IMDb रेटिंग
6.7/10
4.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंTwo employees of a secluded hotel investigate a murder on the premises in which the goofy bellboy is the prime suspect.Two employees of a secluded hotel investigate a murder on the premises in which the goofy bellboy is the prime suspect.Two employees of a secluded hotel investigate a murder on the premises in which the goofy bellboy is the prime suspect.
Murray Alper
- Joe, Reporter
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
I'm a big A&C fan and have been since I was ten. I saw this A&C film many times in the 1980s (I recorded it once and watched it over and over again). It turns out that this film is included in Volume 3 of the Best of Abbott and Costello DVD set. After purchasing the set, I had a chance to watch it again recently. There are some genuinely outstanding gags here. Of all the movies made after A&C MEET FRANKENSTEIN (the duo's high point), this is one of the best. The chase scene through the caverns is actually very well made and has withstood the test of time. It remains one of the best climaxes from an A&C movie. Unfortunately, Boris Karloff isn't put to very good use in the film. This is a surprisingly atmospheric film, though, and at times it even contains elements of noir. It reminds me of a cross between WHO DONE IT and HOLD THAT GHOST, although it's not as good as either of those films. Still, unlike A&C GO TO MARS or Africa SCREAMS, it's certainly not a blemish on their filmography.
Bud Abbott and Lou Costello star in this classic "who done it" movie. The team provides their usual funny pratfalls and mix-ups but along the way they manage to provide a classic theme to this movie. With Abbott and Costello, Karloff managing his way into the picture as the grueling possibility of the killer.
This may be Abbott and Costello's best attempt to provide some new material into their excellent routines. Costello's character, Phillips is mainly accused of murdering a well known lawyer after they have a public disagreement.
Phillips arrives at the lawyers hotel rooms to apologize but he finds that the lawyer has been murdered. Abbott goes far and above the the call of friendship to prove his friends innocents but who really did do it? Watch and see.
This may be Abbott and Costello's best attempt to provide some new material into their excellent routines. Costello's character, Phillips is mainly accused of murdering a well known lawyer after they have a public disagreement.
Phillips arrives at the lawyers hotel rooms to apologize but he finds that the lawyer has been murdered. Abbott goes far and above the the call of friendship to prove his friends innocents but who really did do it? Watch and see.
Bud & Lou find themselves at the center of a murder mystery, the chief suspect? Why Lou Costello of course.
As a comedy, Meet The Killer offers nothing fresh to what we haven't seen before from the boys prior to this 1949 offering, not that the comedy doesn't deliver, because it does, very much so. Be it Freddie (Costello) being too stupid to be hypnotised by the shifty Swami (Boris Karloff), or a wonderful sequence of events down in the creepy caverns, it's fun and very diverting. However, the strength in "Meet The Killer" is that it works very well as a whodunit mystery, a ream of characters, all acting oddly, come and go to keep the viewer guessing right through to the cheery pay off. It's entertaining on two fronts and has a cast clearly having fun into the bargain. Super shadowy photography by Charles Van Enger as well. Enjoy!
Now, about that Tortoise? 7/10
As a comedy, Meet The Killer offers nothing fresh to what we haven't seen before from the boys prior to this 1949 offering, not that the comedy doesn't deliver, because it does, very much so. Be it Freddie (Costello) being too stupid to be hypnotised by the shifty Swami (Boris Karloff), or a wonderful sequence of events down in the creepy caverns, it's fun and very diverting. However, the strength in "Meet The Killer" is that it works very well as a whodunit mystery, a ream of characters, all acting oddly, come and go to keep the viewer guessing right through to the cheery pay off. It's entertaining on two fronts and has a cast clearly having fun into the bargain. Super shadowy photography by Charles Van Enger as well. Enjoy!
Now, about that Tortoise? 7/10
Much of Abbott and Costello's late 40s/early 50s output put them in parodies of various film genres--this one is a parody of murder mysteries. I saw this as a child and liked it, although I was let down that Boris Karloff had such an insignificant role. Now that it's out on DVD as part of the third A&C boxset, I'm seeing it again, and I still think it's quite funny. There are many well-paced comic set-ups and the boys don't look bored as they do in some of their later vehicles. No great analysis is needed for a film like this--it's just classic comedy and has held up very well.
There is a comment about the title of this addition to the Abbott & Costello films that is a little unfair - but only a little. Entitled ABBOTT & COSTELLO MEET THE KILLER, BORIS KARLOFF, some purists sniff that as Karloff is not the killer in the film, the title is as misleading as the later ABBOTT & COSTELLO GO TO MARS (wherein they actually go to Venus). But the difference is that Karloff is a killer. Not only does he attempt to hypnotize Lou into committing suicide (which would enable the police to drop an investigation at a hotel where Karloff is stuck in), but he is also a former homicide case defendant who was acquitted thanks to his lawyer Amos Strickland (Nicholas Joy). No, Karloff is not the murderer of Joy, but he is a suspected murderer (the police feel that Karloff's acquittal was due to his lawyer, not to his not being the murderer). So the title is actually not a cheat.
Like WHO DONE IT? it is a murder mystery comedy, but here the suspicion against Lou (an incompetent bellhop) is more realistic than in the earlier film. Lou and Bud work at a resort hotel. Bud is the house detective. Lou is involved in an incident where he bungles badly while handling the luggage of lawyer Joy. The latter complains vociferously to the hotel manager (Alan Mowbray), who fires Costello. Lou, realizing what has caused his dismissal, actually makes a threatening statement to Joy. So when the latter is murdered, Lou is the leading suspect.
But it seems that Joy was on the verge of writing his memoirs, in which he might set the record straight about those acquittals he won. This would not be what Karloff, Roland Winters, and a few others would like - they are beginning to live down their murder trials. All of them happen to be at the resort too, so they are also suspects.
The film has some nice set pieces in it, mostly handled adroitly by Costello - such as a drag sequence where he attracts an admirer, and has to play cards with a corpse. He also, towards the conclusion, gives Abbott an unexpected scare suggesting Bud is the killer. But my two favorite pieces are when Karloff tries to hypnotize Lou, and almost gets knifed in the process, and when Lou discovers the benefits of being the chief suspect - being under house arrest in a luxury hotel has unexpected benefits through room service. After all, the state pays the bill!
Like WHO DONE IT? it is a murder mystery comedy, but here the suspicion against Lou (an incompetent bellhop) is more realistic than in the earlier film. Lou and Bud work at a resort hotel. Bud is the house detective. Lou is involved in an incident where he bungles badly while handling the luggage of lawyer Joy. The latter complains vociferously to the hotel manager (Alan Mowbray), who fires Costello. Lou, realizing what has caused his dismissal, actually makes a threatening statement to Joy. So when the latter is murdered, Lou is the leading suspect.
But it seems that Joy was on the verge of writing his memoirs, in which he might set the record straight about those acquittals he won. This would not be what Karloff, Roland Winters, and a few others would like - they are beginning to live down their murder trials. All of them happen to be at the resort too, so they are also suspects.
The film has some nice set pieces in it, mostly handled adroitly by Costello - such as a drag sequence where he attracts an admirer, and has to play cards with a corpse. He also, towards the conclusion, gives Abbott an unexpected scare suggesting Bud is the killer. But my two favorite pieces are when Karloff tries to hypnotize Lou, and almost gets knifed in the process, and when Lou discovers the benefits of being the chief suspect - being under house arrest in a luxury hotel has unexpected benefits through room service. After all, the state pays the bill!
क्या आपको पता है
- ट्रिवियाThe film was originally banned in Denmark due to the scene where corpses play cards.
- गूफ़After Casey and Freddie leave the body of Relia in his closet, and he rolls into the laundry cart, he lands face down. But then, when Freddie gets the cart to put Milford's body in it, he and Casey find Relia face up.
- भाव
[the Swami tries to get a hypnotized Freddie to kill himself]
Swami Talpur: Perhaps you should choose the manner of your death. How would you like to die?
Freddie Phillips: Old age.
- क्रेज़ी क्रेडिटThe film begins animated versions of Abbott & Costello on a scaffold painting their names on a wall. (The bucket is labeled "BLOOD")Then there is the sound of a car screeching to a stop, and machine gun fire. "Meet the Killer" is written in bullet holes. "Costello" yells "HaHa! You didn't dot the "I"!" Then a dagger flies in and "Dots the 'I'", while the bucket of "Blood" is spilled. Then the frame drops, following the "Blood" as it spells out "Boris Karloff", and then the rest of the credits.
- इसके अलावा अन्य वर्जनIn Australia and New Zealand, every scene with a corpse was removed prior to distribution.
- कनेक्शनFeatured in Abbott and Costello Monster Laughathon: एपिसोड #1.1 (1976)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Bud Abbott Lou Costello Meet the Killer Boris Karloff?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Abbott y Costello contra los asesinos
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $6,86,000(अनुमानित)
- चलने की अवधि1 घंटा 24 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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टॉप गैप
By what name was Abbott and Costello Meet the Killer, Boris Karloff (1949) officially released in India in English?
जवाब