IMDb रेटिंग
6.8/10
9.5 हज़ार
आपकी रेटिंग
बाइबिल के प्रसिद्ध दबंग चरित्र और उस महिला, जो पहले उसे आकर्षित करती है और फिर धोखा देती है, की इस कहानी में सेशिल बी डीमिले की शानदार पौराणिक शैली की छाप स्पष्ट दिखाई देती है।बाइबिल के प्रसिद्ध दबंग चरित्र और उस महिला, जो पहले उसे आकर्षित करती है और फिर धोखा देती है, की इस कहानी में सेशिल बी डीमिले की शानदार पौराणिक शैली की छाप स्पष्ट दिखाई देती है।बाइबिल के प्रसिद्ध दबंग चरित्र और उस महिला, जो पहले उसे आकर्षित करती है और फिर धोखा देती है, की इस कहानी में सेशिल बी डीमिले की शानदार पौराणिक शैली की छाप स्पष्ट दिखाई देती है।
- 2 ऑस्कर जीते
- 7 जीत और कुल 5 नामांकन
Russ Tamblyn
- Saul
- (as Russell Tamblyn)
Francis McDonald
- Story Teller
- (as Francis J. McDonald)
William 'Wee Willie' Davis
- Garmiskar
- (as William Davis)
Kasey Rogers
- Spectator
- (as Laura Elliot)
फ़ीचर्ड समीक्षाएं
She sure WAS a wildcat in this film! Beauty beyond compare! And Mature's 'Samson' was a sure delight (even though he was told to drop 30 lbs. for the role before filming). Biblical stories are always interesting & enjoyable if filmed in this colorful way, as was The 10 Commandments. We don't need that brown, boring type of color for 'realism'. We want beautiful color to show off those gorgeous costumes & scenery! (When it's not fake back-drops!) Anyway, see this film! It's worth whatever the video costs! Or catch it on TV!
I've always loved this film. Granted, somehow it does not generate the 'huge epic' feel of some of the director's other work but it is a great film to sit down and relax in front of. Opulent costume design, good casting and excellent cinematography make this one of the better biblical epics that were being produced at the time.
Victor Mature, a fine physical specimen of the male physique, seems to fit perfectly into the role of the brooding and oft-troubled Samson. Burt Lancaster, I'm told, was the original choice for the part which I think would have been a bad choice. Although Lancaster is a better actor, on purely aesthetic grounds, the Mediterranean featured, tousle-locked Mature fitted better into the location.
George Sanders is superb as the Saran of Gaza. One of the other reviewers on this website said he portrayed a "sophisticated cad" which is the best description I have ever heard of Mr Sanders in this role or any other for that matter.
The absolute star of the show is the movie's other lead actor, Hedy Lamarr. This was undoubtedly the finest hour of an actress who either, curiously passed up or was just overlooked for many other leading parts. Hedy sets the screen on fire as the sensual and wicked Delilah, playing with and dragging every man on screen and in the audience in her wake. Many have questioned her acting ability. Truth is I doubt we shall ever really find out. Poor choice of scripts and directors resulted in her being pushed to the sidelines at MGM and eventually and sadly into complete obscurity.
Victor Mature, a fine physical specimen of the male physique, seems to fit perfectly into the role of the brooding and oft-troubled Samson. Burt Lancaster, I'm told, was the original choice for the part which I think would have been a bad choice. Although Lancaster is a better actor, on purely aesthetic grounds, the Mediterranean featured, tousle-locked Mature fitted better into the location.
George Sanders is superb as the Saran of Gaza. One of the other reviewers on this website said he portrayed a "sophisticated cad" which is the best description I have ever heard of Mr Sanders in this role or any other for that matter.
The absolute star of the show is the movie's other lead actor, Hedy Lamarr. This was undoubtedly the finest hour of an actress who either, curiously passed up or was just overlooked for many other leading parts. Hedy sets the screen on fire as the sensual and wicked Delilah, playing with and dragging every man on screen and in the audience in her wake. Many have questioned her acting ability. Truth is I doubt we shall ever really find out. Poor choice of scripts and directors resulted in her being pushed to the sidelines at MGM and eventually and sadly into complete obscurity.
By the time the 1940s were rolling around, Cecil B. DeMille was doing a lot less work, but the work was getting more expensive. DeMille took off a couple of years now between films to create the opulent splendor that typifies his work.
Well Samson and Delilah abounds in opulence. The color cinematography is first rate and reason enough to see the film. Of course it has the usual stilted dialog that is common in DeMille's costume work. But one has to remember that DeMille made his show business bones with David Belasco in the Edwardian era. And that's how folks talked in those Belasco plays.
Acting honors in this go to George Sanders as the Saran of Gaza, Philistine ruler and sophisticated cad. This was the height of Sanders career, he received a Best Supporting Actor Oscar for All About Eve the same year. I think the Saran and Addison DeWitt would have understood each other very well.
Angela Lansbury is the original object of Samson's lust and she does okay, but personally if you had the choice between Jessica Fletcher and Tondelayo, who would you choose? Is that ever a no-brainer.
DeMille got a couple of loan-outs to play the leads. Hedy Lamarr could easily lay claim to be the most beautiful woman in the cinema. She never had much acting skill, but all she has to do is be seductive and that no one could do better.
And Victor Mature away from his home studio of 20th Century Fox where he was languishing, Samson and Delilah provided a whole new vista for him with roles in spectacle pictures where he could truly be that beautiful hunk of man.
Fay Holden is good as Samson's mother. In modern times I can just hear her telling him about settling down with a good Jewish girl.
Well Samson and Delilah abounds in opulence. The color cinematography is first rate and reason enough to see the film. Of course it has the usual stilted dialog that is common in DeMille's costume work. But one has to remember that DeMille made his show business bones with David Belasco in the Edwardian era. And that's how folks talked in those Belasco plays.
Acting honors in this go to George Sanders as the Saran of Gaza, Philistine ruler and sophisticated cad. This was the height of Sanders career, he received a Best Supporting Actor Oscar for All About Eve the same year. I think the Saran and Addison DeWitt would have understood each other very well.
Angela Lansbury is the original object of Samson's lust and she does okay, but personally if you had the choice between Jessica Fletcher and Tondelayo, who would you choose? Is that ever a no-brainer.
DeMille got a couple of loan-outs to play the leads. Hedy Lamarr could easily lay claim to be the most beautiful woman in the cinema. She never had much acting skill, but all she has to do is be seductive and that no one could do better.
And Victor Mature away from his home studio of 20th Century Fox where he was languishing, Samson and Delilah provided a whole new vista for him with roles in spectacle pictures where he could truly be that beautiful hunk of man.
Fay Holden is good as Samson's mother. In modern times I can just hear her telling him about settling down with a good Jewish girl.
While having some very major flaws, this is a thoroughly decent biblical epic on the story of Samson and Delilah. It is nicely filmed, with lovely costumes, nice sets and good cinematography and has a rousing score. Also the acing is not bad at all, Victor Mature is a dashing Samson and Hedy Lamarr pretty much steals the film as the beautifully captivating Delilah, it somehow reminded me of Rita Hayworth in Salome. George Sanders proves here he is the epitome of calculation and world-weariness, and while Angela Lansbury is good she has been better. Plus the final scene with the temple coming down is brilliantly staged and serves as the highlight of the film. However, the script is not always that great, neither is the pacing which is quite slow or the direction which is disappointingly stodgy. Overall though, Samson and Delilah isn't bad, it could've been better, but it was decent. 7/10 Bethany Cox
In 1949, I was 11years old and saw it in NYC when it was first released. My aunt Ethel, may she rest in peace, took me during Christmas vacation. I was mesmerized by it which led me to check out the story in that Chapter of the O.T. called Judges. And I remember being asked by my 6th or 7th grade teacher to do an oral report about the film before the class. I found it a bit awkward to discuss the idea of seduction at that time especially when I heard the pubescent girls giggling. At any rate I did make that report and remember displaying the book I had bought about the film right at the theater. I estimate from age 11 to 14, I saw the film a dozen times and I'm not kidding. In my adulthood, I saw it once on free TV and rented it once for kicks. Quite honestly, I never saw a more beautiful woman than Hedy in that role. And Victor was perfect thanks to his countenance and physique. After seeing it first and then reading the story in the O.T. I came to the conclusion that the film certainly was factual and illuminating. The bible came alive thanks to the genius of Cecil B.DeMille. The special effects were brilliant, way ahead of its time. What I especially loved about this film was the haunting score by Victor Young and I do remember going out to buy it on 78 rpm disks. And I do have the radio program on cassette, "Lux Presents Hollywood-Samson and Delilah starring Mature and Lamarr. That last scene will always stick in my mind as Samson, standing blind between the two main pillars of the Temple of Dagon, the Phillistine God,called on Jehovah to give him the strength to crush his enemies and WHAT A SCENE FOLLOWED. Good heavens, DeMille was indeed a GENIUS! I recommend the film to EVERYONE because of the amazing story, color
क्या आपको पता है
- ट्रिवियाFor the scene in which Samson kills the lion, Victor Mature refused to wrestle a tame movie lion. Told by Producer and Director Cecil B. DeMille that the lion had no teeth, Mature replied, "I don't want to be gummed to death, either." The scene shows a stuntman wrestling the tame lion, intercut with close-ups of Mature wrestling a lion skin.
- गूफ़Just after Delilah rings for her servant to bring dinner, the mike boom casts a shadow on one of the curtain walls of her tent.
- क्रेज़ी क्रेडिटAlthough the opening credits mention "Holy Land Photography," the second-unit location shooting occurred in North Africa (Algiers and Morocco), not Israel or the Middle East.
- इसके अलावा अन्य वर्जनPrevious home media releases of the film (LaserDisc, VHS) did not include the overture and exit music. They were restored for Paramount's official DVD release in 2013 and the subsequent Blu-ray release in 2014.
- कनेक्शनFeatured in History Brought to Life (1950)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Samson and Delilah?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Cecil B. DeMille's Samson and Delilah
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $30,00,000(अनुमानित)
- चलने की अवधि
- 2 घं 14 मि(134 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
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