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Maytime in Mayfair

  • 1949
  • 1 घं 34 मि
IMDb रेटिंग
5.8/10
260
आपकी रेटिंग
Maytime in Mayfair (1949)
ComedyMusicalRomance

अपनी भाषा में प्लॉट जोड़ेंAn English playboy gentleman is broke when he inherits London's leading dress store in the posh Mayfair district. Instead of selling it for cash, he enters the business of "rags" for riches ... सभी पढ़ेंAn English playboy gentleman is broke when he inherits London's leading dress store in the posh Mayfair district. Instead of selling it for cash, he enters the business of "rags" for riches and romance. -- SimonJackAn English playboy gentleman is broke when he inherits London's leading dress store in the posh Mayfair district. Instead of selling it for cash, he enters the business of "rags" for riches and romance. -- SimonJack

  • निर्देशक
    • Herbert Wilcox
  • लेखक
    • Nicholas Phipps
  • स्टार
    • Anna Neagle
    • Michael Wilding
    • Peter Graves
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.8/10
    260
    आपकी रेटिंग
    • निर्देशक
      • Herbert Wilcox
    • लेखक
      • Nicholas Phipps
    • स्टार
      • Anna Neagle
      • Michael Wilding
      • Peter Graves
    • 15यूज़र समीक्षाएं
    • 2आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो7

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार44

    बदलाव करें
    Anna Neagle
    Anna Neagle
    • Eileen Grahame
    Michael Wilding
    Michael Wilding
    • Michael Gore-Brown
    Peter Graves
    Peter Graves
    • D'Arcy Davenport
    Nicholas Phipps
    Nicholas Phipps
    • Sir Henry Hazelrigg
    Thora Hird
    Thora Hird
    • Janet
    Michael Shepley
    Michael Shepley
    • Shepherd
    Tom Walls
    Tom Walls
    • Inspector
    Max Kirby
    • Mr. Keats
    Desmond Walter-Ellis
    Desmond Walter-Ellis
    • Mr. Shelley
    Tom Walls Jr.
    • Policeman
    Doris Rogers
    • Lady Manbury-Logan-Manbury
    Mona Washbourne
    Mona Washbourne
    • Lady Leveson
    Glen Alyn
    • Hortense de la Boer
    • (बिना क्रेडिट के)
    Hyma Beckley
    • Wedding Guest
    • (बिना क्रेडिट के)
    Joan Benham
    Joan Benham
    • Fashion Editor
    • (बिना क्रेडिट के)
    Dorothy Bramhall
    • Flower Shop Assistant
    • (बिना क्रेडिट के)
    Pat Clare
    • Ballet Fitter
    • (बिना क्रेडिट के)
    Anita D'Ray
    • Assistant
    • (बिना क्रेडिट के)
    • निर्देशक
      • Herbert Wilcox
    • लेखक
      • Nicholas Phipps
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं15

    5.8260
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    फ़ीचर्ड समीक्षाएं

    6sorrelloriginals

    Isn't anybody going to talk about the couturiers?

    Isn't anybody going to talk about the couturiers? I think I've read all of the user reviews and I find it peculiar that the one thing that this Roberta remake has that sets it apart from the others is that for some reason they have nine or 10 different dress designers including some of the most famous in Europe yet nobody mentions this. It seems to me there must have been a reason why that was done and I would love to know what that could possibly be. There are some very pretty clothes and some that show the worst excesses of the late 1940s but a comparable Hollywood movie such as the original Roberta in Hollywood seems to be able to manage with just Bernard Newman and his staff. And that movie features some beaded gowns that clearly involved hundreds of hours of work. I would just like to know why this movie has this embarrassment of riches because it doesn't seem to be unusually elaborate or excessive. Just saying.
    5verna-a

    Silly a*** in Mayfair

    No doubt Michael Wilding had his fans at the time (and even now) but for me he is trading on a charm doesn't in fact possess in this story. To be fair I am saying story rather than performance because the silliness really is at the story and script level, and Wilding is delivering what is required by both. By virtue of an unexpected inheritance he breaks in on the Neagle character's successful fashion business and he and his buddy set about spoiling it in small ways and then a large way. His behaviour is insensitive and irritating but clearly is intended to be accepted as whimsical and charming, and eventually irresistible to Neagle. A real person with self-respect would have socked him and walked off the job well before she does in this film. I was born the year after this film was made, and so I have had a good chance to observe how much attitudes to women have changed - or not changed as much as they should. I can see presented uncritically in this film some of the fundamental disrespect of women which is still so toxic to our culture today. In between repeatedly muttering "that ain't funny" I did enjoy some of the aspects of this film (eg the costumes). Neagle does a respectable job of her dancing although I take it the dancing in the major dance sequences is done by a lookalike double. In closeups she is heavily painted and clearly is no spring chicken. Yet her character is described as a "girl". She is a lovely, dignified and ladylike woman, and very credible as a successful businessperson, which many might think is better than being a girl.
    marilynhenry

    A charming Brit version of 'Roberta'...

    The plot of Roberta is an old chestnut by now...young man (comic, dancer, musician, goof ball, etc--depends on which version) finds he has inherited one half of a posh fashion salon. He and his buddy go to salon to check it out, with the intent of making money either from selling it or by a promotion of one kind or another. They meet the other half owner, a gorgeous young woman. This plot was done as movies and even a TV show starring Bob Hope. This version is one of my cherished British films, actually, because it stars Michael Wilding. Wilding was wildly popular in England, long before he met and married Liz Taylor. He was usually teamed with Anna Neagle and they made several of these entertaining and fun films with place titles: Spring in Park Lane, Maytime In Mayfair, The Courtneys of Curzon Street, Picadilly Incident (a friend and I used to enjoy making up new titles for these stars--A Cuddle in the Cotswalds, Manchester Meeting, Winter in Winchester, Kissing in Kensington, etc.)

    Neagle's husband produced most of Neagle's films and by teaming her with Wilding, had a good thing going for some time in the 1940s. Here Wilding is a broke aristocrat, a bit of a playboy, who intends to collect money from this inheritance, but is distracted from this when he meets the lovely co-owner, Neagle. The plot is entirely predictable, but enjoyable, all the same. He sets out to help make the salon a success so they can all make money. He and Neagle dance and romance (Wilding was marvelous at provocative little asides and quick quips), and there is a big fashion show as climax.

    I always felt this couple was sort of a heavy-footed version of Astaire-Rogers. They usually began with some sort of misunderstanding or she hates him immediately or identities were mistaken, or some such device, and then all that sexual tension until they dance and romance blooms. I recommend this--not because it is a particularly good movie (it isn't), but because of Wilding's charm and wit. I adored him in British movies, and was so disappointed in his American movie career. They hadn't a clue what to do with him in the US, and so his career declined and was basically over by the time Taylor divorced him. What a shame. He made one US film, directed by Hitchcock, which gave you a hint of the charmer he had been, Stage Fright, with Jane Wyman and Marlene Dietrich.

    As for Neagle, well she went on in such froth as this, long past her prime, but producer-husband Herbert Wilcox looked after her well, and she was a British favorite. She reacted well with Wilding, but I often found her bland.
    5howardmorley

    The Old Team Paired up Again

    I agree with the general comments of all mentioned above, especially Marilyn Henry's witty remarks.Yes, Anna Neagle was too old for the leading lady part, most noticeable in her close-ups but remember her husband Herbert Wilcox was the producer.The "in" jokes are there again where the leading lady & man joke that their stage characters remind them of their real selves, (see "Spring in Park Lane" (1948) a companion to this film).

    On the plus side it is in glorious colour and the fact the plot is set in a late 1940s fashionable Mayfair lady's clothes salon gives the director an opportunity to show fashion models literally stepping out of the pages of contemporary fashion journals.That scene reminded me of "Cover Girl" (1945) with Rita Hayworth & Gene Kelly, when glamorous models likewise appear and step out of American fashion magazines.Nice to see a young Thora Hird playing a secretary and Tom Walls playing a policeman.Its a harmless bit of froth and in my opinion only worth 5/10.The actors in "Spring in Park Lane" were effectively reprising their roles, especially the slow motion dancing of Dame Anna with Michael Wilding

    Likewise Peter Graves and Michael Wilding's cousin "once removed" are reprising their almost identical role in "Spring in Park Lane".
    7mb014f2908

    Entertaining in colour romantic comedy drama with musical interludes

    I first saw this film over 25 years ago on British TV and have only just caught up with it again last week on a DVD copy bought off ebay. I had remembered the musical sequences, the colour and the gorgeous fashion plate poses and clothes but the plot is weaker than the earlier Anna Neagle/Michael Wilding film Spring in Park Lane and Maytime doesn't stand up so well to the passage of the years. But Michael Wilding is a joy in the film, charming, funny, debonair, appears to be having great fun and on top of his form. Worth watching for him alone. Anna Neagle appears a little matronly beside him, and a little too old for the part she plays but by the end of the 1940's their film partnership was well established with the cinema going public. Spring in Park Lane had been a top hit for 1947 and a big money maker. In his autobiography Wilding wrote at length of his great regard for Herbert Wilcox the director and instigator of this London series of films.

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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      This film received a landmark color television presentation in Philadelphia, Saturday 6 October 1956, on WFIL (Channel 6), as Ford Film Playhouse's promotional introduction to the new line of 1957 Fords; at this time color TV was still in its infancy, usually limited to special presentations, most often on the National Broadcasting Company's affiliated stations, of which WFIL was not the local representative. Vintage feature films, which may have been original filmed in Technicolor, even comparatively recent ones like this one, which was only seven years old at the time, were not considered worthy of this special treatment, with added costs passed along to the sponsors, so were normally only shown in B&W. In this case, since the film was of British origin, there was not the problem of all the automobiles being of noticeable vintage, since British automotive styles were less familiar to American audiences, and more difficult to date. However, the years had not been kind to the so-called "New Look" women's fashions of 1948-1949 so prominently displayed, and which by 1956 had long since become the "Old Look."
    • गूफ़
      When Janet tells Eileen that Mr. Keats and Mr. Shelley are in the office with Michael, Eileen asks who they are. Yet, she saw a telegram just the day before from Keats and Shelley to D'Arcy about their buying Michael's dress shop for a trifle.
    • भाव

      Sir Henry Hazelrigg: ...and this fellow actually came to the Viceroy's party wearing suede shoes.

      D'Arcy Davenport: Good grief.

      Sir Henry Hazelrigg: Imagine turning up to ride an elephant wearing suede shoes.

      D'Arcy Davenport: Revolting. He was asked to leave of course?

      Sir Henry Hazelrigg: Of course!

    • क्रेज़ी क्रेडिट
      Opening credits: MAYFAIR a District in the Heart of London MAYFAIR FOUNDED in 1750 by Thomas Howard ! MAYFAIR CONFOUNDED in 1920 by Michael Arlen !! MAYFAIR DUMBFOUNDED in 1948 by Sir Stafford Cripps !!!
    • कनेक्शन
      Featured in McVicar (1980)
    • साउंडट्रैक
      Maytime in Mayfair
      (uncredited)

      Music by Harry Parr Davies

      Lyrics by Harold Purcell

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 1 मई 1950 (डेनमार्क)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Det var i maj
    • फ़िल्माने की जगहें
      • MGM British Studios, Borehamwood, Hertfordshire, इंग्लैंड, यूनाइटेड किंगडम(Studio)
    • उत्पादन कंपनी
      • Herbert Wilcox Productions
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 34 मिनट
    • पक्ष अनुपात
      • 1.37 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Maytime in Mayfair (1949)
    टॉप गैप
    By what name was Maytime in Mayfair (1949) officially released in Canada in English?
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