Hi-Jacked

"Hi-Jacked" is a cheap B-movie from Lippert Productions. Despite its low cost to make, it's actually a pretty dandy film.

Joe Harper (Jim Davis) is on parole and found a job as a truck driver. One day, his truck is hijacked and his load is stolen. Despite this, his boss says he has faith in Joe and keeps him on with the company. However, while this sounds nice, the plan is actually to use Joe as a scapegoat an they deliberately target him again for a hijacking! Joe is now fired and is unable to find work...so he decides to investigate on his own. And, he figures rightly...that it's an inside job.

The weird thing about this movie is that the very diminutive burlesque comic, Sid Melton, plays a crook named 'Killer'! Talk about playing against type...and you may remember him as Alf Monroe from "Green Acres"...as well as Jim Davis from "Dallas".

Despite the cheap look to the film, it's actually pretty good. Davis is particularly good and the action sequences are pretty convincing. Worth seeing if you like well made Bs.

An ex-con trucker works to clear himself from involvement with a gang of hi-jackers.

Can't expect much from a cheapo Lippert production, but this little programmer manages some interest. Davis does well as an ex-con truck driver. His skinny, towering frame and bushy hair have a different look from the usual Hollywood lead. The movie also benefits from highway filming along a major route into LA. Then too, I expect there's some insight into hi-jacking operations of the time since that angle appears pretty realistic.

But why-oh-why does Lippert insist on putting pint-sized Sid Melton in so many of their productions. Here, his silly phony tough guy does nothing but detract from what's otherwise a sober crime drama. Not so, the one-and-only Iris Adrian as a hash house waitress. Too bad Lippert didn't realize she furnishes enough expert comedy relief without the clumsy Melton. Also, look for Paul Cavanaugh (Hagen) whose polished bad guys graced many superior productions of the 30's and 40's.

Nothing special here. Just one of those minor programmers that would soon get absorbed into half-hour TV, in this case, into Highway Patrol (1955-1959).

"Joe" (Jim Davis) is a trucker who falls foul of hijackers for a second time, arousing the suspicions of the police who discover that he has a record. Things only get more complicated when he is discovered transporting contraband. "Joe" quickly realises that he is being set up, but can he find out by whom before the cops conclude that he belongs back behind bars? It's quite a well paced little action thriller, this, that is just sadly let down by some really mediocre acting and loads too much dialogue. The usually reliable Paul Cavanagh isn't given enough to do and the really unremarkable Marcia Mae Jones ("Jean") way too much as we head to a predictable, but quite exciting, conclusion. Sam Newfield does a competent job directing this tale of roadway piracy that has a message for all potential customers about the extent of this real crime on America's roads in the 1940s!

Beware of the placing of B-movies on a pedestal. I'm used to the lionizing by lovers of cheap junk from recent decades (a la Troma fandom in the spurious "so bad it's good" POV reflected in thousands of IMDb reviews) but in the case of "Hi-Jacked" we have an authentic, vintage B movie that also impresses the fans.

Actual movie has little to offer. Very weak comic relief from the usual source, Sid Melton, a flat performance by Jim Davis who went on to much bigger things in Hollywood and a tired "inside job" sort of story about a criminal gang preying on truckers. It's not interesting on any level and offers zero suspense or thrills.

Only surprise here, for a 1950 movie, is a sequence showing a tv magazine-format presentation depicting a fur coat fashion show to help set up a story line about stolen furs. It ends with a supposedly "cute" mention of its next episode having a visit inside a prison -lame comical foreshadowing. To feature television in a movie so uncritically at this time seems counterintuitive, given the threatening competition of the new medium to movies in real life.

In France you had Gilles Grangier's GAS OIL, where a truck driver was involved with gangsters. So this one offers nothing new, everything is predictable but fun, agreeable with a Jim Davis in rather good shape and convincing in this role. Sam Newfield shows his medium quality stuff; he made better but also worse. Plus, the scheme of a man accused of a crime or offense which he did not commit and then tries to prove his innocence, this scheme is so boring to me, because the result is always the same in the end. So, I watched this one like a cow watching a train go by. It is short so I had no excuse not to try it.