Britannia Mews

While a little girl, beautiful Maureen O'Hara (as Adelaide "Addie" Culver) was fascinated by a seedy section of 19th century London known as "Britannia Mews". Quickly developing into an adult woman, Ms. O'Hara appears enchanted by both the area and her art teacher – British-accented Dana Andrews (as Henry Lambert). A romance develops, but O'Hara's wealthy parents do not approve of O'Hara seeing the artist. He turns out to have a weakness for alcohol and not much money, but Mr. Andrews is expert at making charming and lifelike puppets. Later on, Andrews appears as another character (Gilbert Lauderdale) – he is a similar man, but learns to control his alcohol intake. Both men are involved in an increasingly complicated relationship with O'Hara...

The oddest thing about "The Forbidden Street" is that the first Andrews character's voice is dubbed by another actor. While the voice matches Andrews' lip movements, it sounds like it is coming from another room – via a deep echo chamber. Playing the film on mute during a second viewing reveals Andrews would have made a fine "silent" film actor; it is interesting to study his performance. O'Hara shows some of the same skills...

The cast works very well for director Jean Negulesco, who creates an atmospheric story with fine black and white photography from Georges Perinal. The soundtrack, while good, could have been a little more subtle. The obvious dubbing, perhaps done to differentiate Andrews' two characters, wasn't wise. However, stay tuned as Andrews' voice and the film improve. Also watch for a couple of outstanding supporting performances – from haggish old "sow" Sybil Thorndike (as Mrs. Mounsey) and O'Hara's inquisitive little brother Anthony Tancred (as Treff Culver). The two not only perform exceptionally, they also perfectly illustrate the "opposite sides of the tracks." And, surprise visitor Mary Martlew (as Milly) is quite memorably amusing, in her single scene.

******* The Forbidden Street (Britannia Mews) (3/31/49) Jean Negulesco ~ Maureen O'Hara, Dana Andrews, Sybil Thorndike, Anthony Tancred

What a wonderful film this is! It is difficult to catalogue all its vast variations of deserts, with sudden turn of events and charming details constantly renewing and refreshing the story, which is like a Dickens novel. Maureen O'Hara is always good but here better than ever, while Dana Andrews takes you by surprise with this virtuoso performance totally out of his ordinary style, vying in charm with Robert Donat; while the prize goes to Sybil Thorndike, who makes a really frightening witch with more than one bag of evil up her sleeve, which she uses with calculation and effective impact.

It's really an environmental film depicting a slum area with exciting intrigue and characters and fascinating idylls of the gutter. It's related with another environmental London film of the same time, "London Belongs to Me" with equally convincing documentary rendering of local life in London town, but here the events take place long before the turn of the century - Bernard Shaw is mentioned as a rising star in the beginning of his career.

The miracle of the story is how a tragedy is turned to its opposite. A failed painter leaves behind the result of his secret hobby work, making puppets, and these turn out to be his real masterpiece. A really hopeless tragedy of bleak dreariness with no way out is miraculously turned into comedy by his puppets coming alive. The process of this U-turn of fate is completely natural, and a tragedy of human decay, failure, alcoholism and dishonour is suddenly reversed into a cheerful comedy - the real comedian is Maureen O'Hara's helpful brother, who understands things his own way.

The end of it is how the dreadfully sultry slum turns into a wonderland of idylls and charm in spite of all, and there, ultimately, after all the heartbreaks, the heart nevertheless will remain.

(I wrote this review previously, but it was apparently lost in a power cut. Maybe it can be retrieved. If not, here is what I could do to recreate it.)

This was one of my favorite Maureen O'Hara movies (after "The Quiet Man", of course) which I haven't been able to see for many years. I continue to check the DVD status, but continue to be disappointed. Previous comments have told the story-line, so I won't attempt it except to say that it covers the entire gamut of emotions: happiness, sadness, fear, despair, resignation to circumstances, hope--back to happiness.

I hope the "Powers that be" read these comments and release this movie in at least video version if DVD isn't possible. With all the garbage I see being put out on DVD, it amazes me that the better older black and white movies are so overlooked. There are several for which I keep looking and hoping to see available.

Dana Andrews first character in the movie was as 'Henry Lambert' not 'Herbert Lambert' and he didn't fall out a window - he fell down the stairs. I watched this movie today on Fox and I liked it - I didn't think that I would at first. This movie was also titled: "Affairs of Adelaide" and "The Forbidden Street". The story was a from a book by Margery Sharp entitled: "Britannia Mews". She also wrote the books from which the animated features "The Rescuers" (1977) and "The Rescuers Down Under" (1990) were drawn. I would buy this movie (The Forbidden Street/Britannia Mews/Affairs of Adelaide) if it were to come out on DVD. This is the first time I have commented on a movie in such a way.

Keeping Maureen O'Hara on its payroll throughout the 1940s was one of the smartest things Twentieth Century Fox ever did: She was capable and spirited, and so pretty that it wouldn't have mattered if she couldn't act at all. Here she is in a typically feisty role, a well-to-do London miss who marries badly and becomes victimized by a creepy old streetwoman (Dame Sybil Thorndike). As a melodrama in the "Gaslight" vein with bizarre comedy touches, it's fairly silly, but there's much to savor, especially in the details: an atmospheric backlot set (I think it was actually filmed on 20th's British soundstage), blackmail, puppetry, cackling hags, some tasty dialogue, and one exceedingly odd moment where Dana Andrews invites his ladylove's little brother to bed.