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Shockproof

  • 1949
  • Approved
  • 1 घं 19 मि
IMDb रेटिंग
6.5/10
2.7 हज़ार
आपकी रेटिंग
John Baragrey, Patricia Knight, and Cornel Wilde in Shockproof (1949)
Film NoirCrimeDramaRomance

अपनी भाषा में प्लॉट जोड़ेंA parole officer falls in love with his client, a ravishing blonde who served time for murder, and he's determined to help her go straight despite her interfering criminal boyfriend.A parole officer falls in love with his client, a ravishing blonde who served time for murder, and he's determined to help her go straight despite her interfering criminal boyfriend.A parole officer falls in love with his client, a ravishing blonde who served time for murder, and he's determined to help her go straight despite her interfering criminal boyfriend.

  • निर्देशक
    • Douglas Sirk
  • लेखक
    • Helen Deutsch
    • Samuel Fuller
  • स्टार
    • Cornel Wilde
    • Patricia Knight
    • John Baragrey
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.5/10
    2.7 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Douglas Sirk
    • लेखक
      • Helen Deutsch
      • Samuel Fuller
    • स्टार
      • Cornel Wilde
      • Patricia Knight
      • John Baragrey
    • 52यूज़र समीक्षाएं
    • 40आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो13

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 6
    पोस्टर देखें

    टॉप कलाकार50

    बदलाव करें
    Cornel Wilde
    Cornel Wilde
    • Griff Marat
    Patricia Knight
    Patricia Knight
    • Jenny Marsh
    John Baragrey
    John Baragrey
    • Harry Wesson
    Esther Minciotti
    Esther Minciotti
    • Mrs. Marat
    Howard St. John
    Howard St. John
    • Sam Brooks
    Russell Collins
    Russell Collins
    • Frederick Bauer
    Charles Bates
    Charles Bates
    • Tommy Marat
    Shirley Adams
    • Emmy
    • (बिना क्रेडिट के)
    Gilbert Barnett
    • Barry
    • (बिना क्रेडिट के)
    Richard Benedict
    Richard Benedict
    • 'Kid' - Knife Wielder
    • (बिना क्रेडिट के)
    Paul Bradley
    Paul Bradley
    • Airline Clerk
    • (बिना क्रेडिट के)
    Argentina Brunetti
    Argentina Brunetti
    • Stella
    • (बिना क्रेडिट के)
    Paul Bryar
    Paul Bryar
    • Man in Car
    • (बिना क्रेडिट के)
    John Butler
    John Butler
    • Sam Green, Pawnbroker
    • (बिना क्रेडिट के)
    Claire Carleton
    Claire Carleton
    • Florrie Kobiski
    • (बिना क्रेडिट के)
    Cliff Clark
    • Mac - Police Lieutenant
    • (बिना क्रेडिट के)
    King Donovan
    King Donovan
    • Joe Wilson
    • (बिना क्रेडिट के)
    Al Eben
    Al Eben
    • Joe Kobiski
    • (बिना क्रेडिट के)
    • निर्देशक
      • Douglas Sirk
    • लेखक
      • Helen Deutsch
      • Samuel Fuller
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं52

    6.52.7K
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    फ़ीचर्ड समीक्षाएं

    5Henchman_Number1

    You Won't be Shocked

    Real life husband and wife Cornel Wilde and Patricia Knight star as parole officer / parolee in this quasi noirish post-war drama. Wilde, who is assigned as Knight's parole officer, insists that as a condition of her parole she no longer associate with her former boyfriend, unsavory gambler (John Baragrey). Wilde who is smitten almost immediately by Knight, begins to bend the rules as Knight ignores the conditions of her parole and continues to see Baragrey. Because of her parole violations, Wilde being a concerned officer of the court, suggests Knight move into his home that he shares with his blind, widowed mother and younger brother. The situation continues on a downward trend.

    Written by hard edged, cigar chomping, World War II vet Samuel Fuller and directed by melodrama master Douglas Sirk, this movie is a contrast of styles between writer and director. In this case the director Sirk called the shots. With the assist of a script revision from Helen Deutsch (I'll Cry Tomorrow, Valley of the Dolls), Sirk plays it out more as a tortured romantic triangle with dribs and drabs of writer Fuller's permeating cynicism occasionally popping through.

    Despite a title suggesting more lurid content, 'Shockproof' offers little to actually be shocked by, probably because of the lack of any real criminal intent by the characters beyond parole violations. What tension this movie engenders is more human conflict from the soap opera style re-draft by Deutsch. With a script basically hollowed from Fuller's fatalistic influence, what's left is a sort of a well-crafted but tepid potboiler complete with a contrived populist ending.

    'Shockproof' isn't a bad movie just more of a disappointment of what could have been.
    6blanche-2

    A parole officer falls in love with one of his charges

    "Shockproof" is a 1949 Douglas Sirk film starring Cornel Wilde and Patricia Knight. Wilde is Griff Marat, who gets a paroled prisoner, Jenny Marsh (Knight) on his caseload. She refuses to give up the bad acquaintances that got her into trouble in the first place; this includes her old boyfriend, Harry (John Baragrey) whom she continues to meet secretly. Griff has taken Jenny into his home to care for his blind mother (Esther Minciotti), and over time, they fall in love. Though she's still pulled toward Harry, she balks when Harry wants her to convince Griff to marry her, a clear violation of his job ethics and her parole. Because Griff has political ambitions, they will then have them where they want him. Gradually Harry realizes that Jenny is not going to cooperate, and he ends up gravely injured. Griff and Jenny go on the run to avoid her arrest.

    This is a pretty good noir with two heavyweights attached, Sirk, the director, and Sam Fuller, who co-wrote the script. Unfortunately, the characters aren't fleshed out enough so that we understand their sudden turnarounds - a man on the side of the law with political ambitions decides to throw it all out the window, marry a client secretly, and go on the run riding in boxcars and living in shacks because though the shooting was accidental, Griff feels Jenny won't be believed. That's just Griff - in reality, all three of the main characters do complete reversals during the course of this film with little or no justification.

    Wilde does a good job here, and Knight, a new actress to me, is beautiful and has good chemistry opposite her then husband Wilde. She didn't work much longer, as after their divorce, her career dried up.

    Entertaining.
    6AlsExGal

    Make it a 6.5!

    The title is ponderous - There are no "shocks" in this film or anything that would need you to be resistant to them. Just a catchy irrelevant title I guess.

    Griff Marat ( Cornell Wilde) is a straight arrow of a parole officer with political ambitions. His latest charge is a woman, Jenny Marsh (Patricia Knight) who has just left prison after five years. Griff gets her a room and a job, but most importantly tells her she cannot see her old friends anymore, in particular, Harry Weeson, the man she killed for. But she is very beholden to Harry because he has waited these five years for her. Griff says that if he has waited that long he can wait awhile longer.

    So you have young handsome single Griff, from an ethnic background that marries young, that can't afford any scandal if he wants to go up in the world. You have confused but beautiful Jenny who feels obliged to somebody she did time for. Shouldn't it be the other way around? And Weeson is hard to figure out. He's more of a professional gambler than a mobster, doesn't appear to be cheating on Jenny, and I never could figure out exactly what he wanted from her.

    The killing Jenny did is never explained. If she was defending Weeson's life, why was it a crime? If it was her just killing somebody who was a nuisance to him, why is she out in only five years? Actress Patricia Knight is believable in this role, and although she is Wilde's wife at the time, she also looks much like Douglas Sirk favorite, Dorothy Malone, minus Malone's electricity. The reason I bring that up is Sirk directed this film.

    The first 60% of the film really has no surprises. It took one of several paths I saw it taking from the start. But then the last third is really out in left field with Griff abandoning everything I thought that made him tick and with him showing himself to be much more wily than I thought him capable.

    There is one really shocking scene when one parolee is told he is going back to prison. He begs to differ in a big way. It's definitely a Fuller touch - Sam Fuller wrote the script. But as for that ending, somebody must have locked Fuller in a broom closet and rewrote whatever ending he proposed. I'd recommend this one just because it is so very odd.
    secondtake

    A bit canned and choppy, but Wilde's performance is sharp and the filming fine

    Shockproof (1949)

    Sam Fuller, the writer of this film, is admired for breaking rules and being a little bit edgy. Douglas Sirk, the director, is known for sumptuous, no compromise melodramas with gorgeous dreamy sets and an arch and affecting artificiality. They make an odd mix, and something doesn't quite click here.

    The plot is standard fare but good--a parole officer falls for a reluctant parole, who still has a thing for a thug up to no good. The officer is terrific, Cornell Wilde at his regular guy best, a kind of echo of Dana Andrews with a little more warmth. But the main woman, Patricia Wright, is a bit wooden. You can feel her trying too hard too often, and it's just one of those things that cuts the rest of the effort down to size. Not surprisingly, she was only in five feature films, and was the lead in only one other.

    But setting aside her presence and its deadening effect, there are some things to really enjoy here. You might find the movie ordinary for awhile, with some nice clichés and a steady development. But then, halfway, there's a huge and really sudden twist. And a believable one, a great scene. Suddenly there is a whole new plot. We aren't quite involved enough with the two leads to get swept away in their love affair (as we certainly do in "Gun Crazy" two years later, or in "They Live by Night" the same year), but it's exciting anyway. There are some scenes at an oil rig and the worker's cabins (I assume it's a set) that are gorgeous.

    And then there's a sixty second surprise ending that doesn't do the movie justice and is very unlike Fuller. It's almost like someone took the script from Fuller and said, no Sam, that won't do. And rewrote it. And in fact that's what happened. One of the Columbia producers, Helen Deutsch, stepped in to remove Fuller's violent first intention. In fact, that final scene wasn't even directed by Sirk, who quit Columbia and left the country in anger (only to return and start a string of his famous 1950s masterpieces). A detailed account of all this is at www.tcm.com/this-month/article/208688%7C0/Shockproof.html.

    What else? The photography by Charles Lawton Jr. is great (he had just done Welles's vigorous "Lady from Shanghai"), and a lot of the side actors are really good, especially the gambler boyfriend played by John Baragrey. This is one of those films to enjoy in pieces, or to enjoy for how it fits into the chronologies of some of the people who made it. Wilde and Knight, by the way, were still married during the filming (Wilde insisted Knight get the part) but they split up in 1951.
    8whpratt1

    Patricia Knight Was Hot

    Enjoyed this film a great deal because I always liked Cornel Wilde, (Griff Marat) who plays the role as a parole officer and he has to deal with a very attractive gal named Jenny Marsh, (Patricia Knight) who spent five years in prison for taking the rap for murder which she did for her lover Harry Wesson, (John Baragrey). Griff tells Jenny she cannot have anything to do with her boyfriend Harry and he also put many restrictions on her because she is on parole for life. Griff begins to take a liking to Jenny but she fights him off and wants to always go back to her lover. This story takes on many twists and turns which holds your interest and I was very surprised that the hairstyle and clothes that Patricia Knight wore would even look great today, she gave a great performance.

    इस तरह के और

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    6.9
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    6.2
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    6.8
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    6.3
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    7.2
    The Sound of Fury

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      This film features the iconic Bradbury Building at 304 S. Broadway as the location of Griff Marat's office. Out of his office window can be seen the old Hall of Records Building at 220 N. Broadway (demolished 1973), which is about 0.4 miles away.
    • गूफ़
      When Sam Brooks comes into Griff's office, he leaves the door open. After he reads the folder and leaves the door is closed without him ever closing it.
    • भाव

      Jenny Marsh: I'm no longer asking you to say goodbye. I'm just saying it!

    • क्रेज़ी क्रेडिट
      Following the opening credits the camera pans onto the curb edge of the road which reads HOLLYWOOD BLVD.
    • कनेक्शन
      Featured in Behind the Mirror: A Profile of Douglas Sirk (1979)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल14

    • How long is Shockproof?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 20 जनवरी 1949 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषाएं
      • अंग्रेज़ी
      • स्पेनिश
    • इस रूप में भी जाना जाता है
      • Los amantes
    • फ़िल्माने की जगहें
      • Bradbury Building - 304 S. Broadway, Downtown, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनी
      • Columbia Pictures
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 19 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    John Baragrey, Patricia Knight, and Cornel Wilde in Shockproof (1949)
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    By what name was Shockproof (1949) officially released in India in English?
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