The Secret Garden

This film's sweet imagery and quiet pace made me long for my own secret garden. It's hard to imagine there ever was a time when people could live in this sort of peaceful solitude, with no telephones, radios or any of modern life's other annoying distractions. I strongly recommend this movie for anyone who needs a brief respite from their hectic life. It will serve as a much needed reminder of the joys of a simpler time, whether that time ever really existed or not. Now, if you'll excuse me, I'm off to check on available cottage rentals on the moors.

P.S. While this film was originally intended for children, I doubt that any but the brightest and most thoughtful of today's kids will enjoy it, due to it's slow, deliberate pacing and complete lack of comic-book action, though the tantrum scene between Margaret O'Brien and Dean Stockwell will probably grab their attention.

Wonderful performances, and beautiful set design, make this film a definite must-see. No studio could match MGM's lush approach, and the stylized sets seen in "The Secret Garden" bring the script alive, in a fashion no "location" filming could have accomplished.

Utilizing a "partial" Technicolor application seen in "The Wizard of Oz" and "The Women," MGM manages to provide an emotional punch when it is most needed.

O'Brien is perfect in the lead, and minor supporting roles are cast to perfection.

A few of the scenes are surprisingly creepy.

Although, today, the film is labeled as "family," it can be surprisingly harsh, with none of the treacle that sinks many a movie intended for a general audience.

A strange little girl finds peace for her troubled heart after confronting the mystery of THE SECRET GARDEN.

Based on the classic novel by Frances Hodgson Burnett, this family film is a perennial favorite, in no whit dimmed by more recent, flashier versions. The excellent production values by MGM allow the viewer to experience the weird atmosphere of Misselthwaite Manor and the joyous fecundity of the Garden.

The movie can be enjoyed for the plot alone, but there are other, deeper, levels which can be appreciated as well. Most of the main characters are desperately unhappy when the film begins, but the spontaneous love of life exhibited by the Sowerby family - which leads directly to the discovery of the Garden - ultimately brings about the redemption of several (but not all) of the others. This Joy is not altogether of our world. If the viewer senses the unseen Presence of Something Bright & Beautiful in the Garden, so be it.

The film's main drawback - and this is a small quibble - is the intent to increase tension by adding a possible murder mystery to the plot (How did Colin's mother really die? Did Archibald Craven kill her?). This is quite unnecessary, the story has enough conflict already. But the desire to add additional menace to the Dark Old House theme probably proved irresistible - as well as giving the excellent British actor, Herbert Marshall, more dramatic gristle on which to chew.

The plot revolves, as it should, around the experiences of three children, each peculiar in their own way. Margaret O'Brien, Dean Stockwell & Brian Roper flesh out their roles most agreeably. The adult roles are so well cast that one tends to forget that they are mostly caricatures: Dame Gladys Cooper as the wicked, frustrated housekeeper; Elsa Lanchester as the irrepressibly happy maid; dour Reginald Owen as the elemental gardener. Even the small cameo performances sparkle: Billy Bevan as an overheated British soldier in India; Dennis Hoey as Marshall's stern valet; Aubrey Mather & George Zucco as young Stockwell's doctors; and Norma Varden as his wise nurse.

Movie mavens should recognize Elspeth Dudgeon in the tiny role of Dickon's mother & the wonderful Marni Nixon as the dubbed singing voice of Miss O'Brien - both uncredited.

The film makes very judicious use of Technicolor to heighten appreciation of the distinctive nature of the Garden.

This is a movie I never tire of seeing. Margaret O'Brien is just about perfect in the part of Mary Lennox, an orphan who finds herself in a house full of strange people.

Along the way she finds love in friendship, a love that was never shown to her by her parents.

The book on which this film is based by Frances Hodgson Burnett, was my favourite book as a child and I've given many copies to children over the years. This movie is quite a perfect replica of the book, apart from the injection of a totally unnecessary "crime" element. The characters are multi-dimensional, a wounded father flailing against the world and projecting illness on to his son. The son, Colin, played by a very young and handsome Dean Stockwell, in turn reacting with tantrums and hate to the world around him.

Mary has her own issues, feeling ugly and unloved due to her past in India.

Unhappiness reigns in the Manor House headed up by Herbert Marshall playing Colin's father - a brilliant performance.

There is a teeming cast of well known names to add to the flavour of the film: Dame Gladys Cooper as the housekeeper; Elsa Lanchester as the maid; Reginald Owen as the mysterious gardener.

The black and white filming adds a morbid darkness with the colour sequences in the garden contrasting beautifully.

The only flaw was the settish nature of the scenes, even the gardens are "back lot".

But these quibbles aside, some movies one can get immersed in afresh with each viewing. This is one that takes you in and doesn't let up till the final very satisfying frame.

9 out of 10.

It looks like there have been a gazillion version of Frances Hodgson Burnett's popular novel for children made. This one apparently is the most popular, the one most people will remember.

It's a wonderful allegorical tale about how one has to give in life in order to receive. It also is about the maturing of a couple of really bratty kids.

Margaret O'Brien is a child of the British Raj in India, quite used to having things her own way as her parents are a big-shot and his lady. But when both are taken away by an epidemic, she has to go back to Great Britain to live with an uncle, Herbert Marshall for whom the mildest thing that can be said is eccentric.

She's given rather restrictive use of the vast house, though the grounds are her's to roam with the exception of a garden that is locked up. Many years ago Marshall's wife has died there and it's her death and the circumstances thereof that have driven him to the brink of dissolution and insanity.

O'Brien also finds she has a cousin roughly her age who is bedridden with paralysis in Dean Stockwell. Stockwell has not born his affliction well and in fact is a bigger brat than she is. Dealing with him has forced her to confront her own misbehavior.

A large part of Stockwell's problems are his doctor and caregiver in the persons of doctor Aubrey Mather and housekeeper Gladys Cooper. They like having him dependent on them, it increases their position in the house, as for Mather, he's making a whole living off Marshall treating his child.

The younger brother of maid Elsa Lanchester, Brian Roper, also becomes a friend to both as they discover the locked up and neglected garden and use it as a playground. With the special love that children bring to something, interesting things start happening there.

Most of the cast are familiar names to the American cinema, all the adults are card carrying members of the British colony in Hollywood. But Brian Roper was imported from across the pond because of the fact that he spoke with a Yorkshire brogue, he was native to that part of England. It does lend an air of authenticity to the film. Roper had a fair career for about a decade, mostly in his native country. I believe this is his one and only American film appearance.

The Secret Garden is a fine adaption of the children's novel, maybe the best one ever done. The adults are hard pressed in this one to even get their innings in as the kids totally steal this film.