The Spider and the Fly

This is a slow-paced but solid film about a police inspector, played by the calm and unruffled Eric Portman (the spider) and his quarry, a master thief and safe cracker (the fly), who is played by Guy Rolfe. Rolfe was excellent in another film which he made this same year, PORTRAIT FROM LIFE (1949, see my review). He is just as good in this one as well, though playing a very different type of character, and one far less sympathetic. Robert Hamer directed this, one of only 14 films which he directed. He retired from the screen at age 49 and died at age 52, hence the small number of his films. He is best remembered for directing KIND HEARTS AND CORONETS (1949), this very same year, with Alec Guinness. The love interest in this story is played by the Romanian actress Nadia Gray, who has both men in her thrall but has a wild passion for Rolfe which at first he does not return. This was only her second film, the first being a French film in this same year which has never been reviewed on IMDb and may be lost, or at least lost to memory. Portman finally catches the elusive Rolfe and send him to prison, but then a wartime situation arises which requires a crucial document to be stolen from the safe of The German Legation in Switzerland. Portman recruits Rolfe for this task and the thief thus uses his safe-cracking and building-climbing skills to get the document and fight the Germans. It is a good film, well made, but somewhat slow. It would not have seemed so in 1949, perhaps, but things have speeded up now.

Robert Hamer's next film after 'Kind Hearts and Coronets' was this super-stylish precursor to the same director's 'Father Brown' five years later; which feels like an adaptation of a novel but was actually an original screenplay. Continuing his fascination with criminality and deception while studying the bond that develops between a gentleman thief and a detective against a French backdrop, in his tragically sparce career before he drank himself to death aged just 52 he also made two other films with French settings, one of them even called 'To Paris with Love'. It also anticipates 'The Dirty Dozen' and numerous other war films in it's proposition that criminals constitute a valuable resource in wartime.

In answer to an earlier correspondent, Guy Rolfe's career never really took off because health problems made him difficult to work with; although he fortunately enjoyed a late career resurgence in the 'Puppetmaster' series.

A well cast and well paced police drama set in Paris just prior to WWI featuring Eric Portman as the professional and unemotional detective Fernand Maubert and his adversary the aristocratic gentleman thief and bank robber Philippe Lodocq played by the exceptionally tall Guy Rolfe. In some scenes I'm sure his lover, the demure Madeleine (Nadia Gray), is standing on something so as to kiss him. As the Hun approaches Paris, the French government tempts Philippe with a pardon and a wad of cash to do a little espionage. The film ends well with an unexpected twist. British film buffs should look out for a young George Cole (aka Arthur Daley)in the dual role as a trainee detective and actor. Also Arthur Lowe (Dad's Army) appears as a nervous town clerk. Note: This is not a film for those trying to quit smoking. In every scene every man smokes furiously and towards the end even the fair Madeleine lights up.

Police inspector Eric Portman (Maubert) is permanently on the case of gentleman thief Guy Rolfe (Philippe), who is a character similar to David Niven's gentleman thief in the original "Pink Panther" film. The film is set in France just before World War 1 and we watch Portman and Rolfe play out a cat-and-mouse game as various robberies are carried out. Nadia Gray (Madeleine) plays the love interest for our two male leads. She is part of Rolfe's crooked network and Portman is constantly at her to shatter Rolfe's alibis. An undercover operation finally finds Rolfe caught in the act but the outbreak of war leads to new priorities and Portman asks for his old adversary to be released from prison to assist France in stealing some important documents from Switzerland. The film then turns into a buddy-buddy movie as these two characters work together to complete their mission. Can they succeed?

I really enjoyed this film. The acting is good and Portman (representing detection) and Rolfe (representing crime) are extremely likable in their roles and play off each other with a camaraderie that will have you relishing in them working together in the latter part of the film. The dialogue is good throughout and not one scene is wasted. An amusing occasion occurs when Portman arrests Rolfe and they go into a bar on the way to jail to share a cognac together. Portman pays way in excess of the cost of the drink and when this is pointed out by the barmaid, he replies that it is for the glasses as well at which point both Portman and Rolfe smash their glasses onto the floor. It's amusing and it strengthens the bond between them. I dare you to try it next time you have a drink in a bar.

There are a couple of twists at the end which are quite moving. It's a good film to keep and watch again.

A committed and cunning detective (Portman) is out to catch his nemesis and a man he respects - sophisticated burglar, Rolfe. During his investigations he falls in love with Rolfe's confederate (Gray), who in turn worships Rolfe. This triangle of love and crime comes to a head when WWI breaks out and Rolfe's skills could now become very useful.

Enjoyable thriller / drama focussing on 3 people who rather like / love each other, but how will it all get resolved. The characters are perhaps a bit cold and underdeveloped but the acting, particularly from Portman is strong and it has a playful, sometimes witty script.