The Bribe

This is a fasinating example of film noir elements grafted on to an ordenary crime thriller, there is also romance between Robert Taylor and Ava Gardner, but thats a weaker part of the story. Taylor is to wooden in his role as a federal agent, Robert Mitchum would have been more suitable for this kind of film. But there are som nice noir caracters in the supporting roles, and director Robert Z Leonard contrasts effectivly the down at the heel feeling, with the surface glitter of the big town criminals who move trough it, giving the film a glossy look that at the same time is filled with an atmosphere of moral corruption. Ava Gardner is very beatiful in this early role, and she makes the most of it, Charles Laughton is very good as the sly henchman, oily and treacherous, he creats a fasinating character of a small role, a sort of unshaven Quasimodo, who sweats a lot and have trouble with sour feets. He is both human, weak and repulsive at the same time. Vincent Price is the suave villain, his playboy sportsman is both naive and evil but more icy than most of his roles of this kind, and he gives a fine performance. John Hodiak is a broken down ex-pilot, with alcoholic problems, a small role but well played. All these supporting players give the film a definite noir feeling, as well as Joseph Ruttenbergs moody graphics and Miklos Rozas score, also telling the story in flashback with Taylor narrating while recovering from beeing druged, gives the story a feeling of defeat and betrayal. The settings are dirty and seedy and the climate steamy, and the usual glossy high MGM production values, gives the footage a feeling of tropical heat. The story is a little slow moving, but the final shot-out between Taylor and villain Price during a carnival, is stylish and intersting as the element of death and joy are effectivley juxtaposed.

"The Bribe" is a somewhat slow noir drama starring Robert Taylor, Ava Gardner, Charles Laughton, John Hodiak, and Vincent Price. With a cast like that, nothing is all bad. Though the story drags in spots and the bad guys are somewhat obvious, it still makes for good viewing. Taylor is Rigby, a fed investigating war surplus violations involving the sale of airplane motors in a place called Carlotta in South America. The suspects have been narrowed down to two Americans, Tug Hintten (Hodiak) and his wife, Elizabeth, a singer (Gardner). Once in Carlotta, Rigby meets J.J. Bealer, portrayed by Charles Laughton, and Carwood (Vincent Price). They're worth watching, too, though Rigby becomes instantly distracted by Elizabeth. Their love story develops overnight, which might seem strange, but it's Ava at her most gorgeous and Taylor at his most ruggedly handsome. You can hardly blame either one of them. The questions for Rigby are: Where are the motors being hidden, who's the head guy, who's involved...and how involved is Elizabeth? The movie, with the exception of the finale, is fairly routine stuff. Laughton and Price have the best roles. Laughton is fabulous as a slovenly loser whose feet hurt, and Price is excellent. Everyone else is good, including Hodiak, his career in major nosedive as he appears in a supporting role, though a showy one as a drunk with a weak heart. The big action takes place at the finale, which is exciting and visually marvelous. We could have used a little more of that type of thing throughout the film.

Federal agent Rigby (Robert Taylor) is sent to South America to stop a group smuggling aircraft engines, but falls for an alluring singer (Ava Gardner), who just happens to be the wife of one of the main suspects.

After reading not very positive reviews of this, I went into The Bribe with low expectations. It's got a great cast though: Robert Taylor, Ava Gardner, Charles Laughton, Vincent Price and John Hodiak.

I was pleasantly surprised. Being an MGM film, the set design, costumes and cinematography were top notch. The overwrought script and silly narration bog the film down a bit.

Taylor is his usual stolid self, Gardner was quite appealing (and beautiful as ever), while Price was good as the main baddie. However, the best actor is easily Charles Laughton. He gives an excellent performance as a henchman constantly complaining about his bad feet.

There's some good action sequences, especially the finale (directed by Vincente Minnelli!), involving a chase through a fireworks display. Good fun.

The Bribe (1949)

A loaded cast and crew make this an interesting draw (only the director Robert Leonard is little known to me, though he has two Best Director nominations). But really: Ava Gardner in a dramatic noir, with Robert Taylor the male lead (including a very noir voiceover to start). Throw in Charles Laughton and Vincent Price in smaller roles, and Joseph Ruttenberg doing cinematography and Miklos Rozsa the music. And it starts great, in a lonely room in Central America, rain pouring down the windows at night. And then the flashbacks begin. Maybe all this makes me a sucker. I expected a lot even with the clichés pouring on. But we have a formula noir here with all the elements exaggerated and none of them missed--the woman is even a nightclub singer, and wait for the drug in the drink later on. If you are willing to enjoy the form rather than the specifics of the movie, you have your film. It's almost great, and might someday be considered a classic simply because it makes so clear the elements of that form (the noir-alienated male, femme fatale, flashbacks, dramatic lighting, crime and treachery, short clipped phrases). It's so good at all this, it became the model for the comic send-up, "Dead Men Don't Wear Plaid." But in a way this isn't fair, because the movie does work on its own, despite its lack of originality. It grows and gets better as you go, and the consistency of the production and the solidity of the plot make it worth seeing. Gardner is not great in the way some leading noir females are, but she has her sculptural poise and is still young as an actress. Taylor has sort of the same problem of not quite rising to the needs of the role, but he is fine. The fact that the two of them are not "amazing" is one of the holdbacks of the film--lots of noirs have formula plots but have such great acting it doesn't matter a bit. So Laughton, then, rising to the occasion, is really amazing. I've heard his performance called campy, but I don't think so, not for the genre. It's subtle, and if he's a character, he's not a caricature. Price, also good, has a someone limited role. Until the end. The final ten minutes is a film wonder. If you can't watch the whole thing for some reason, you can still be thrilled by the ending. The drama, the lighting, the photography, the pace and editing, it's all unparalleled.

A federal agent tries to bust a stolen airplane motor ring in Central America, but ends up falling for the wife of one of the prime suspects. I've enjoyed Robert Taylor in other pictures (notably HIGH WALL) but here he's merely satisfactory, likable but too stiff. Ava Gardner fares slightly better, a little dull but with an appealing sultriness. As usual, it's the bad guys with the plum roles: Vincent Price and especially Charles Laughton with yet another memorable turn. Laughton is fast becoming one of my favorite actors, consistently the best thing about whatever he appears in. The main problem here is pacing. The first three-quarters are very slow, giving the appearance of doling out information and building the Taylor/Gardner relationship but not actually do much of either. One brief action scene breaks up the tedium, other than that it's rather uneventful until the final 25-30 minutes. Things do heat up nicely then, however, culminating in an amazing fireworks-illuminated climax. Laughton and the ending elevate this one enough to make it worthwhile.