IMDb रेटिंग
6.6/10
2.3 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंFederal agent Rigby, in Central America to trace stolen plane engines, falls for the gorgeous wife of the chief suspect.Federal agent Rigby, in Central America to trace stolen plane engines, falls for the gorgeous wife of the chief suspect.Federal agent Rigby, in Central America to trace stolen plane engines, falls for the gorgeous wife of the chief suspect.
- निर्देशक
- लेखक
- स्टार
Fernando Alvarado
- Flute Player
- (बिना क्रेडिट के)
Robert Cabal
- Bellboy
- (बिना क्रेडिट के)
Gene Coogan
- Club Patron
- (बिना क्रेडिट के)
David Cota
- Bellboy
- (बिना क्रेडिट के)
Peter Cusanelli
- Rhumba Dancer
- (बिना क्रेडिट के)
Marcel De la Brosse
- French Tourist
- (बिना क्रेडिट के)
Joe Dominguez
- Waiter
- (बिना क्रेडिट के)
Juan Duval
- Waiter
- (बिना क्रेडिट के)
Nacho Galindo
- Second Hotel Clerk
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
The Bribe (1949)
A loaded cast and crew make this an interesting draw (only the director Robert Leonard is little known to me, though he has two Best Director nominations). But really: Ava Gardner in a dramatic noir, with Robert Taylor the male lead (including a very noir voiceover to start). Throw in Charles Laughton and Vincent Price in smaller roles, and Joseph Ruttenberg doing cinematography and Miklos Rozsa the music. And it starts great, in a lonely room in Central America, rain pouring down the windows at night. And then the flashbacks begin. Maybe all this makes me a sucker. I expected a lot even with the clichés pouring on. But we have a formula noir here with all the elements exaggerated and none of them missed--the woman is even a nightclub singer, and wait for the drug in the drink later on. If you are willing to enjoy the form rather than the specifics of the movie, you have your film. It's almost great, and might someday be considered a classic simply because it makes so clear the elements of that form (the noir-alienated male, femme fatale, flashbacks, dramatic lighting, crime and treachery, short clipped phrases). It's so good at all this, it became the model for the comic send-up, "Dead Men Don't Wear Plaid." But in a way this isn't fair, because the movie does work on its own, despite its lack of originality. It grows and gets better as you go, and the consistency of the production and the solidity of the plot make it worth seeing. Gardner is not great in the way some leading noir females are, but she has her sculptural poise and is still young as an actress. Taylor has sort of the same problem of not quite rising to the needs of the role, but he is fine. The fact that the two of them are not "amazing" is one of the holdbacks of the film--lots of noirs have formula plots but have such great acting it doesn't matter a bit. So Laughton, then, rising to the occasion, is really amazing. I've heard his performance called campy, but I don't think so, not for the genre. It's subtle, and if he's a character, he's not a caricature. Price, also good, has a someone limited role. Until the end. The final ten minutes is a film wonder. If you can't watch the whole thing for some reason, you can still be thrilled by the ending. The drama, the lighting, the photography, the pace and editing, it's all unparalleled.
A loaded cast and crew make this an interesting draw (only the director Robert Leonard is little known to me, though he has two Best Director nominations). But really: Ava Gardner in a dramatic noir, with Robert Taylor the male lead (including a very noir voiceover to start). Throw in Charles Laughton and Vincent Price in smaller roles, and Joseph Ruttenberg doing cinematography and Miklos Rozsa the music. And it starts great, in a lonely room in Central America, rain pouring down the windows at night. And then the flashbacks begin. Maybe all this makes me a sucker. I expected a lot even with the clichés pouring on. But we have a formula noir here with all the elements exaggerated and none of them missed--the woman is even a nightclub singer, and wait for the drug in the drink later on. If you are willing to enjoy the form rather than the specifics of the movie, you have your film. It's almost great, and might someday be considered a classic simply because it makes so clear the elements of that form (the noir-alienated male, femme fatale, flashbacks, dramatic lighting, crime and treachery, short clipped phrases). It's so good at all this, it became the model for the comic send-up, "Dead Men Don't Wear Plaid." But in a way this isn't fair, because the movie does work on its own, despite its lack of originality. It grows and gets better as you go, and the consistency of the production and the solidity of the plot make it worth seeing. Gardner is not great in the way some leading noir females are, but she has her sculptural poise and is still young as an actress. Taylor has sort of the same problem of not quite rising to the needs of the role, but he is fine. The fact that the two of them are not "amazing" is one of the holdbacks of the film--lots of noirs have formula plots but have such great acting it doesn't matter a bit. So Laughton, then, rising to the occasion, is really amazing. I've heard his performance called campy, but I don't think so, not for the genre. It's subtle, and if he's a character, he's not a caricature. Price, also good, has a someone limited role. Until the end. The final ten minutes is a film wonder. If you can't watch the whole thing for some reason, you can still be thrilled by the ending. The drama, the lighting, the photography, the pace and editing, it's all unparalleled.
Federal agent Rigby (Robert Taylor) is sent to South America to stop a group smuggling aircraft engines, but falls for an alluring singer (Ava Gardner), who just happens to be the wife of one of the main suspects.
After reading not very positive reviews of this, I went into The Bribe with low expectations. It's got a great cast though: Robert Taylor, Ava Gardner, Charles Laughton, Vincent Price and John Hodiak.
I was pleasantly surprised. Being an MGM film, the set design, costumes and cinematography were top notch. The overwrought script and silly narration bog the film down a bit.
Taylor is his usual stolid self, Gardner was quite appealing (and beautiful as ever), while Price was good as the main baddie. However, the best actor is easily Charles Laughton. He gives an excellent performance as a henchman constantly complaining about his bad feet.
There's some good action sequences, especially the finale (directed by Vincente Minnelli!), involving a chase through a fireworks display. Good fun.
After reading not very positive reviews of this, I went into The Bribe with low expectations. It's got a great cast though: Robert Taylor, Ava Gardner, Charles Laughton, Vincent Price and John Hodiak.
I was pleasantly surprised. Being an MGM film, the set design, costumes and cinematography were top notch. The overwrought script and silly narration bog the film down a bit.
Taylor is his usual stolid self, Gardner was quite appealing (and beautiful as ever), while Price was good as the main baddie. However, the best actor is easily Charles Laughton. He gives an excellent performance as a henchman constantly complaining about his bad feet.
There's some good action sequences, especially the finale (directed by Vincente Minnelli!), involving a chase through a fireworks display. Good fun.
A federal agent tries to bust a stolen airplane motor ring in Central America, but ends up falling for the wife of one of the prime suspects. I've enjoyed Robert Taylor in other pictures (notably HIGH WALL) but here he's merely satisfactory, likable but too stiff. Ava Gardner fares slightly better, a little dull but with an appealing sultriness. As usual, it's the bad guys with the plum roles: Vincent Price and especially Charles Laughton with yet another memorable turn. Laughton is fast becoming one of my favorite actors, consistently the best thing about whatever he appears in. The main problem here is pacing. The first three-quarters are very slow, giving the appearance of doling out information and building the Taylor/Gardner relationship but not actually do much of either. One brief action scene breaks up the tedium, other than that it's rather uneventful until the final 25-30 minutes. Things do heat up nicely then, however, culminating in an amazing fireworks-illuminated climax. Laughton and the ending elevate this one enough to make it worthwhile.
"The Bribe" is a somewhat slow noir drama starring Robert Taylor, Ava Gardner, Charles Laughton, John Hodiak, and Vincent Price. With a cast like that, nothing is all bad. Though the story drags in spots and the bad guys are somewhat obvious, it still makes for good viewing. Taylor is Rigby, a fed investigating war surplus violations involving the sale of airplane motors in a place called Carlotta in South America. The suspects have been narrowed down to two Americans, Tug Hintten (Hodiak) and his wife, Elizabeth, a singer (Gardner). Once in Carlotta, Rigby meets J.J. Bealer, portrayed by Charles Laughton, and Carwood (Vincent Price). They're worth watching, too, though Rigby becomes instantly distracted by Elizabeth. Their love story develops overnight, which might seem strange, but it's Ava at her most gorgeous and Taylor at his most ruggedly handsome. You can hardly blame either one of them. The questions for Rigby are: Where are the motors being hidden, who's the head guy, who's involved...and how involved is Elizabeth? The movie, with the exception of the finale, is fairly routine stuff. Laughton and Price have the best roles. Laughton is fabulous as a slovenly loser whose feet hurt, and Price is excellent. Everyone else is good, including Hodiak, his career in major nosedive as he appears in a supporting role, though a showy one as a drunk with a weak heart. The big action takes place at the finale, which is exciting and visually marvelous. We could have used a little more of that type of thing throughout the film.
If you like a full cast of great veteran actors, this B&W film is perfect to entertain you from beginning to the very end. Robert Taylor,(Rigby) is a Government Agent assigned to investigate the misuse of Government surplus from World War II and mostly airplane engines that were being smuggled out of Central America and sold to other countries. Rigby is given some information to lead him in the right direction to find out just who is involved in this operation. Ava Gardner, Elizabeth Hintten, is married to John Hodiak,(Tug Hintten) and Rigby gets very involved with this couple and especially Tug's wife. There is a creepy, dirty fat looking guy, played by Charles Laughton,(J.J. Bealer) who follows Rigby like his own shadow. Vincent Price,(Carwood) met Rigby on the airplane going to Central America and met him once again for a fishing trip to catch a swordfish and Carwood gets confused and throws the boat's engine into reverse and causes all kinds of problems. If you like veteran actors giving outstanding performances, this is the film for you.
क्या आपको पता है
- ट्रिवियाVincente Minnelli directed the pyrotechnical climax scene.
- गूफ़Set in the town of Carlotta, but on Emilio's boat it's misspelled as Carlota. It's also Carlota in Rigby's telegram draft at the beginning. But in the town's fiesta fireworks display, it's Carlotta, presumably definitive.
- भाव
J.J. Bealer: [Last lines] When you get around to it, Mr. Rigby, you might call a cop.
- कनेक्शनEdited into Dead Men Don't Wear Plaid (1982)
- साउंडट्रैकSituation Wanted
Music by Nacio Herb Brown
Lyrics by William Katz
Performed by Ava Gardner (dubbed by Eileen Wilson) (uncredited)
[The first song Elizabeth sings at Pedro's]
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Bribe?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $19,84,000(अनुमानित)
- चलने की अवधि
- 1 घं 38 मि(98 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
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