Mother Is a Freshman

Abby Abbott (Loretta Young) and her teen daughter Susie live in a New York apartment with trust fund payments from her late husband. Susie needs additional money for college tuition but the ladies are cash strapped. Abby reluctantly asked the executor John Heaslip but he has romantic designs on her which she does not reciprocate. He turns her down and she is forced to seek a scholarship. Due to an unusual requirement and her maiden name Abigail Fortitude, she has to enroll along with her daughter and she falls for her professor.

This has an unusual premise and an Academy Award nomination for Best Costume Design. Quite frankly, the color film really sets off the clothing and probably helped with the nomination. Otherwise, this is a little stale and old. It's trying to be fun but Loretta Young is not having any. While there is danger of being uncovered, this is definitely low stake misadventure. The problem is that it's also low on comedic power and romantic intensity. Loretta Young is being melodramatic in her white gloves and pearl neckless. It falls flat for me.

"Mother Is A Freshman" is a slice of college life from a bygone era. The school itself looks like the kind of traditional schools that were around for generations. The cute story finds Mama going to school under a scholarship that only she can share with her daughter. Loretta Young was never more appealing than in this genteel comedy. Van Johnson plays the Professor that that both Mama and daughter (Betty Lynn) are unknowingly competing for. Rudy Vallee is along for the ride as a stuffy friend of Loretta's. The whole production is underscored by some nice, nostalgic music and wrapped up in pretty Technicolor. You could do a lot worse than to see this charming comedy.

"Mother is a Freshman" is a delightful comedy, a vehicle, no doubt, for its star, Loretta Young. As directed by LLoyd Bacon, "Mother is a Freshman" offers the kind of genteel entertainment that was harmless. The film, directed by LLoyd Bacon, offers a trip back to a more relaxed time.

Abigail Fortitude Abbott, is a widow living in Manhattan's Upper East Side. She seems to live in splendor, even though her funds are next to nothing. Her daughter Susan is going back to college in Connecticutt and both women must find out a way how to survive until the next payment to their inherited funds. They discover that Abigail's grandmother had a scholarship named after her for qualifying young women. What's the harm in trying? Next thing you know Abigail and Susan are on campus together.

Abigail wants to major in English Literature, so she must enroll in Prof. Richard Michaels' course. Prof. Michaels falls head over heels in love with the attractive new student. Little does Abigail know, but Susan, is crazy for Michaels as well. After some tension between the two women, common sense prevails and Abigail ends up with the professor and money in the bank.

Loretta Young had a magnetic personality and dominates the story. She was not a beautiful woman, but she photographed well and is always an asset in whatever she decided to appear in. Van Johnson is wonderful as Prof. Michaels. Rudy Vallee has some good moments as Abigail's lawyer. Betty Lynn plays Susan and Robert Arthur is Beaumont Jackson, the young man in love with Susan.

The film is an excuse to spend 81 minutes in good company.

Because of a quirky trust left by her grandmother, 35-year old Abby goes to college where she and her 17-year old daughter get involved with a handsome professor. And-- as they say-- complications ensue.

The movie's 80-minutes of eye-catching fluff from TCF. The look is just right, with a glowing Technicolor perfect for an idealized storyline. Then too, dear Loretta gets to model an array of flattering fashion; plus I'm reminded of a post-war time when girls wore both sweaters and skirts. Ah, yes! The movie's a tartly amusing set-up, no belly laughs, but a few chuckles as the characters tangle and untangle. Fortunately, veteran director Bacon knows how to keep a light touch even through the more dramatic moments. It's also an attractive cast, even if Professor Johnson is something of an idealized stretch. Only teenage cutie Lynn is over the top, at times, while heart-throb Johnson appears privately amused with a sly grin throughout. All in all, this is Hollywood's dream factory hitting on all eight. And catch the naughty book that everyone's sneak-reading— probably seem as innocent now as Old Mother Hubbard. But then, this was a time when kids gathered at the malt shop to listen to swing bands on the jukebox. Fortunately, a lot of that upbeat innocence is reflected in this period piece. Nothing substantive here, just an easy way to pass an evening.