The Threat

CHARLES McGRAW is not the first name you think of when it comes to actors who specialized in good film noirs during the '40s and '50s, but in THE THREAT he shows why he was one of the best in this genre.

McGraw is an ex-convict who kidnaps a D.A. (FRANK CONROY), a policeman (MICHAEL O'SHEA) and a singer (VIRGINIA GREY) to get even with them, his revenge motive. Pretty JULIE BISHOP is O'Shea's worried wife.

There's not a wasted moment of running time in the brisk one hour and six minute film. It starts with the prison break, proceeds with the kidnapping and the suspense remains taut during the police investigation and chase. It was obviously filmed on a low budget, but the B&W photography is crisp and all the performances are first rate. RALPH BYRD as a thug and VIRGINIA GREY as the captive girlfriend do well in good supporting roles.

It's McGraw who makes the strongest impression as a steely-eyed killer, especially during the tense closing scenes with the captives held at gunpoint. Well worth watching.

I remember the first time I saw this movie- almost twenty years ago on AMC. Charles McGraw BLEW me away!!! He has been my favorite actor EVER SINCE!! He steals this movie from Michael O'Shea and with his steel blue eyes totally captivates every scene he is in. McGraw clearly IS the movie and in every scene demonstrates why he was and is considered to be one of the movies best villains. McGraw's "technique" lets us know that he was an actor to be reckoned with and that he was going to be around for a long time, which he was- another forty years as one of our better character actors who was given the lead in a few "B" movies and provided support in many "A" and "B" movies. To say nothing of the numerous television appearances he made. I can not envision too many actors taking this role and fully making it his own the way Mr.McGraw did. Even though his "look" left him for the most part typecast, he was one of our best character actors and "The Threat" bears the proof. Once you hear that voice, see those eyes and watch him do his stuff you can't take your eyes off him!! A Wonderful and Compelling Actor. Signed Mercedyz

It took about 10 minutes for me to get into the story, because I didn't recognize any of the actors at first and I wasn't sure who I was supposed to identify with; but this turned out to be a typically tough and snappy little crime caper (65 minutes long) from director Felix Feist.

Feist really knew how to use his small budgets wisely. He creates a tension-filled atmosphere, keeps things moving at a crisp pace, deftly establishes and stokes conflicts, and can usually be counted on for one "bravura" piece of camerawork in every film (here, it takes place at the climax in the desert shack). He was just a very sound and capable filmmaker.

What also seemed to stand out about his work was how single-mindedly sadistic and downright mean his bad guys were. Here, Charles McGraw plays an escaped convict whose thirst for revenge against the detective and D.A. who put him away, really fuels the film and keeps it on track. McGraw emerges as very controlled, coiled and menacingly methodical. It's a good part and a very fine performance - the guy just doesn't give an inch and you find yourself having to respect that.

Generally, when low budget crime movies fail it's because the bad guy is stupid or lets his guard down at a crucial moment - none of that here. McGraw is going out on a limb with his plan and he knows sooner or later that limb is probably going to snap, but the way he figures it it's well worth the risk.

This little-known 'B' noir – tightly-paced and efficiently handled by journeyman Feist – provides Charles McGraw with one of his best roles as a vicious escaped criminal out to get the three people responsible for his conviction; clearly resourceful, he manages to kidnap all of them within the space of a few hours from his freedom (with the help of two other associates)! The film makes great use of confined spaces: in their attempt to escape detection on the way to crossing the border into Mexico, the gang exchanges their hide-out a number of times – a house, a moving van (conveniently concealing a police car inside it which, apart from carrying the hostages, allows McGraw to know the pursuing force's every move!) and finally a cabin in the desert.

As with other post-war examples of the genre, the violence is more pronounced – in particular the stunning sequence in which McGraw pins the hero to the floor (by stepping on the latter's outstretched arms) and breaks a chair over his face! The hero, however, is rather colorless and it's the young van driver (himself an unwilling captive) who offers the most resistance to McGraw and gang – though, in their final confrontation, the criminal is able to disarm him in the blink of an eye!

Ultimately, this proves to be yet another title which has so far been curiously overlooked for DVD release – indeed, it would make an ideal choice for the next instalment of Warners' much-anticipated "Film Noir Collection"...

In my opinion, Charles McGraw is probably the best and best known actor of the post war / film noir genre. Sometimes he was one of the good guys, and sometimes one of the bad. In "The Threat", he's the baddest. Michael O'Shea and Virginia Grey get top billing, but compared to McGraw they're hardly even in the film at all. McGraw is clearly the star of this movie, and he's absolutely terrific as a no nonsense, cold blooded killer. Those piercing eyes of his go right through you. Just about as scary a movie criminal as there ever was. Scary because criminals like this actually do exist, and a great little film like this brings the audience enough into the movie that you can't help but think "what if I were kidnapped by a homicidal lunatic like this?" At 65 minutes, "The Threat" is a very tight film noir type crime drama filled with tension, and Charles McGraw is the center of picture. Great film and a great under rated actor with Charles McGraw. I've been a fan of his for years, and thanks to a recent run on TCM, I finally got to see what has to be his best starring role.