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The Red Menace

  • 1949
  • Approved
  • 1 घं 21 मि
IMDb रेटिंग
4.9/10
299
आपकी रेटिंग
The Red Menace (1949)
फ़िल्म नोयरड्रामाथ्रिलर

अपनी भाषा में प्लॉट जोड़ेंAn ex-GI becomes involved with the American Communist party, and falls in love with his instructor. The pair quickly realise their mistake, when they see how party leaders handle a member wh... सभी पढ़ेंAn ex-GI becomes involved with the American Communist party, and falls in love with his instructor. The pair quickly realise their mistake, when they see how party leaders handle a member who questioned the party's principles. When they try to leave, they're marked for assassinat... सभी पढ़ेंAn ex-GI becomes involved with the American Communist party, and falls in love with his instructor. The pair quickly realise their mistake, when they see how party leaders handle a member who questioned the party's principles. When they try to leave, they're marked for assassination and hunted by the party killers.

  • निर्देशक
    • R.G. Springsteen
  • लेखक
    • Albert DeMond
    • Gerald Geraghty
  • स्टार
    • Robert Rockwell
    • Hanna Axmann-Rezzori
    • Betty Lou Gerson
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    4.9/10
    299
    आपकी रेटिंग
    • निर्देशक
      • R.G. Springsteen
    • लेखक
      • Albert DeMond
      • Gerald Geraghty
    • स्टार
      • Robert Rockwell
      • Hanna Axmann-Rezzori
      • Betty Lou Gerson
    • 13यूज़र समीक्षाएं
    • 17आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो59

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    पोस्टर देखें

    टॉप कलाकार35

    बदलाव करें
    Robert Rockwell
    Robert Rockwell
    • Bill Jones
    Hanna Axmann-Rezzori
    Hanna Axmann-Rezzori
    • Nina Petrovka
    • (as Hanne Axman)
    Betty Lou Gerson
    Betty Lou Gerson
    • Yvonne Kraus
    Barbra Fuller
    Barbra Fuller
    • Mollie O'Flaherty
    Shepard Menken
    • Henry Solomon
    Lester Luther
    • Earl Partridge
    William Lally
    • Jack Tyler
    • (as William J. Lally)
    Lloyd G. Davies
    • Inspector O'Toole
    Norman Budd
    Norman Budd
    • Reachi
    Leo Cleary
    • Father O'Leary
    Kay Riehl
    • Mrs. O'Flaherty
    William Martell
    • Immigration Insp. Riggs
    James Harrington
    • Martin Vejac
    Duke Williams
    • Sam Wright
    Napoleon Simpson
    • Tom Wright
    Robert H. Purcell
    • Sheriff of Talbot
    • (as Robert Purcell)
    Royal Raymond
    • Benson
    Gregg Martell
    Gregg Martell
    • Schultz
    • निर्देशक
      • R.G. Springsteen
    • लेखक
      • Albert DeMond
      • Gerald Geraghty
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं13

    4.9299
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    फ़ीचर्ड समीक्षाएं

    8morrisonhimself

    Will be hated just because it's anti-communist

    Most of the other reviews here fall into two groups: anti-communists like it, to one degree or another; pro-communists or anti-anti-communists hate it.

    One, from a supposed relative of that excellent director, R. G. Springsteen, sneers at it, claiming the director called it his worst film. If Mr. Springsteen hated it, then he would not have done his best on it.

    In fact, despite the actors not being well known, they -- most of them -- gave very good performances.

    Nathan Scott, credited with the music, gets my respect for his use of "The Internationale" sprinkled suitably throughout the film.

    The writers also did generally good work, though I have one hesitation: The leaders of the Communist Party, U. S. A., were shown to be very cynical, not very strong or honest believers in their party.

    Some years ago, I worked at university radio station, and our manager, Tom Duval, was like that: He would go out to some individuals or groups to raise money, then come back and laugh at the suckers who gave.

    But I can't help thinking members and leaders of the Communist Party were as sincere as members of other political parties -- even though the CPUSA was, in fact, a wholly-owned subsidiary of the CPUSSR, getting its orders and much of its money from Moscow.

    (The CPUSA was, it is important to remember, also used for espionage and sabotage, as well, especially in Hollywood, to propagandize. Look at, for example, how its "keep out of the European conflict" changed, literally over night, when Hitler invaded the Soviet Union. Then the CPUSA was "this is a people's war and we need to fight.")

    Some of the Hollywood people who joined the CPUSA, especially the ones who quit and who testified before the congressional committee, said the party seemed to offer solutions to such problems as poverty and unemployment.

    In fact, just as did Al Capone, the CPUSA set up soup kitchens for the hungry.

    Of course it intended to recruit members. And maybe that was a bit cynical. But advocates of even the most evil systems, including Nazism and communism, were probably as sincere, were probably true believers, as members of other parties and advocates of other causes.

    Just not very clear-eyed.

    Well, some want to make fun of the ending, of course, but I like it. It seems very Texan to me. At least for 1950.

    "The Red Menace" must be viewed in the context of its times. If I were the president of Republic, I would make some changes, though relatively minor changes. As it is, I give it a recommendation, with that caveat: Remember the times, and that the Soviet Union and its alleged communist belief system was the imperialist enemy of these United States. And, in fact, of the peace and freedom of all Earth.

    There is a too-dark print at YouTube.
    searchanddestroy-1

    Slightly above verage Red Scare stuff.

    During the late forties and early fifties, there was the Witch Hunt in USA, war hunt against communists anywhere. And In Hollywood in particular. This one is good, tense, but without any subtle element of any kind. It is very very didactic, especially the scene in the class room when a "student" asks his teacher what doesn mean democracy in a political system where there is the dictatorship of proletariat. It is too heavy loaded in terms of propaganda. However it remains a good film in line of BIG JIM MC LAIN or I WAS A COMMUNIST FOR THE FBI. Good tough directing and acting too. But this one is slightly better than the two, I think.
    1BudsNephew

    But Awful is what makes it a cult classic....

    My uncle told me this was the WORST film he ever directed. He was a contract director and the studio wanted him to make a movie about Communism. "This McCarthy thing seems to be catching on," he said they told him, "and we need a film quick." They gave him six weeks and $100,000 budget - an unheard-of pittance for a feature film, even in 1949. He didn't have a cast, a crew, a script, or even a story line. So he called friends who had very little screen time, knowing no "Name" actor would commit to a project like this. Besides, most of Uncle Gordon's actor friends were Western stars, like Roy Rogers.

    Gordon got a writer from the studio to pen the script, but he quit half-way through filming. So he and another actor had to complete the script, adding to it as they went. At the start of each day's filming, they had no idea what they were going to do.

    But, as promised, Uncle Gordon got this movie made on time and on budget.

    It saddened him a little, knowing that with all his directing credits, he would probably be most remembered for the worst film he ever made. He was proud of the rest of his filmography, and enjoyed directing well into his 70's.

    As for me, well, I think its kinda cool that my Great Uncle had a lot to do with the making of a cult classic. Its no Rocky Horror, Reefer Madness, or even Attack of the Killer Tomatoes, but in the genre of ridiculously bad films, Red Menace can hold its celluloid head high.

    Just remember, Bud Springsteen had to work under extreme conditions to churn out a film this bad.
    5karlericsson

    equality and justice is communism - jaussa!

    When I grew up, the Iron Curtain existed. The Soviet Union was a Place that did not allow its Citizen to travel freely. And so it was easy to renounce the Place and look for no further explanations.

    At the same time, communism stood for equality and class warfare, allowing for only one class, the working class, since allowing for different classes of people was just Another Word for inequality and injustice.

    Now, if you could therefore renounce equality and justice by renouncing the Soviet Union, which, through communism, stood for these qualities, why, then you could defend the injustices and inequalities you wanted to keep by Calling every wish for equality and justice to be the same as a wish for communism and that is just what has been done in the USA for the last 70 years, which this film bears witness to.

    The Soviet Union was a failed system but that has Little to do with communism because, although the SU called itself "communist" it was not a system of equality and justice and instead just a dictatorship ensuring that a Little Group of people had all the wealth and all the Power just like in the USA, where the same was ensured by somewhat different means.

    How to achieve equality and justice is still a problem to be solved but it will never be solved by simply Writing these qualities off by Calling them "communism".

    This film illustrates the propaganda being used against the American Citizen and is helpful to understand the brainwash that Americans seem to suffer from. I therefore give it 5 stars.
    10Nostrama

    underappreciated warning

    Although the movie is 70 years old, its message rings ever more true now in the 2020s, as the evils it warned against then, are more thoroughly entwined into current day politics and society

    communism demanding slavelike servitude and obedience, and wilfully encouraging historical revisionism are an ever present threat as even today our history is under threat by people who seek to push a mandela effect on people and gaslight away truth, and act violently towards anyone who dares question it or seek to maintain truth

    of all movies that need a remake to keep the message alive, THIS is one badly in need to be revisited.

    इस तरह के और

    Drive a Crooked Road
    6.9
    Drive a Crooked Road
    Man on a Tightrope
    7.2
    Man on a Tightrope
    The House on Telegraph Hill
    6.9
    The House on Telegraph Hill
    711 Ocean Drive
    6.8
    711 Ocean Drive
    I Was a Communist for the F.B.I.
    6.1
    I Was a Communist for the F.B.I.
    The Iron Curtain
    6.3
    The Iron Curtain
    Suddenly
    6.8
    Suddenly
    Raw Deal
    7.2
    Raw Deal
    Flight to Nowhere
    4.4
    Flight to Nowhere
    13 West Street
    6.3
    13 West Street
    Shock
    6.3
    Shock
    The Woman on Pier 13
    6.0
    The Woman on Pier 13

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Debut of actresses Barbra Fuller, Betty Lou Gerson, Kay Riehl and Mary DeGolyer.
    • भाव

      [first lines]

      Nina Petrovka: No... Don't let them... I'm afraid.

      Bill Jones: Nina, stop it. It's me, Bill! They can't get us now.

      Nina Petrovka: They're gonna kill us!

      Bill Jones: Nina... Get a hold of yourself. Snap out of it.

      Nina Petrovka: That same dream. Those frightening, sadistic faiths chasing me. Turning guns at me.

      Bill Jones: It's nothing to worry about. They can't get us out here.

      Nina Petrovka: You don't really believe that. You know we can't get away.

      Bill Jones: They haven't caught us yet, have they?

      Nina Petrovka: No, but... they are real! Oh please Bill, let me get myself up. It isn't you they're after, want me, why don't you...

      Bill Jones: This is why.

      [kisses her on the cheek]

      Nina Petrovka: Well, we'll have to stop for the next gas station.

      Bill Jones: Bill... I hate to stop for anything.

      Nina Petrovka: Well, we can't run without gas.

    • कनेक्शन
      Featured in Hollywood on Trial (1976)
    • साउंडट्रैक
      My Country, 'Tis of Thee
      Lyrics by Samuel Francis Smith (1831)

      Sung by a male chorus at the end, over shots of the Statue of Liberty

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल13

    • How long is The Red Menace?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 1 अगस्त 1949 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Underground Spy
    • फ़िल्माने की जगहें
      • Republic Studios, हॉलीवुड, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Studio)
    • उत्पादन कंपनी
      • Republic Pictures
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 21 मि(81 min)
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

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