Ladies of the Chorus

Back in her earlier days in Hollywood, Marilyn Monroe did what most aspiring actresses did...she played bit parts and supporting roles. While "Ladies of the Chorus" offers her a bit more, she's not the lead nor was she ever intended to be. After all, it was 1948 and she was still a couple years from stardom. However, the studio did what I've seen many times with Monroe....after she become famous, they re-cut the movie (adding a title screen that shows Monroe in the lead) and re-released it! I watched this version. I've also seen many DVDs of Monroe and her bit roles with covers blazoned with her face....as if she was the star...so this re-issuing isn't any surprise to me.

The actual star of this film is Adele Jurgens, a gorgeous blonde who did quite a bit of television in the 50s. Sadly, her career worked out but not nearly enough to offer her many more starring roles. On the positive side, she lived a very long and full life aside from acting.

As far as Jurgens, despite being the star, the casting of Monroe as her daughter (despite only being nine years older) must have been painful to her. Jurgens plays Mae Martin, a chorus girl who works with her daughter, Peggy (Monroe). But when Peggy falls in love and the man asks her to marry her, Mae is worried. After all, Mae's husband came from a good family, just like this man, and she is worried that love won't be enough to keep Peggy's marriage going strong. After all, 'good families' don't want ex-chorus girls marrying into their family...and Mae's husband just couldn't cut it. What will come of Peggy and her new man?

In addition to this plot, there is lots of singing and dancing...especially by Jurgens and Monroe. Considering the film is made by Lippert Studios, it's surprisingly good...as I usually expect very little from their productions. The best part is how all this worked out in the film....something that makes it all worth seeing.

The plot explores the idea of being accepted as a chorus girl. Will the upper class set acknowledge such a lowlife species? The story is trivial but holds an interest as Marilyn Monroe (Peggy) carries herself well in one of her early entries. Thankfully, we see her deliver her lines without that irritating baby-talk that became her trademark. She talks properly in this film! So, it's a treasure if only for that.

There is a good segment where Adele Jurgens (Mae) shows off some dance moves – probably the best moment of the film. The music is OK, Marilyn Monroe sings a couple of songs, but nothing too special.

The flimsy story wraps itself up over the course of an hour, but we watch it for Marilyn Monroe.

LADIES OF THE CHORUS (Columbia, 1948), directed by Phil Karlson, stars Adele Jergens, resident performer for Columbia, and Marilyn Monroe, newcomer to motion pictures in her first major movie role. Basically a dress rehearsal for young Monroe, stardom and legendary status did not come to her immediately with this 61 minute program musical, yet it was a start to what's to soon come in the 1950s over at 20th Century- Fox.

The ladies of the chorus happen to be May Martin (Adele Jergens), a former burlesque queen now dancing in the chorus with other much younger girls, one of them being her beautiful blonde daughter named Peggy (Marilyn Monroe). Peggy resents her mother's over protectiveness when wanting to go with Bubbles LaRue (Marjorie Hoshelle) for a night on the town after the show, but May lives only for her daughter's happiness, knowing full well that Bubbles is not the sort of person Peggy should befriend. After Bubbles quits the show on opening night, Joe (Frank Scannell), the stage manager, hires May to take her place. May has other plans. She has Peggy go on in her place. Peggy becomes a sensation as the new "burlesque queen." Her rise to fame at the Rome Theater soon attracts the attention of Randy Carroll (Rand Brooks), a wealthy young man, who anonymously sends her orchids on a daily basis. After Peggy gets to meet her new admirer at the flower shop, she becomes fascinated by him, enough to have dates and dinner before accepting his marriage proposal. Upon meeting with Peggy's mother, she results her feelings about her daughter's engagement by telling Randy via flashback her similar situation after marrying Al Wakefield (Bill Edwards), Peggy's father, much to the dismay of her former partner, Billy McKay (Eddie Garr), the man she should have married instead. It was after the family discovered May was a burlesque queen that her marriage to Al was annulled. Randy is convinced that his mother, Adele (Nana Bryant) and her society friends, are not that way. During the engagement party at the Carroll estate do both mother and daughter come up with some unexpected results.

Had it not been for the fact that Marilyn Monroe (1926-1962) ever appeared in LADIES OF THE CHORUS, chances are this so-so story with forgettable songs might have vanished into some dark corner of a dusty film vault along with other forgettable Columbia programmers from this period. Because of Monroe's rise to stardom that took place in the 1950s, LADIES OF THE CHORUS was reissued into theaters, with opening credits changing Monroe's name over the title instead of Adele Jergens. The reissue print is the one that's been circulating on television, and used years later on both video cassette and DVD. The film itself would have been more believable as well as acceptable had Jergens played Monroe's older sister rather than her mother, considering how Jergens doesn't seem old enough to have a grown-up daughter, even without the blonde wig she uses to appear younger during the burlesque musical show sequences.

Songs by Allan Roberts and Lester Lee featured are: "Ladies of the Chorus" (sung by chorus during opening credits); "You Belong to Me," "Every Baby Needs a Da-Da Daddy," "You Belong to Me" (all sung by Marilyn Monroe); "I'm So Crazy for You" (sung by Adele Jergens); "The Ubangi Love Song" (performed by the Bobby True Trio); and "You're Never Too Old" (sung by Nana Bryant). While such a song as "Every Baby Needs a Da-Da Daddy" simplifies Monroe's musical style along with "You Belong to Me," somehow Nana Bryant steals the limelight with her rendition to "You're Never Too Young." Other acts incorporated into the story include a father and son bubble talking under water-type interior decorators, Hipple and Hipple Jr., played by Dave and Alan Barry; followed by the jive-singing by the Bobby True Trio at the Carroll home. Others in the cast include: Steven Geray (Salisbury, the Butler); Myron Healy )Tom Lawson); Gladys Blake (The Flower Shop Girl); and Almira Sessions (Woman at Engagement Party), among others.

Formerly shown on American Movie Classics cable channel prior to 2001, LADIES OF THE CHORUS has also become part of the film library of Turner Classic Movies dating back to its humble beginnings of 1994. Even though its basic theme could have been "You're Never Too Young," the movie itself is strictly "B" material with story-line resembling those early talkie musicals of the late 1920s. Regardless, it does offer curiosity and interest for anyone interested in viewing the youthful presence of Marilyn Monroe in her only movie for Columbia. (**)

For Marilyn Monroe fans this is a real treat. Before she hit the BIG time, Monroe made this 1 hour B movie at Columbia and puts in a relatively assured performance despite this being so early in her career.

Sure, her performance wasn't going to win an Oscar but she is self-assured and natural in front of the camera. Leaving aside a couple of duff line deliveries Monroe sparkles in this movie and brightens it up somewhat.

Although relatively light-weight and inconsequential, this cheapo is actually pretty well produced and looks and feels of higher quality than most quickie filler films.

At the end of the day, this is really going to appeal only to fans of Marilyn Monroe wanting to see her in an early role, but is enjoyable nevertheless and a pleasant way to waste an hour.

Today many people think that MM began her career at the bottom as a small part player, the blonde bimbo in many films like ASPHALT JUNGLE and ALL ABOUT EVE, who in time slowly rose to stardom. In fact, thanks to her sponsorship by her lover, the top-agent Johnny Hyde, very earlier in her career, 1948 to be exact, MM was cast in a major co-starring role as Adele Jurgen's daughter in this 60+ minute Columbia Pictures B movie. It was not a success and her contract at Harry Cohn's studio was dropped. MM then moved on to a Fox contract.

Given this film's feeble script and the twenty day shooting schedule, she can't do more than a competent job as a burlesque queen's daughter in a movie that avoids any suggestion of that tawdry world and the striptease. The dances and songs shown here are all mediocre, as is Phil Karlson's direction. In the beginning, MM was professional; she worked hard with was she's been given to play. She does her best in the few mother/daughter scenes with Jurgens who looks much too young to be believable as her mommy. Neither was MM helped by Columbia's casting of her leading man, Rand Brooks (Scarlett O'Hara's first husband in GWTW), who is particularly wooden and unattractive as the love interest.

A few years later, Marilyn did some rhinoplasty to fix nose and chin, but even in this minor effort she is still very beautiful and appealing. MM was determined to become a star, and when her moment came she was ready. She had paid her dues as this minor effort proves.