filmmaker's agenda was selling movie tickets, so the reason for Mack's lowly employment status was hinted at, not confronted.

There are two redeeming qualities in the movie: Ruby Dee as Robinson's wife, Rachel, and the appearance of Robinson himself, actor or not. Dee, who was one of Hollywood's most beautiful women at that time, was an excellent physical match for the lovely and intelligent Rachel Robinson. Her acting performance transcended an otherwise bad film. Ironically, forty years later, she would play Robinson's mother in "The Court Martial of Jackie Robinson." As for Robinson himself, those who only know him from Black History month can see firsthand that he was an intelligent, articulate human being, despite being ill at ease on the movie set. What also comes through about Robinson is his broad shouldered physical prowess. He was not as tall as Andre Braugher, who played him in "Court Martial...," nor did he have Braugher's vocal presence. While handsome, he was not drop dead movie star gorgeous as Blair Underwood, who played him in "Soul of the Game." But he was a real athlete, who had been a four-letter man at UCLA (baseball, football, basketball and track), and who had also been the best black amateur golfer in California. The real Robinson, unlike the fine actors who played him later, comes across as the real athlete he was.

I grew up at a time after Jackie played so I couldn't experience Jackie enough because he died before his time, This film is a chance to see and hear a very important man. This film makes the man more real to me. It's not so much for entertainment as it is for posterity. How many other films will you find with the real Jackie Robinson in it? The quality of the film is secondary to having a visual account of such an important man. The baseball sequences are reenacted but that is Jackie swinging at the ball and running the bases. I could care less if the film was good or not. Direction, editing, even acting are of little consequence. For the record, it's not great but it's okay.

Yikes--the print for this public domain flick is a mess! Yes, it's scratchy, a bit blurry and the sound isn't great, but it's also a great chance to see Jackie Robinson himself play in this bio-pic.

This biography of Jackie Robinson has sanitized his life just a bit by the filmmakers. However, despite a few omissions here and there, the film is a decent biography--a billion times better and more truthful than the awful bio-pic on Babe Ruth completed just two years earlier. When I say sanitized, I mean some parts of Jackie's life are omitted because they didn't portray the image some folks wanted to give in the film. So, Jackie's military history is pretty much ignored--even though he dealt with A LOT of racism and a court-martial that was motivated by the color of his skin and Jackie's unwillingness to be treated like dirt. I think including it would have made for a better film, as he showed a lot of character but it just didn't fit into the 'turn the other cheek' portrayal in the film. Plus, perhaps it was too big a topic to include in this relatively short film. Overall, a decent film and it was nice to see that Robinson wasn't at all bad as an actor! Well worth seeing and a nice bit of Americana.

Some things of note in the film:

Jimmie Dodd plays a minor role as a scout for UCLA. Dodd later went on to be the host of the popular kids show, "The Mickey Mouse Show".

Robinson was a star in college in basketball, baseball, track AND football. The film talked about all but his track prowess.

The films shows such troubles encountered by black ballplayers as not being able to eat in restaurants, being booed just for being black and outright hostility.

The use of 'boy' and the almighty N-word might offend many today but it DID add realism to the movie. I'd hate to see political correctness sanitize race films too much.

This has to be one of the most cheaply made movies I have ever seen. But it is a good movie anyway, well worth a few bucks to rent and an hour and fifteen minutes of couch time. Jackie Robinson does a decent job as an actor. Hollywood should remake this film because today it can be told with more truth than back in 1950. A remake would be able to graphically detail just what Robinson had to put up with to break the color barrier in baseball. The only thing that really bothered me about this film is that it made a hero out of Branch Rickey. Maybe Rickey deserves such status for seeing it through with Robinson, but I don't think his motives were as altruistic as portrayed in this movie.