The Big Wheel

In this one, Mickey Rooney reunites with two of his "Andy Hardy" series castmates: Spring Byington who played his mother there as Mrs. Emily Hardy in the first entry-A Family Affair-and plays his mother here as well. And Lina Romay who was in Love Laughs at Andy Hardy singing a couple of songs there and sings one here as well as also dance with Mickey here as she did in that Hardy movie a few years before. It also has a couple of stars from Gone with the Wind: Hattie McDaniel whose last feature film appearance this was for her and Thomas Mitchell who, as I always like to cite in these reviews, was also in my favorite movie-It's a Wonderful Life. I'll just now say this was quite an entertaining racing picture. Oh, and the leading lady is a Mary Hatcher whose mostly dressed as a mechanic with a cap covering her head but in one scene, she's dressed glamorously thinking she's on a real date with Rooney but the latter was thinking of something work-related during that time!

"The Big Wheel" is not a bad movie. However, the plot is very, very familiar and although I hadn't seen this movie before, it sure felt that way as MANY films made during the 1930s, 40s and 50s had similar themes. So the film certainly won't get any kudos from me for originality. But, it is moderately engaging and isn't a bad time-passer.

Mickey Rooney plays Billy Coy--the son of a very famous race car driver that was killed years ago at the Indy 500. He's intent on following in his father's footsteps--well, as least as far as being a racing champ! But he's a bit too cocky and young and folks around him think that he's a bit too eager. However, it turns out he is very talented and has what it takes to win--provided he doesn't sabotage himself. In addition, his father's old pal (Thomas Mitchell) is intent on wooing the widow Coy (Spring Byington). What's to happen? See the film...or not.

Rooney and the rest of the cast were just fine in this film. There were some other similar films before it and the plot about a guy who alienates everyone but eventually learns humility and makes good is possibly one of the oldest clichés in films! Fortunately, the racing sequences are competently made and the film has enough going for it that you won't hate it. Not exactly a glowing endorsement, huh?

Perhaps the fondest memories of my father's life were those involving his one and only entry in the Indy 500 from 1949, the event chronicled in this movie.

My dad, George Lynch, crashed after the first lap, hitting the wall in the first turn near the camera bay. The event is captured in the film, with the racetrack announcer calling his name. Figures that my dad's one and only Indy mishap is captured forever on film.

This movie screened today on BRIZ31 (Brisbane Community Television)

1949, Indianapolis 500 was in it's 33rd year. Mickey Rooney played the hard ass carby engine driver to a T! Sure, the backdrop of the great race track was exactly that, with Rooney walking around as if he was actually there, but let's face it, SFX was still 5-6 years away. :-) The story was fast paced and believable. Tough nut owners and their equally tough nut drivers. Punch ups were the way to settle an argument. Never mind a quiet talk.

An enjoyable yarn, with typical Rooney happy ending. 8 stars of of 10 from me.

The first picture of Mickey's decline from stardom after the previous year's Words and Music where his terrible performance pretty much ended his tenure at MGM. It's fitting that it's a racing movie because it's a skid picture for the Mick without question.

After years of the plush surroundings at Metro this low budget loser must have come as a rude shock. He's overly earnest as was typical of his starring career which was endurable in parts where he was the brash teenage Andy Hardy and similar roles but as he aged became arch and annoying. The story is standard cocky hothead knocked down a few pegs until his learns the necessary life lessons junk but if you're a race fan and don't mind the obvious rear projection shots it a certain entertainment value.

What's great about these old Hollywood films is that even in an economy production like this the film is full of quality character actors who had more latitude in moving between studios, genres and types of productions. This one has a supporting cast better than it deserves with three greats in the cast, Spring Byington, Thomas Mitchell and in a small part Hattie McDaniel, this was her last theatrical feature.