अपनी भाषा में प्लॉट जोड़ेंLA ex-cop Vince Kane is a bail-bondsman who bails out the suspect of a securities bonds robbery but his client disappears, prompting Vince to investigate.LA ex-cop Vince Kane is a bail-bondsman who bails out the suspect of a securities bonds robbery but his client disappears, prompting Vince to investigate.LA ex-cop Vince Kane is a bail-bondsman who bails out the suspect of a securities bonds robbery but his client disappears, prompting Vince to investigate.
David Bauer
- Matthew Dawson
- (as David Wolfe)
Barry Brooks
- Detective
- (बिना क्रेडिट के)
Harry Brown
- Room Clerk
- (बिना क्रेडिट के)
Dick Dickinson
- Thin Man
- (बिना क्रेडिट के)
Don Dillaway
- Young Drunk
- (बिना क्रेडिट के)
Gloria Gabriel
- Kane's Secretary
- (बिना क्रेडिट के)
Mack Gray
- Fred - Taxi Driver
- (बिना क्रेडिट के)
Jonathan Hale
- Roger Lennert - Lucy's Attorney
- (बिना क्रेडिट के)
Charmienne Harker
- Cigarette Girl
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
A Dangerous Profession is directed by Ted Tetzlaff and written by Warren Duff and Martin Rackin. It stars George Raft, Ella Raines, Pat O'Brien, Bill Williams and Jim Backus. Music is by Frederick Hollander and cinematography by Robert De Grasse.
The scene is set, it's Los Angeles and Police Lt. Nick Ferrone (Backus) explains to us with stentorian narration about the whiles of bail bond brokers. This story is concerned with one in particular, Vince Kane (Raft), a one time policeman who followed the lure of the coin into a partnership of a bail bonds operation. It's all going swimmingly well, he's making lots of cash, has gals eating out of his hand, but when a pretty face from his past turns up requesting a favour? Vince suddenly finds himself in a quagmire of murder, deceit and emotional discord.
What cop ever reformed?
Shall we cut to the chase here? This is not a "great" film, though I do believe that it's very under seen and therefore the meagre internet ratings it has - and the lack of reviews for it - don't quite tell the whole story.
There's nothing particularly striking about the visual aspects here, De Grasse's photography occasionally falls in line with what film noir fans consider standard procedure, which has led a few critics to question the film's film noir status. This is all about Vince Kane and how he is thrust into a murky new world by a slinky femme, it may be a whodunit in essence, but the Vince and Lucy Brackett (Raines) axis is most assuredly noir.
You phony Gumshoe!
Action is in short supply, leaving much of the piece in talky territory. There's a few zinger lines of dialogue in the mix, but mostly it's screen writing 101. Yet in spite of the mixed qualities on offer here, it's a film that Raft fans are sure to enjoy, because he's very much great value as the stoic but emotionally troubled Vince. In fact O'Brien turns in one of his better performances and Raines is pleasingly sultry, meaning the cast perform well up to scratch, even if the screenplay does them few favours.
A mixed bag for sure, and hardly essential for fans of such cinematic fare, but there's just enough from the cast to make this one above average. 6/10
The scene is set, it's Los Angeles and Police Lt. Nick Ferrone (Backus) explains to us with stentorian narration about the whiles of bail bond brokers. This story is concerned with one in particular, Vince Kane (Raft), a one time policeman who followed the lure of the coin into a partnership of a bail bonds operation. It's all going swimmingly well, he's making lots of cash, has gals eating out of his hand, but when a pretty face from his past turns up requesting a favour? Vince suddenly finds himself in a quagmire of murder, deceit and emotional discord.
What cop ever reformed?
Shall we cut to the chase here? This is not a "great" film, though I do believe that it's very under seen and therefore the meagre internet ratings it has - and the lack of reviews for it - don't quite tell the whole story.
There's nothing particularly striking about the visual aspects here, De Grasse's photography occasionally falls in line with what film noir fans consider standard procedure, which has led a few critics to question the film's film noir status. This is all about Vince Kane and how he is thrust into a murky new world by a slinky femme, it may be a whodunit in essence, but the Vince and Lucy Brackett (Raines) axis is most assuredly noir.
You phony Gumshoe!
Action is in short supply, leaving much of the piece in talky territory. There's a few zinger lines of dialogue in the mix, but mostly it's screen writing 101. Yet in spite of the mixed qualities on offer here, it's a film that Raft fans are sure to enjoy, because he's very much great value as the stoic but emotionally troubled Vince. In fact O'Brien turns in one of his better performances and Raines is pleasingly sultry, meaning the cast perform well up to scratch, even if the screenplay does them few favours.
A mixed bag for sure, and hardly essential for fans of such cinematic fare, but there's just enough from the cast to make this one above average. 6/10
During the late forties, George Raft made several film noirs for RKO pictures, mostly directed by Edwin Marin: NOCTURNE, INTRIGUE, JOHNNY ANGEL, RACE STREET, but here he works with Ted Tetzlaff, who gave us WHITE TOWER, and several other good films, such as the terrific THE WINDOW, his most notorious movie. So that said, here, George Raft gives us Raft's stuff, but I was more interested by Ella Raines and her wonderful eyes. It is for me only a good atmosphere film, which plot is totally lame and forgettable. Only atmosphere and George Raft - Ella Raines presence justify the watching of this crime noir.
A Dangerous Profession is a mildly diverting crime picture featuring a fine cast headed by veterans George Raft and Pat O'Brien, both of whom had seen better days by the time they appeared in this picture. Nor is the direction of the usually reliable Ted Tetzlaff up to his usual standard. This is the kind of small scale but not quite grade B movie that television was about to make obsolete, and as such an interesting historical footnote of a bygone era for those who care for such things.
George Raft was a cop. Now he's a bail bondsman, in partnership with Pat O'Brien. A series of disappearing clients has him worried, as does Ella Raines, an old girl friend who reappears in his life.
It's a noirish sort of movie without many of the trappings; the most dramatic bit of lighting occurs in a shot of the firm's secretary taking a call, with the light shining through, the company's logo etched in reverse on the wall above and behind her. Ted Tetzlaff's direction is workmanlike, and as often seems the case, Raft's delivery is fast and guarded, giving the impression, as so many of his later movies do, that he's there for a paycheck, and anxious to get through the shoot as fast as he can. Jim Backus steals the movie as a police detective who seems to have a relationship with Raft.
It's a noirish sort of movie without many of the trappings; the most dramatic bit of lighting occurs in a shot of the firm's secretary taking a call, with the light shining through, the company's logo etched in reverse on the wall above and behind her. Ted Tetzlaff's direction is workmanlike, and as often seems the case, Raft's delivery is fast and guarded, giving the impression, as so many of his later movies do, that he's there for a paycheck, and anxious to get through the shoot as fast as he can. Jim Backus steals the movie as a police detective who seems to have a relationship with Raft.
"A Dangerous Profession" is a decent enough film...the sort mildly entertaining stuff that George Raft made in the post-war years. It begins with Vince (Raft) working as a bail bondsman along with his partner (Pat O'Brien). Apparently Vince used to be a cop but decided to change careers. Why he wanted a change soon becomes apparently when his old girlfriend, Lucy (Ella Raines) shows up to try to bail her stupid husband out of jail. This IS a surprise...as Vince hasn't heard from her since she disappeared some time ago...nor did he know she was married...and had been when he knew her! Of course it's a surprise but Vince is a dope...so he helps her and her dopier husband. But when the husband soon is murdered, things get really, really confusing. So what's next?
This is a mildly interesting film but it suffers a bit from Raft's relatively dull screen persona as well as his being a bit too trusting to be realistic. The story also becomes a bit confusing and is, if you think about it, a bit like a reworking of "Casablanca"! Odd but worth seeing if you like old film noir movies.
This is a mildly interesting film but it suffers a bit from Raft's relatively dull screen persona as well as his being a bit too trusting to be realistic. The story also becomes a bit confusing and is, if you think about it, a bit like a reworking of "Casablanca"! Odd but worth seeing if you like old film noir movies.
क्या आपको पता है
- ट्रिवियाVince's car is a 1947 Cadillac Series 62 convertible. In 2016, this car, if in excellent condition, could be worth more than $100,000.
- गूफ़Robert Gist gets out of a cab and into a car to take George Raft up into the hills. When he opens the door to the car's back seat the door hits the rear of the cab that he just exited.
- भाव
Vince Kane: [pulling up in front of hotel] I'll go up with ya.
Police Lt. Nick Ferrone: Why don't you stay out here and neck?
[Elaine is also in the car]
Vince Kane: Not with the top down.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- The Bail Bond Story
- फ़िल्माने की जगहें
- 601 North Rossmore Avenue, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Vince Kane's apartment building)
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- चलने की अवधि1 घंटा 19 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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