Whisky Galore!

Out of Ealing Studios, Whisky Galore! is directed by Alexander Mackendrick and adapted to screenplay by Compton Mackenzie (novel also) and Angus MacPhail. It stars Basil Radford, Wylie Watson, Catherine Lacey, Bruce Seton, Joan Greenwood and Gabrielle Blunt. Music is by Ernest Irving and cinematography by Gerald Gibbs.

When a ship with a cargo of 50,000 bottles of whisky is shipwrecked near the Outer Hebrides island of Todday, the villagers, out of their whisky rations, set about pillaging as much of it as they can before the authorities take control.

Of the many thematic successes that Ealing Studios worked from, one of the highlights was the theme of a community rallying together to thwart an oppressive force. Reference Passport to Pimlico, The Titfield Thunderbolt and Whisky Galore! The latter of which was worked from a true story. In 1941 the cargo ship SS Politician was shipwrecked near the island of Eriskay in the Outer Hebrides, its main cargo of whisky and Jamaican shilling notes was mostly salvaged by the islanders. Ealing's take on the general story is condensed down to being an ode to anti authoritarianism and drink! With joyous results.

Filmed on location close to Eriskay at Barra, the production had to overcome creative differences and awful weather to become the wonderful finished product. In fact the production went well over budget, a big no no on Ealing terms. Creative difference came between co-producer Monja Danischewsky and rookie director Mackendrick, where the former was firmly on the side of the islanders' pillage tactics, and the latter siding with Home Guard Captain Waggett's (Radford) feeble attempt to keep order. Danischewsky won out, where in spite of a code enforced epilogue, film plays out rooting for the islanders, gaining much humour from Waggett being an Englishman who is completely at odds with what he sees as the Scottish islanders anarchic behaviour.

The Water Of Life.

The community of Todday is bound by its love of whisky, makers extract quality mirth by presenting the sorrow brought about by the whisky running dry, only to then have the islanders lives perked up by the stricken fate of the ship carrying "the water of life". How the people react to the news of the ships cargo, how they set about purloining said cargo and how they hide said cargo from the authorities, is what brings the joy to Whisky Galore! Rarely has a cinematic treatment to larceny been so sweet and deftly handled as it is here. There's even an aside to class distinction, a nod to religious conformity and two lightly (unobtrusive) portrayed romances within the story. And with a cast bang on form, notably Radford, Watson and the gorgeous Greenwood, it rounds out as one of Ealing's most smartest and joyous comedies.

It gladdened the hearts of many back on release as Britain continued to rebuild after the war, that it still entertains new observers even today is testament to Whisky Galore's lasting appeal. 9.5/10

Delightful post-war British comedy illustrating for the umpteenth time the fighting spirit of the "ordinary Joe" (or in this case Jock) when set against the pomposity of the would-be ruling classes. Capt Waggett (Basil Radford) is the real star here as the middle class representative of stiff upper lippery. Surely Jimmy Perry and David Croft must have drawn on him when they were dreaming up the Capt Mainwaring character for the long-running BBC TV sit-com "Dad's Army". Even one of Waggett's lines ("I was waiting to see when you'd spot that", a comment usually made when Mainwaring had just uttered some piece of logistical nonsense) made an appearance. Unmissable example of British comedy rooted in the style that made Ealing so succesful.

A lovely bit of nostalgia here, one of the greats of British comedy. The isle of Toddy becomes for a while at least a true paradise when the islanders find themselves rescuing part of the cargo of a wrecked ship carrying precious whisky, despite the efforts of the sassenach jobsworth running the local home guard. A wealth of wonderful moments, a softly-spoken gentleness that has always characterised this kind of movie (and lives on in such modern works as Hear My Song and Waking Ned), and a kind but firm lack of respect for bureaucratic authority soaked throughout the entire film make this a delight and a joy every time.

When I hear the phrase-"Celtic Twilight"-not so much in use now--I've come to think of this film. The meaning of "Celtic Twilight" might be summarized as the sense that history has passed by Ireland and other Celtic peoples in Scotland, Wales, Isle of Man, etc., and what we see now is a sort of a cultural endgame, leading to its long and inevitable death throes.

Whiskey Galore, about a wartime whiskey-starved island in the Outer Hebrides, displays these kinds of characters: a full-grown man afraid of telling his mother he wants to marry a local girl, and his intolerant domineering crone of a mother; a gossipy telephone operator; an out-of-it ferry captain, unaware of the rising sexual tension his daughters are undergoing; and dozens of mischievous, winking, alcohol-craving townspeople who are dying to loot an abandoned ship full of their beloved whiskey but afraid to do it on the Sabbath!

One more character, played by Basil Radford, is the stuffy, self-important head of the local militia, out of step with the other residents, sworn to uphold the law. Apparently the director, Alexander Makendrick, objected to the character's silly and ineffectual pomposity.

This is truly one of the great, charming Ealing comedies, very remindful to me of the Irish-American citizens of my mother's home town, Brasher Falls, New York. A gem in its sly humor--although the video copies I've seen are of a murky quality.

When I saw this film was made by Ealing Studios, I jumped at the chance to see it. That's because following WWII, this small studio made a long string of cute little gems--all with exquisite writing, acting and direction--and on shoestring budgets. Their Alec Guinness films and PASSPORT TO PIMLICO are some of the very best films of the era. So I wasn't surprised when I found I also enjoyed this slight little film about a town that ran out of whisky (the Scottish spelling) and their attempts to smuggle in a new supply of drink. Once again, the very simple story was deftly handled and it was quite entertaining. There were only two drawbacks--neither one might affect you personally. The first was the language. While I watch tons of British television and movies, I, like most Americans have a much harder time understanding Scottish accents than English accents. I really would have loved subtitles or closed captioning, but the videotape I saw had neither. Secondly, the quality of the print was really lousy. Both these problems can be blamed on Critic's Choice Videos. I've seen other films from them and must say they produce among the WORST quality videotapes--try to find ANY other brand.