A Connecticut Yankee in King Arthur's Court

I watched this merry movie the other day and enjoyed it

immensely, even though it was about the hundreth time I'd seen it.

It's a wonderful 'family' movie, in that it isn't offensive or overlong-

it's fun. My favourite part has to be the song "busy doing nothing", sung by

the unlikely trio of Bing Crosby, Cedric Hardwicke and William

Bendix (the first and last time they ever sang together!). There are nice touches all the way through, including the 'echoes'

every time king Arthur requests something: "MORE HOT WATER! . . . more hot water. . ." Or "CLOSE THE DOOR! . . .close the door. . ."

to which Murvyn Vye's Merlin replies, "the door closeth sire." While we are on the subject of Merlin, I'm surprised that with a

voice like his he didn't appear in more of Hollywood's costumers.

I've only ever seen him in one other film, and that was 'Green Fire'

(1955). Of course, I have to mention William Bendix's portrayal of 'Saggy' or

sir Sagramore. He turns up in Bing Crosby's prison cell

shame-faced and apologetic for calling him (Crosby) a dragon and

says the following: Saggy: If only there were ought we could do. Crosby: Well, ain't there ought? Saggy: Nought. Whoever heard of a knight of the round table with a thick Brooklyn

accent?! I usually detest musicals but this, along with 'White Christmas', is

an exception. The duet between Rhonda Fleming and Bing Crosby

('Once and for always') is brilliant. It's hilarious when he says she's

pretty, to which she replies enthusiatically, "oh, thou art pretty too

sire!" and he, looking round apprehensively says, "no, say I'm cute

or something!"

My unintentional boycott of Bing Crosby films must end. I have no idea, being a fan of classic cinema, how this was my first experience with the actor/singer. Tay Garnett's interpretation of Mark Twain's book of the same name, A Connecticut Yankee in King Arthur's Court proves that musicals can be fun, endearing, and serious, all at the same time. By the end of the movie I was feverishly searching Bing Crosby's filmography to see what other works of his I can check out!

A simple mechanic living in Connecticut in the year 1912, Hank Martin (Bing Crosby), takes a bump to the head on a stormy night, waking to find himself in 528 A.D. adapting well to his new surroundings, Hank shows his new counterparts technology and gently gives them hints about the future. He soon finds himself befriending those closest to King Arthur (Cedric Hardwicke), including most notably his favorite niece, Alisande La Carteloise (Rhonda Fleming). He quickly falls for the beautiful woman he nicknames Sandy, stepping on the toes of Sir Lancelot ( Henry Wilcoxon) whom she has been promised to. Learning that Sandy doesn't love Sir Lancelot, Hank goes about giving her glimpses of the world in which he comes from, and pushing her to only marry out of love. Trying to convince King Arthur to better learn what the lives of his subjects are like, he fashions an incognito trip for them in plain clothes. Disaster ensues when Merlin, (Murvyn Vye) sees the King's absence as a chance to overtake the thrown. If there's one thing we know about Hank though, it's that he is just resourceful enough to get out of any situation.

A Connecticut Yankee in King Arthur's Court was a fun look into the novel of Mark Twain, told largely through music. Bing Crosby brought the picture to life for me, and any fans of his must see this film! I found the film well-acted and touching. The film was a great story of the everyman type that succeeds. The film looked beautiful in all of its Technicolor glory. I will definitely be checking into more Bing Crosby films!

I wouldn't call this an example of a great old classic, but as an adaptation of Mark Twain's story it's enjoyable enough. Bing Crosby brings a likable quality to the screen as "Sir Boss" (or Hank Martin) a Connecticut blacksmith in very early 20th century America who by some strange and unexplained phenomenon gets knocked cold after being thrown from a horse and awakens in King Arthur's England 1500 years earlier. Using marvels such as a magnifying glass and matches to start fires, he manages to convince the kingdom that he's a magnificent wizard even greater than Merlin (Murvyn Vye), which helps to save his life since he was originally going to be executed when discovered. Hank falls in love with "Sandy" (the king's niece, played by Rhonda Fleming) and has to do battle with Sir Lancelot (Henry Wilcoxon), to whom she was betrothed. Finally, Hank convinces Arthur (played by Sir Cecil Hardwicke) to disguise himself as a peasant and go out among his people to find out what they're really thinking about him and what their lives are like.

It's quite an innocent fantasy, really. There are some amusing moments, and the whole thing, of course, has quite an unbelievable air about it, as befits fantasy. Most obviously, even if one can accept the idea of travelling back 1500 years in time, one then has to figure out how a 20th century American can speak so easily to 6th century Britons, who haven't yet developed anything even close to the modern English language! But that's to think about this too much. One should simply suspend thought with this and just enjoy the fantasy.

Since the movie stars Bing Crosby, it is of course a musical adaptation of Twain's story, and that (ironically perhaps since you'd think it would be Crosby's strong suit) was to me the weakest element of the movie. I just wasn't that taken with the songs. They're weren't really memorable, and I would have simply preferred to watch the story without the musical interruptions. (5/10)

It is fortunate that this musical doesn't have too many songs, because they are generally quite forgettable if not outright boring.

Visually, however, this is a great Technicolor film full of interesting views and almost but not quite campy colors. I ignored the music and enjoyed the film for its visual gaiety and its take on the plot.

There are many films based on Mark Twain's novel, and a general feature is that they replace Twain's original framing in late 19th century Connecticut by a different one more suitable for film. The present film stays close to the original framing but develops it further and in a different direction:

Hank, the Connecticut Yankee, is a blacksmith like in the novel. He arrives as a tourist at Pendragon Castle rather than Warwick Castle. Unlike in the real world, Pendragon Castle is in good condition and has preserved a lot of artifacts from King Arthur's court, which of course in the novel and this film is real 6th century history rather than fictional. Hank disturbs a guided tour by knowing too much, then meets the castle's owner and tells him, rather than Mark Twain, his story.

Since Hank is played by Bing Crosby, he is smooth and polished, quite unlike the electrician Hank in the early talkie A Connecticut Yankee (1931), who was played by Will Rogers. Also, he doesn't modernize Arthurian Britain so much as he uses a few modern inventions or practices for his own advantage. As a result, this is little more than another knight and sword film, though with a few nice twists and the time travel framing.

Overall, this is a nice family film but nothing special. If they hadn't made it a musical and had cast a comic or character actor for Hank, this could easily have been a 7, perhaps even an 8.

I understand that Paramount wanted to film this with the Rodgers and Hart score, but couldn't work out the copyright problems, so Burke and Van Heusen who wrote the between them the most songs for Bing Crosby contributed a very nice score.

I read Leonard Maltin saying that this movie, "fit Crosby like a glove" and I couldn't have put it better. No, it's not Mark Twain's satire, it's a Bing Crosby film and in 1949 Crosby was the most bankable star in Hollywood. For once Paramount used technicolor and Rhonda Fleming was never lovelier on the screen. This was a woman that technicolor was invented for.

William Bendix's Brooklyn origins kinda stand out, but it's to a good comic effect. The trio of Crosby, Bendix, and Sir Cedric Hardwicke have a rollicking good time with Busy Doing Nothing. Bing has one of his patented upbeat philosophical numbers with If You Stub Your Toe On The Moon.

The third song he sings Once and For Always by himself and with Rhonda Fleming. That song was nominated for best song, but lost to Baby It's Cold Outside.

Nice also that Bing managed to record the score for Decca with Rhonda Fleming and Bendix and Hardwicke.

One thing I like about this film is that it shows Crosby's comic talents without Bob Hope. I like the Road pictures, but Bing was a comic talent onto himself and this film better demonstrates than any other.

This is Crosby at the top of his game.