Harriet Craig

Harriet Craig (1950)

*** (out of 4)

Forgotten Columbia film about a wife (Joan Crawford) who cares only about her possessions, her way of life and anything that involves her. Her blind husband (Wendell Corey) soon starts to realize that he's not married to the type of woman he thought he was. HARRIET CRAIG is a film that doesn't get talked about too often when it comes to Crawford but when you step back and look at the work she did starting with MILDRED PIERCE you can't help but call this another winner. As I go through these post-MGM Crawford films I must say that my respect for her continues to grow because she took on all sorts of roles and did a wonderful job at all of them. There's just something so evil and cold about her character here and it's something that perhaps lived inside of the actress. If MOMMIE DEAREST had been written like this film it would have been a masterpiece. If Faye Dunaway's performance was as great as what Crawford delivers here then I think she would have been willing to talk about it. I mention that film because the type of character that film portrays Crawford as is pretty much the type she's playing here. The coldness of this character is something that you'll certainly hate but the constantly lying and the way she puts herself before anything else just makes this one of the most memorable characters out there. What I loved about Crawford's performance is this bubbling evilness that you can feel with her character and you just get the feeling at any second she's willing to make something worse just to benefit herself. Corey also deserves a lot of credit as the husband as he makes for a very sympathetic character. The sequence when everything finally breaks and the two go at it is rather priceless in regards to the brilliance of the acting. The supporting cast includes good performances by Lucile Watson, K.T. Stevens, William Bishop, Ellen Corby and Viola Roache. HARRIET CRAIG is a film that's not often talked about, which is a real shame because Crawford's performance certainly deserves more attention.

One of Joan Crawford's best roles. She plays a possessive domineering perfectionist housewife who tries to control everyone in her life, particularly her exceptionally nice husband (Wendell Corey). A lot has been said about the similarities between the character of Harriet Craig and Joan herself. Perhaps that's why Joan's performance is so superb. She plays the character of Harriet so effortlessly. Wendell Corey is terrific as her husband. Through most of the movie he's a pushover but when he finally realizes who his wife really is and what she's capable of, look out! It's a very good drama but also some funny parts. Moves along at a crisp pace. Unlike most dramas from the period (and today, really) it doesn't overstay its welcome and pad the length for another twenty minutes. Definitely recommended.

I love this movie, and own a copy of it. It's what I would call a melodrama, but has great characters, good pacing and a tightly-written script. In addition, George Duning's music score is beautiful and haunting. Joan Crawford dominates the movie, and her performance is over the top at times, but I think the other actors hold their own very well -- Ms. Crawford does not overpower them. The other characters -- Wendell Corey as the naive and deluded husband, Lucile Watson as the boss's shrewd but likable wife, and Viola Roach (I think) as the Craigs' housekeeper are all well-fleshed-out characters, and the performances are excellent. I don't think there's an actor in the whole movie who isn't memorable.

The lengths to which Harriet goes to insure the perfection of her home are comical, at times. She scolds Mrs. Harold (sp?), the housekeeper, for not remembering to close the drapes after 11:00 every morning. When she and Clare, her cousin, are out of town visiting Harriet's mother, Harriet has Clare calling everybody under the sun in her neighborhood to find out why there's nobody home. Clare tells Harriet that when she got no answer at the Craig number, she even had the operator check the number to be sure the phone wasn't out of order! There are many memorable scenes in this film, but some that I thought were particularly good were the scenes where Harriet visits her mentally ill mother in a sanitarium. Harriet simply cannot penetrate the state of oblivion that her mother dwells in to block out the world, and she's at a loss to know what to do, or how to communicate with her mother. Ms. Crawford does a good job of conveying her sadness and frustration. It is a poignant scene, serving to humanize Harriet and point up the fact that she does have genuine feelings for someone. Afterward, she confides her worries to the doctor, played by Katherine Warren, and the conversation between the two women is very revealing. I also enjoyed the scene where she and Mrs. Harold lock horns about the running of the house – Mrs. Harold isn't intimidated by Harriet, and gives as good as she gets.

This is a great vehicle for Joan Crawford, Wendell Corey, and in fact, everybody in the movie. Give it a look!

The line above is from the original advertising art, and it conveys the theme of HARRIET CRAIG very well. I have an issue with reviewers who are constantly comparing characters on the screen with the actors who portray them. Harriet Craig was a character, and that is all. There are parallels between the lives of the character and Joan Crawford herself, but one should not go so far as to say they are the same! Joan Crawford is a woman of many mysteries. Every account you could possibly read about her life is full of contradictions; was she good or was she bad, was the ruthless and cruel or was she generous and kind? She was probably all of these things and, like Harriet Craig, a complicated, non-conventional, and independent woman at war with the world.

This is where the comparison ends. The character in the film is a compulsive liar and manipulator. Harriet Craig lies about anything and everything in the spider's web she builds around her. Joan Crawford's performance is fierce and chilling in its complexity. This is a woman of astounding talent, playing a character worthy of that talent. This is one of only a handful of roles Crawford ever played that allowed her to really act, which she does so well you will forget all about those other "great" actresses which usually claim all the credit.

If 1950 was not such a tough year, I'm convinced Joan would have received an Oscar nomination for the performance. The film itself was worthy of a nomination and, as the advertising art claimed, was "one of the five best pictures of the year." I think it is comparable in quality to ALL ABOUT EVE and SUNSET BLVD., and certainly Crawford's performance is on par with the leads in those films, and one of the best of her career! One last final note: a feminist take on HARRIET CRAIG may emphasize that Harriet was just a woman trying to survive the sexist times...but Wendell Corey was such a good and nice husband, believing in their equality, that I don't buy it. Harriet was a woman hurt by her times and unfortunately taking out her mistrust of men on her innocent and good husband, as well as others around her. Harriet was, in the end, a victim of her own prejudice, and selfish, compulsive lies.

"Queen Bee" had a better title, but if you want to see Joan Crawford at her hissable best, this is the one you want! Playing Mrs. Craig, Joan is more Joan than ever. She runs her home with an invisible whip, snaking around her relatives with the sneaky, sinister airs of a cobra. And when that final dramatic sequence comes, you will be beaten and bowed but will applaud a relievedly fine comeuppance. Based on George Kelly's play "Craig's Wife", the film has a stagy look and direction, but you can't beat the title character for a worthy villainess. Harriet is a suburban monster, a notch or two above Mary Tyler Moore's character in "Ordinary People", and Crawford gives one of her best performances in the juicy part. **1/2 from ****