Blonde Ice

A cheesy programmer with a cast of nobodies and has-beens, sporting production values suited to Charlie Chan, Blonde Ice remains curiously compelling. Most of its interest flows from the lead performance of Leslie Brooks as Claire, a newspaper gossip/society columnist who marries first a millionaire then an aspiring congressman only to dispatch them abruptly; all the while she keeps stringing along a paycheck-to-paycheck reporter whom she uses as a backup/patsy. Brooks performance is modelled, distantly, on Bette Davis (though the vertiginous arches of her eyebrows are a preview of Divine's). One apparent deficiency in the script -- and there are plenty -- may prove a blessing in disguise: no attempt is made to "analyze" Claire's motives, or pathology. What we see is what we get. The version I saw was shorn of 10 to 15 minutes of the reported running time; it's hard to say whether the condensed version detracts from or actually improves the original release. Though nobody should set out on a desperate quest to acquire a copy, Blonde Ice is somehow better than it has any right to be.

Much as I love the film noir genre, a lot of so called noir do turn out to be little more than 'B' movie filler. Every now and again though one turns up to surprise you. This is nothing incredible but is very watchable indeed with a fantastic ice cool blonde central performance from Leslie Brooks. She seems to have had a decent career but I don't recall her taking the lead in anything else I've seen - gangster's moll more like. Based on the book by Whitman Chambers ('Once Too Often', although interestingly, 'Manhandled' on my own copy, which is a bit misleading because this lady doesn't get manhandled by anyone). The film lacks those deep dark shadows and night time location shooting, it even lacks any real baddies, unless you count the aspiring politician, but it does have a femme fatale. And what a performance Leslie Brooks gives as the most convincing ruthless ice maiden who does all the killing herself. Bit slow to start and seems to be slipping into screwball territory at one point but once on track this smokes.

Coldly beautiful Leslie Brooks is well cast as Claire, who happily goes about marrying rich men so that she can kill them, get their money, and move on to her next victim. It's a bizarre little film noir, which must have seemed even more bizarre in the days when most films wouldn't touch a story about a woman who is so totally ruthless in getting what she wants.

Robert Paige, as the man who really loves her but can't overlook her hobby, was in the latter stages of his career when this poverty row noir was made.

BLONDE ICE was directed by Jack Bernhard and photographed by George Robinson, the unsung master cinematographer who gave such great atmosphere to the Universal "B" horror films of the '30's and 40's.

There are also many fine character actors playing the type of roles they were so well known for------even if their names were not. They showed up so often in the '30's and '40's------always playing the same character-------that we knew when they walked on the screen exactly what their personality was going to be.

Edgar G. Ulmer, the famous cult director of such admired "B" masterpieces as DETOUR, THE BLACK CAT and RUTHLESS claims to have written the story, though his name does not appear in the credits.

This is one of the most difficult "B" films to see, but is well worth watching if you get the opportunity.

For most if its runtime, Blonde Ice is a very entertaining b-noir. Leslie Brooks is about as evil a woman as you'll see in one of these movies. She's beautiful, ambitious, and completely ruthless - it's a deadly combination. She's perfectly capable of chewing-up and spitting-out anyone who gets in her way. And, she's not above committing a little murder if the need should arise. Brooks gives a dynamite performance as far as I'm concerned. The rest of the cast is adequate, but nothing spectacular. The weakest point in the film, unfortunately, comes in the final scene. It's almost as if the screenwriters had no idea how to end Blond Ice. What they came up with is so ridiculous and out of character that it really hurts the overall film.

A word on the DVD - from what I've read, the VCI disc is the only way to go. The price is not much more than what you would pay for the Alpha DVD and the VCI disc has a much better transfer and a plethora of features.

Blonde Ice has a DVD that is almost too good for its own movie - the menu has a special ice-crackling design with dialog from the movie placed over and some of that chilling noir-ish music we all know and admire from the period. The DVD menu hints at it being a smashingly good B-movie, but as it turns out the film itself is just OK. Blonde Ice, one of those stories with the conniving and murderous sexy femme fatale who gets whoever she wants and in this case rich men who get suckered into her grasp, is a picture made for cheap, of course, but also with a cheap script: not much imagination goes into the dialog or the construction of the plot. Even the one possibly fascinating character, the one man, Les Burns (Paige) who has held a torch without shame for Claire (Leslie Brooks) for years and stands by and defends her against murder claims even if he suspects deep down she might have done it, is brushed aside into the conventional column.

Brooks is a honey, that much has to be given to her, and she can act in some scenes- in others she just goes through the motions like the rest of the capable cast of character players (most of whom you wont know unless you are some kind of film-noir scholar like Alain Silver or other)- and she does give a decent anchor for some of the emotional scenes, such as at the end when she gives a confession that is as icey as everything else she does in the movie. The direction and writing are on par with her: not spectacular, not ever really a downer. Blonde Ice probably has an amazing poster, one of those you might see in an art-museum installation celebrating pulp fiction advertising. The content itself is just there to pay a couple of small bills and fill some seats for a double feature. It's recommended only to those who sniff out whatever 40s noir might have promise. Like me.