All About Eve

I had read comments about the quality of the writing in this film but I really had no idea to what extent this would elevate the experience. The fact is, it leaves me with no other choice than to give it a perfect 10. Unless you see this film, I don't think you'll have the necessary frame of reference with which to to base any expectations on. It's an incredibly engrossing, moving and often comedic experience, but time and time again what knocks you over is the absolute finesse with which this script was crafted. The fact that the acting and direction are flawless and surprisingly natural-seeming (most old movies usually seem stiff or people seem to "act" too much) only enhances it that much more. With this film, you can really imagine the *people* the actors are portraying.

"All About Eve" shows some similarity to one of my other favourite 50s films "A Face in the Crowd". Both are studies of fame and celebrity. Eve shows how a person will corrupt themselves in order to attain it, whereas A Face's premise is that fame corrupts those who find themselves in the spotlight. Both have themes that are perhaps even more resonant in our celebrity-obsessed culture now than when they were made. Interestingly, Eve predates A Face by several years.

And possibly most interesting of all is the honest and often raw way in which women are portrayed, the strength of their character and the power they wield. The male contingent is practically relegated to the back seat. One might be hard pressed to find a movie quite so "liberated" today. So what more can I say? If you love movies and you haven't yet seen it, you've suffered long enough; don't wait another day.

Your number one fan, has finally met you, she's made quite a connection, and now you're paired just like a two, organises your affairs, running up and down the stairs, whatever you need doing, that's exactly what she'll do. It's not too long before the sycophant attempts, to take a little piece, of all that she has dreamt, front and centre of the stage, with an audience engaged, all established on embellishing pretence. But there's a price that success usually requires, after someone has initiated fires, their enabler's a tiger, a cunning, devious backbiter, who'll have them dangle from his strings and walk his wires.

Timeless and enduring with outstanding performances that to this day still take your breath away.

What can you say about a film like this? It has one of the greatest screenplays ever written, fabulous directing, and sensational performances by Anne Baxter, Bette Davis and George Sanders. And on top of it all, it's got Marilyn Monroe! What more could you want?!? It's full of snappy dialogue, great one liners, and a realistic and interesting plot. The epitome of good movie making. Oh, if only today's filmmakers were forced to watch All About Eve before they were allowed to make their own!

You will see yourself in every character in this very intelligent, entrancing movie. Though set in "the theatre," the story could just as easily have been told in a small town, a corporation – even a religious organization. Being set in the "glamorous" world of entertainment – its seems all the more timely in these days of fame, fortune and the insufficiency (almost shame) of being ordinary. The theatre setting also underscores the reality that the world is a stage, and all its people, players.

So much to study in this movie: the genuine, trusting (and romantic) human; the streetwise, good, hardworking human, who's seen it all and doesn't embrace it; the jaded, heart-hardened, deceitful loser with power, who admires the same and disdains human goodness; the ambitious sociopath who fools so many; the unsuspecting onlookers who see only the façade of success; the inescapable fact that supreme achievement has been had by very low characters; the painful passage of an aging woman into the light of knowing she's loved for being beautiful beyond her appearance, for being HER; the touching portrayal of her lover who remembers his love for her as he passes on a much younger, beautiful, talented actress; the sorrow of a (betraying) friend who discovers the frightened and lonely heart of her successful friend … The dialogue is sharp and clever, barked and growled, smarmy and tender… A truly human movie about being human. Go – find yourself in everyone!

What a genius Joseph L Manckiewicz was. A literary script that is totally accessible. A melodrama for the thinking man. A film that is as engrossing and entertaining every time you see it. Bette Davis touches all the raw nerves of her mythological career. Anne Baxter never went this far. Thelma Ritter became a sort of icon. Marilyn Monroe gives us a preview of forthcoming attractions as a graduated from the "Copacabana" academy of dramatic arts. Celeste Holm represents us, all of us and George Sanders creates a prototype for a cultured monster that is immediately recognizable. I don't recall another film in which the nature of selfishness is so wittily dissected. A total triumph.