Colt .45

Yes its just a routine B western. But its above average and worth your viewing time.

The villain is a rotten creep as portrayed by Zachary Scott. Randolph Scott is of course stalwart and solid in the lead role. Lloyd Bridges provides solid support.

But I really like this film because Ruth Roman is not your typical pretty b-western actress here. She is tough, forceful, physical and believable as well as very beautiful. She really pops in Technicolor wearing that fringe buckskin. Absolutely gorgeous and she out-acts every male in the movie.

The immortal Stanley Andrews, the stentorian-voiced ultimate Sheriff of all Western movies and later TV's Death Valley Days, contributes his dignified screen presence.

This film is a triumph of great casting over what could otherwise be routine.

The Colt.45 is what Randolph Scott is selling, the latest item in weaponry. While selling a pair to a sheriff who's ordered them, prisoner Zachary Scott breaks free and kills the sheriff and steals the weapons Randy was about to sell. After convincing the townsfolk that he wasn't in on the jailbreak and the killing of their sheriff, Randy takes his display models and goes after Zach.

This is an average B western from Warner Brothers and it really turns on the character that Zachary Scott is playing. Zach is a really loathsome punk, but a clever one who realizes that until these weapons come into widespread use, those that possess them can be king of the mountain. He also thinks fast on his feet and avoids capture and turns the tables on Randy on more than one occasion.

Colt.45 coming out at the time that Broken Arrow and Devil's Doorway were running benefited from those far better westerns in terms of influence. Part of Zach's scheme is to frame some innocent Indians for a stagecoach robbery that Randy foils. Because of that Randy makes friends with Chief Thundercloud and his whole tribe. Colt.45 takes its place in the history of the big screen western with a more sympathetic attitude towards Indians.

Scott's leading lady is Ruth Roman who is certainly pretty and capable, but her part is rather ill defined. She's the wife of one of Zach's henchmen Lloyd Bridges another real punk, but not as clever. She switches loyalties, but really doesn't help much.

In the cast in one of his last roles for Warner Brothers where he was a contract player for about 15 years and almost exclusively appeared in films for that studio is Alan Hale. He plays another sheriff, a corrupt one.

Colt.45 is a fast paced, but badly edited film, still fans of both Scotts, Randolph and Zachary should like it.

This film was good, but there are some things that I question. First off, Scott was 24 years older than Ruth Roman, making him an unlikely suitor for her. Also, the Colt .45 was introduced in 1873, so the setting could not be earlier than that as some have suggested. I wonder why Scott was kept in the local jail for four months after he was suspected of being partners with Zachary Taylor in robberies. He should have been able to prove that he was a representative of the Colt Company with a telegram to the company. Failing that, he would have been tried and sent to prison if found guilty, not sitting in the local jail for months without a trial. Lloyd Bridges seemed to be a poor excuse for a husband with his treatment of Ruth Roman. I didn't understand that relationship. Other than that, I found the film enjoyable.

In the 1950s, Randolph Scott made a number of westerns at Warner Bros., ranging from the sublime (Andre De Toth's CARSON CITY) to the ridiculous (this one). COLT .45 (1950) has got a number of things wrong with it, including ludicrous plotting, but is at least fast-paced, well-cast and dotted with frequent bursts of violence and gunplay. The screenwriter seems to have bent over backwards to tie a standard lawman-vs.-stage robbers tale to the Colt .45 revolver which is apparently being introduced to the west at the time this film takes place. The plot has to do with an outlaw's theft of a pair of the title six-shooters and the robbery-and-killing spree that results. The owner of the guns, Steve Farrell (Randolph Scott), a salesman for the Colt company, takes off after the villain with a second pair of the six-guns. At various points during the action, Farrell is accused of complicity with Brett (Zachary Scott), the robber he's pursuing.

Zachary Scott makes a suitably snarling, mustachioed villain in a performance seemingly fueled by ample infusions of "fire water" consumed between set-ups. Ruth Roman makes a spunky and attractive heroine as the wife of a miner (Lloyd Bridges) who's in cahoots with Zachary. Alan Hale (Sr.) plays a corrupt sheriff also working with Zachary.

The most interesting thing about this western is the inclusion of a tribe of Indians who pop up at convenient moments to help hero Farrell. Given the pervasiveness of corrupt whites in Bonanza Creek, the backlot town where the film takes place, the Indians prove to be Farrell's only dependable allies. The chief is played by respected Indian actor Chief Thundercloud, who adds virtually the only note of historical authenticity to the entire film. At one point, one of the Indian women supplies heroine Roman with a very fashionable white buckskin jacket that she sports for the rest of the film.

The film is set during the James K. Polk administration immediately after the Mexican War, placing the action sometime in the 1840s. Given that photography was a brand-new (and quite time-consuming) technology back then, it's anachronistically amusing to see posters featuring a black-and-white head shot of Randolph Scott distributed to peace officers in the film.

Shot in color, COLT .45 is a relatively low-budget affair with shooting restricted to the Warner Bros. backlot and nearby studio ranches.

Randolph Scott is a salesman for Colt Firearms traveling the west demonstrating his company's newest invention, the .45 revolver to law enforcement. At a police station a slimy weasel of a man makes off with his demonstration models and goes on a robbery and killing spree, aided by the superiority of the revolver to the average one shot pistols. Scott sets out to clear his name and retrieve his guns.

Like all studio backed B-pictures, this looks good and is technically well made with good action sequences but with a somewhat forgettable script.

However, this has some novelty as probably the only fifties western where all the lawmen are portrayed as crooked villains and/or stubborn dummies while the Indians are the good guys, saving the hero's bacon on more than one occasion!

I particularly enjoyed the lighting and Technicolor in this.