Batman and Robin

I don't profess to be in a position to objectively judge the artistic merits of this series since the last (and only) time I saw it, was in 1952, when I was 7. Fifty years tends to warp perspectives! I will therefore comment only as to what it meant to me all those years ago!

It meant everything!! Shown at our local Saturday morning pictures, my friends and I would rock on down to our local Odeon theater in South East London. After Laurel and Hardy, The "Purple People Eaters" and a Jackie Coogan flick the session would close off with this serial. This was as good as jaw dropping excitement got! I didn't pay too much attention to the authenticity of the dialog or sets...just the incessant biffing. Having to wait a WHOLE WEEK to find out how Batman or Robin escaped from their impending fate...be it a bomb or approaching steam train, was exquisite torture!

In hindsight, this serial probably WAS the inspiration behind the 1960's Adam West/Burt Ward revival. It was campy but Oh, such fun. You have no idea just how MUCH fun - to a seven year old!

With the end of World War II, there was a marked change of tone and settings in the film world. This was especially true in that staple of the Saturday Matinée, the Serial. After all,Nazi Germany,Fascist Italy and Imperial Japan had now been defeated. There were no Nazi U Boats, Imperial Japanese soldiers, nor any Axis Spies or 5th Column Traitors to deal with. Now the bad guys would either have to be of the domestic variety of crook. Or, if by chance the baddies were of the international espionage set, their Nationality would have to be kept a secret. Just as before the United States got into the War, the villains country could be implied, but not specifically stated.

The second Batman chapter-play did follow all of the above mentioned, using a large number of common underworld types and a secret leader of unknown origin and identity (until the end), who was bent on, what else, world domination.

The cast and production team changed as Columbia had Sam Katzman produce it. Mr. Katzman's Production Company, called ESKAY, was known for the frugality of its productions. Much of its output was done at and released by Monogram Pictures. The best known of these would probably be the EAST SIDE KIDS series, one branch of the DEAD END Family Tree.

This was the second serial for a comic character;but it was not the first time that it was done. Flash Gordon, Don Winslow, The Spider, Tailspin Tommy, Jungle Jim,The Green Hornet and Secret Agent X9, had all had 2 or more.DICK TRACY leads the pack with four serials. But unlike these others, which may have had one or two changes in cast, the 1949 Batman film cleaned house, leaving no one from the original.

Veteran Robert Lowery, who referred to himself as "the King of the B's", was a good choice for Bruce Wayne/Batman. His dead panning of Wayne's dialog contrasted with the so-serious speech of Batman. He possessed the build and obvious athleticism to bring a certain authenticity to the role.

John Duncan* had been around doing juvenile roles for several years (including the previously mentioned EAST SIDE KIDS series), and now had matured some, giving him both the youthful appearance and the gymnast-like musculature that Robin would have.

Additionally, we have all characters and elements taken directly from the comics feature. News Photographer,Vicki Vale (Jane Adams), Alfred the Butler(Eric Wilton) and Police Commissioner James Gordon(Lyle Talbot) were all characters out of the comic book adventures. They reprised the Bat Cave from the '43 version and added The Bat Signal(the bat emblemed searchlight,Batman summoner of Gotham City's sky), albeit in a sort of vest pocket size.

Like many serials, they did employ a hooded mystery man villain as the "brains" heavy you know, unknown but having several on screen suspects to keep the audience guessing for 15 chapters.This was okay, or at least adequate, but begs the question: Why not use one of the great colorful villains from the comics pages? The Batman TV of 2 decades later did so, making the series so memorable.

As for THE NEW ADVENTURES of BATMAN and ROBIN, it ranks far above most serials of its Post World War II period. As well as common crooks and masked super villains, it confronted the Super Nova Explosion of Technological Advancement, a phenomenon of which we still have a lot of apprehension.

NOTE* John Duncan, now a man in his 80's, still makes appearances a various Film Fan conventions around the country. We met him in a Bud & Sharon Courts promoted event, here in Chicago about 2 years ago. He was most energetic and gracious to the fans (including this writer).

There is not a better example of a typical 40's/50's cliffhanger matinée serial than this underbudgeted Batman entry. And, you're either going to embrace all it's flawed charms or not. There's no in between.

First,let me tell you where I'm coming from. I loved the Batman 60's TV program for all it's campiness, and I am still amazed at Burton's first Warner Bros. Batman blockbuster with Keaton/Nicholson which incredibly and masterfully convinced us to suspend disbelief and take the masked crusader seriously. The '49 Batman serial, while closer to the TV version, than the high budgeted movie spectacular, for me, is somewhere in between. The reason is, that I saw this serial for the first time as an 8 year old matinée movie goer in Florida during it's first release.

It was much different then, and I'm not convinced that in spite of the advancements in production values and special effects that it was any more fun or magical to be a movie kid today as it was in the 50's. We all see movies through our own set of filters and if your's are the Matrix and video games, you will probably not be a fan of Batman '49.

We were not blind or stupid, we saw the flaws and didn't care. We also saw the adventure and embraced it. For all it's lack of high production, this Batman and Robin was a whole lot of fun. And in running the VHS or DVD versions, I'm transported back to a simpler time, and, more importantly, am convinced that this example of matinée fare is typical of what my generation of baby boomers learned from the movies about right from wrong and good from evil.

When I was a small boy of 7, I saw a few Batman and Robin chapters at the local theater because my parents took me along as they wanted to see the feature and this serial happened to be playing. The look of the Wizard scared hell out of me and I never forgot that memory. To this day I think that it was the most terrifying looking serial villan. I bought the VHS tape about 10 years ago and it was fun the see it in it's entirety as I had not seen most of it the first time. I thought that Robert Lowery was a very good Batman as he was a big man with a determined voice and John Duncan was fine as he as not treated like a comic sidekick. The funny part was Lyle Talbot as Comm. Gordon who would see Bruce Wayne and Dick Grayson a lot and never associate them as Batman and Robin who he would also see a lot. The same goes for Vicki Vale played by Jane Adams. No one also associated the fact that Batman and Wayne both drove 1949 Mercury convertibles. In any event it was fun to see again this week and if any of the surviving cast reads this I want to thank them for some great memories.

I do believe that the sequel Batman serial is very dated for the 40s and that time period, but it is a very nice representation of how the times were then. The only thing I don't like is there is no batmobile or any of the fancy cars as in the current 90's films. The costumes are very good and represent how earlier forms of Batman and Robin really were. They were not always the plastic wearing gurus of today's movies and it was more practical for the hero to get hurt or killed, thus the chapters every week and cliffhanger endings. Overall, I give Batman and Robin 1949 a rating of 7 out of 10.