State Department: File 649

Bill Lundgren is forced to be the "army, navy, and marines" all rolled into one as he infiltrates the underground in communist China.

After learning how to be a good spy, Lundy literally bumps into pretty Virginia Bruce, whom also is a trainee in Washington. Our heroes part, but re-emerge in one another's company when serving in Peking. Frank Ferguson tags along as Lundy's boss. Fine veteran actor Joe Crehan plays a U.S. government official.

Fun at the start with some interesting narrative background concerning the Department of State, though things slow down a bit as the film progresses to the eastern hemisphere.

Worth a look as a period piece from the prime of the Cold War.

"State Department" is a strange film because it's about politics in China but never mentions the communists--who assumed power the same year this film debuted! It's also a rather cheap and insignificant film.

The movie begins with a prologue about various workers in the foreign service who have given their lives for their country. One of these people is the subject of this film. Ken (William Lundigan) is the new vice-consul of a remote consulate in northern China. However, he just arrives at his new posting when a local warlord arrives and begins menacing everyone. This sort of stuff did happen in the 1920s and 30--and I assume that this is the time period in which the movie is based.

The film is decent but a bit dull. While it's not a bad film, it never rises to anything more than just barely average. Lundigan and the rest are pretty good--it's just that the story never seems too interesting.

This film highlights the complete ignorance of both Hollywood and the State Department when it came to analyzing events in both China and Mongolia in 1949.

Initially, the US sided with Chiang Kai-Shek and the Chinese Nationalists at the start of the Chinese Civil War with the Chinese Communists and Mao. The KMT controlled the cities, and the CCP controlled all the areas outside of the cities.

Mongolia was taken back from Japan by China in 1945, but since it was far away from any major Chinese city, it inevitably fell into CCP hands. The actors give it their best, but no one could rescue the poor production values, the preposterous script, and the corny dialogue that composed this turkey. Better to spend some time on YouTube and research the actual events of the Chinese Civil War.

This is a difficult film to review. William Lundigan plays a nicely heroic Amercian with a warm, charismatic radio-trained voice; Richard Loo is great as the temper-tantrum-throwing villainous warlord marshal, with Philip Ahn as his civilized aide-de-camp; and Victor Sen Yung is splendid as a heroic Chinese-American radio operator. There are also cute turns by Milton Kibbee (Guy Kibbee's brother) as a pot-bellied fur trader, Barbara Wodell as a hysterical neurotic, and plug-ugly ex-pro wrestler Henry 'Bomber' Kulky as a Mongolian (in your wildest dreams) sergeant-at-arms, but despite these little highlights, the whole film is excessively talky, suffers from a patriotic narrative introduction, features muddled motivations (would the State Department actually send a female secret agent to Mongolia to deal with the emotional problems of a depressed, piano-playing secretary???), is rather set-bound (are those the "Republic Rocks" i see out back in Mongolia?), and ends on a weirdly sudden note, thus removing it from any consideration as an undiscovered classic.

Also working against this film's revival or renewal of popularity is the plot line's firm tie to then current events. How many modern viewers will understand the backdrop of what the script refers to as "the present crisis" -- the fact that, in 1949, this meant the Communist take-over of China, with Mao Tse-Tung wresting control from the pro-American Generalisimo Chiang Kai Shek?

Communism might have made a credible opposing force to the heroic American men and women of the State department, but the film-makers apparently wanted to play it safe and, not knowing which way the cats were gonna jump in old Peiping, they inserted a stereotypical "Mongolian Warlord" figure as the opponent to America's interests, a "Yellow Peril" threat that was dated at the time and hasn't aged well since. There was an attempt to cover this anachronism in the screenplay by stating that the marshal's father had been a local "prince" and that he himself -- despite the fact that his followers are dressed in Maoist People's Army type uniforms -- are actually out of favour with the "central government" -- but the effect comes across as a fairly transparent screenwriter's ruse, because if the marshal was a Mongolian prince, educated at Oxford, then why were his foot soldiers wearing Maoist style clothing?

Campiest line in the story, delivered by Philip Ahn, after Richard Loo goes ape on Victor Sen Yung's communications set-up:

"The marshal is very angry. He has broken your radio."

Spoken in the voice of Monty Python's Michael Palin as Cardinal Ximenez, that would have been a classic! As it is, it's just weird.

Slow-moving Cold War cheapo without the courage of its convictions. In '48 the Chinese Civil War was in full swing-- red Mao vs. nationalist Chiang, with an outcome still in doubt. The Soviets half-heartedly supported the rebel Mao while the US supplied the nationalists. With the Cold War heating up across Europe and Asia, Hollywood began celebrating government agencies in what many saw as a first line of defense against communist penetration. Here, it's the State Department getting the cosmetic treatment. Note, for example, the celebratory prologue.

The impressively handsome Lundigan plays a Foreign Service officer sent to China to assist a besieged legation. There, while romancing colleague Bruce, he experiences the brutal machinations of a warlord (Loo) who's playing both warring sides against the middle. In short, the material implies a larger scale drama than what it receives from this indie production. At the same time, the script plays it safe, never once mentioning communists or Mao. Instead, they're referred to as rebels in the North, while the US maintains diplomatic ties with the government in the South. In short, the screenplay tries to clumsily finesse a critical issue of the day, while we read between the lines.

As other reviewers point out, there's much too much talk dominating the latter half, most of it within the cheap confines of warlord Loo's trailer! The gab adds up to a downer despite the fiery upshot. On a similar note, Lundigan's spiffy gray suit remains unblemished no matter the grimy surroundings-- no doubt a concession to the Service's image. Too bad director Newfield adds nothing to the pedestrian script. Some atmosphere would have helped

On the other hand, crowded scenes of the Chinese town are well done and fairly persuasive, even though the production never leaves greater LA (Iverson Ranch, and the studio). And what a neat burst of inspiration to couple the Chinese fire-eater with the American bubble-gum chewer. In my book, it may be the movie's highlight, an amusing pairing of East and West. At the same time, chubby little Michel just about steals the show from the stiffed-up adults.

All in all, the 87-minutes unfortunately adds up to a bigger bite than the meagre budget could chew.