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Lost Boundaries

  • 1949
  • Not Rated
  • 1 घं 39 मि
IMDb रेटिंग
7.0/10
607
आपकी रेटिंग
Richard Hylton in Lost Boundaries (1949)
ड्रामा

अपनी भाषा में प्लॉट जोड़ेंA fair-skinned African American doctor faces discrimination in 1940s America. Unable to find work as himself, he reluctantly "passes" as white, building a successful life in New Hampshire un... सभी पढ़ेंA fair-skinned African American doctor faces discrimination in 1940s America. Unable to find work as himself, he reluctantly "passes" as white, building a successful life in New Hampshire until WWII exposes his heritage.A fair-skinned African American doctor faces discrimination in 1940s America. Unable to find work as himself, he reluctantly "passes" as white, building a successful life in New Hampshire until WWII exposes his heritage.

  • निर्देशक
    • Alfred L. Werker
  • लेखक
    • Ormonde Dekay Jr.
    • Maxime Furlaud
    • Eugene Ling
  • स्टार
    • Beatrice Pearson
    • Mel Ferrer
    • Susan Douglas Rubes
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.0/10
    607
    आपकी रेटिंग
    • निर्देशक
      • Alfred L. Werker
    • लेखक
      • Ormonde Dekay Jr.
      • Maxime Furlaud
      • Eugene Ling
    • स्टार
      • Beatrice Pearson
      • Mel Ferrer
      • Susan Douglas Rubes
    • 34यूज़र समीक्षाएं
    • 9आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 4 जीत और कुल 4 नामांकन

    फ़ोटो32

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 25
    पोस्टर देखें

    टॉप कलाकार33

    बदलाव करें
    Beatrice Pearson
    Beatrice Pearson
    • Marcia Carter
    Mel Ferrer
    Mel Ferrer
    • Dr. Scott Mason Carter
    Susan Douglas Rubes
    Susan Douglas Rubes
    • Shelly Carter
    • (as Susan Douglas)
    Robert A. Dunn
    • Rev. John Taylor
    • (as Rev. Robert A. Dunn)
    Richard Hylton
    Richard Hylton
    • Howard 'Howie' Carter
    Grace Coppin
    • Mrs. Mitchell
    Carleton Carpenter
    Carleton Carpenter
    • Andy
    Seth Arnold
    • Clint Adams
    Wendell Holmes
    Wendell Holmes
    • Mr. Morris Mitchell
    Parker Fennelly
    Parker Fennelly
    • Alvin Tupper
    Ralph Riggs
    • Loren Tucker
    William Greaves
    William Greaves
    • Arthur 'Art' Cooper
    Rai Sanders
    • Dr. Jesse Pridham
    • (as Rai Saunders)
    Leigh Whipper
    • Janitor
    Morton Stevens
    • Dr. Walter Brackett
    Maurice Ellis
    • Dr. Cashman
    Alexander Campbell
    Alexander Campbell
    • Mr. Bigelow
    Edwin Cooper
    Edwin Cooper
    • Baggage Man
    • निर्देशक
      • Alfred L. Werker
    • लेखक
      • Ormonde Dekay Jr.
      • Maxime Furlaud
      • Eugene Ling
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं34

    7.0607
    1
    2
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    4
    5
    6
    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    8destarke

    Really quite daring for the time

    The topic of racial boundaries is explored in fine detail in this story about a light-skinned doctor and his family who all pass for white in a New England town. All points of view and opinions are represented. What makes this such a remarkable film is that it was made in 1949, hardly a year of profound social change in America when it came to the color line. This makes the movie that much more daring. A much better look at the topic of passing than either Pinkie or the second version of Imitation of Life (the first was quite extraordinary, and far superior). There are some really wonderful scenes including one at the town dance when the doctor's son brings home a dark-skinned black friend. The levels of acceptance and non-acceptance of the young black man are nuanced and played out beautifully.

    The film suffers a tiny bit from hokey dialogue and mild melodrama, but that is more a result of the year it was made.
    6Handlinghandel

    Eccentric, Maybe Cowardly, Casting But Quite A Good Movie

    Can you imagine Mel Ferrer as a Pullman porter in the 1940s? Neither can I. He doesn't play one but his character, who is a young doctor passing for white, says that if he let his race be known he might end up doing that.

    This is (so we are told) a true story. The Ferrer character is given a break: He becomes the local doctor in a small New Hampshire town. His wife, also played by a white actress who therefore can very easily "pass for white" goes along with his charade.

    (The actor playing their son as an adult is very good. His character becomes involved in an adventure -- what, I cannot say without giving away the plot. It is related in a noir fashion that both works and seems a little generic.) Possibly we're meant to be inspired. My main feeling about the choice this couple makes is that it is egregiously unfair to their two children. The kids don't know they are black.

    It's a low-keyed story, generally well acted. I found it hard not to get caught up in the central characters' dilemma.) I'm not sure why but the casting didn't bother me so much as that of "Pinky." Maybe because "Pinky" is more self-congratulatory about touching such a daring topic. "Lost Boundaries" is really not a message movie. It tells a story and tells it well -- albeit a bit dishonestly
    8tke55

    It's not the low key production that counts, it's the story!

    The production of this film is so so. Nothing to brag about. But the subject content and the way it was approached, at least for the time that it was produced and shown, this was a groundbreaking film. No wonder it was banned from many movie theatres in the South and in the north, simply because it speak truth to power and it humanized black people. Once you're able to humanize something or to empathize with it, you're less likely to abhor or hate it. That's why this movie is so great, and it's why it got so much flak from White America for portraying such truth.
    8blanche-2

    Interesting film about prejudice in the north

    "Lost Boundaries" is a 1949 film, based on the true story of a black family that passed for white in New Hampshire. The stars are Mel Ferrer, Beatrice Pearson, Richard Hylton, and Carleton Carpenter. Ferrer plays a black doctor, Scott Carter, who looks white. He wants to live as a black man, and his future wife (Pearson) who comes from a family that has always "passed" has agreed to live as a black as well. But after they marry and there's a baby on the way, and still no job, Scott decides to take a position in a white hospital. Eventually he becomes the town doctor. Before you know it, 20 years have passed, and he and his wife have never even told their children that they have black blood. This leads to complications.

    Released the same year as "Pinky," "Lost Boundaries" is a very good movie about deep-seated prejudice that occurred in the north and not in its usual place, the south. Its essential problem is that it doesn't employ any black actors to play the Carters. "Pinky," a superior film, was criticized for the same reason, except that without Jeanne Crain, "Pinky" would not have been made. "Lost Boundaries" has no stars.

    It is curious that the issue of "passing" seems to have piqued Hollywood's interest in the late '40s, and one wonders if World War II had something to do with it, with people venturing out of their neighborhoods and meeting others from different social positions and walks of life, all with the same goal of fighting the Axis. However, when Lena Horne went to entertain the troops in World War II, the black soldiers were behind the prisoners of war in the audience. You really wonder what was going through anyone's minds. Certainly not liberty and justice for all.
    8trvr_hffmn

    Miss the Golden Age

    Others have described Lost Boundaries very well here, so we will not retrace the plot. As we watched this movie on TCM, it again reinforced our feeling that the movie industry has in some ways lost its way today. From what we can see, while Lost Boundaries was well reviewed by contemporary viewers, it was not particularly recognized when it was made. Nevertheless, being a modest production of its time, it easily surpasses so many movies made today with far greater resources in terms of budget, "star power," and other means. When the industry focused on telling human stories with human beings, it was much more convincing. Today, there is so much focus on marketing, gimmickry, "star" power, and extraneous things like special effects and post-production polishing that it seems the stories lack that "human touch."

    We live in Hawaii, and recently saw "The Descendants" out of natural curiosity to see our home state featured, and our response, and that of others we know, was lukewarm. The story seemed to lack depth and any real investment of characters to any stakes (since it was in part about land and wealth), yet it is being touted for Best Picture and more. Clooney was already given Best Actor in the Golden Globes, and our belief is that the award is being rigged because he is a Hollywood favorite and insider. It is a typical Clooney job...glib and slightly sarcastic, and it baffles us that it merits any such recognition.

    Occasionally someone makes a great picture because talent is irrepressible and will always emerge, but now it seems to be in spite of the industry rather than because of it. It seems that the television producers seem to have passed the feature film producers in telling stories (Mad Men, Breaking Bad). Tell stories with people, about people, by people...please.

    इस तरह के और

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    7.1
    Boycott
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    6.8
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    7.1
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    7.0
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    7.5
    Schwarzer Kies
    Home of the Brave
    7.0
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    Miracle in the Rain
    7.1
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    6.8
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    6.9
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    6.5
    Fog Over Frisco

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Based on the lives of Albert and Thyra Johnston, who lived in New Hampshire in the 1930s and '40s.
    • गूफ़
      When the townsfolk are "whispering" among themselves about the Carters being "colored", their lip movement doesn't match what's being said.
    • कनेक्शन
      Featured in Classified X (2007)
    • साउंडट्रैक
      I Wouldn't Mind
      (uncredited)

      Music and Lyrics by Carleton Carpenter

      Performed by Carleton Carpenter

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 2 जुलाई 1949 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Izgubljene granice
    • फ़िल्माने की जगहें
      • Barrington, New Hampshire, संयुक्त राज्य अमेरिका(Calef's Country Store)
    • उत्पादन कंपनियां
      • Louis De Rochemont Associates
      • RD-DR Productions
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $2,50,000(अनुमानित)
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 39 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

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