Whiplash

Shake together John Garfield's roles as a violinist in Humoresque and a prizefighter in Body and Soul (hits of the previous couple of years), and out comes Dane Clark's character in Whiplash. He's a beach bum who daubs canvases in a coastal town near San Francisco. But when reclusive vacationer Alexis Smith buys one of his seascapes, she ignites a torch in him that won't sputter out. When she abruptly departs, he travels east and sets up a studio in New York while he tracks her down. It proves a bad career move.

He finds Smith singing in a nightclub, only to discover that she's married to Zachary Scott, its owner and a former middleweight champ now confined to a wheelchair. Scott, sadistic and embittered, lives the fight game vicariously – through the cohort of ex-boxers who keep his wife in place and through new talent he exploits then drops. In Clark, he sees a contender. Wanting to keep close to Smith (who keeps warning him off), Clark signs up for work on another kind of canvas....

In addition to the always welcome Alexis Smith, the movie boasts good supporting work from Eve Arden, a gal pal with a crush on Clark, and from Jeffrey Lynn, as Smith's alcoholic brother, a doctor working in Scott's gym. Scott himself brings nothing new to the kind of part he found himself typecast in: the effete, insinuating villain. That leaves Clark, who was plainly being groomed as the second-string Garfield but who never left much of an impression on the movies.

The direction, by the undistinguished Lewis Seiler, can only be graded adequate; he keeps things moving along but never tries for anything different or offbeat or striking. In this he's matched by a lackluster script (it was the late ‘40s; couldn't the dialogue have been a little more etched?). Nonetheless, Whiplash endures as a routine B-movie, with noirish coloration, that reflects the themes and plot-lines of post-war melodrama.

Boxing film. But it takes a long time to get there. At the beginning, Mike (Dane Clark) tell the kids how he used to a fighter, and then we're in flashback. We see how he was an artist when he met Laurie (Alexis Smith). He gets in a brawl, and is talked into earning big money as a boxer. Fun co-stars... SZ Sakall Cuddles was in every single b&w film in the 1940s, along with Alan Hale Senior. Hale was Dad of The Skipper, on Gilligan's Island. Eve Arden and Zack Scott were both so awesome in Mildred Pierce. A couple of fun numbers done at the Pelican Club; a ballad "sung" by Laurie, and a fun bit by "a vocal group", according to imdb; it's a shame they aren't credited in the cast list or the Soundtrack page, as of today. It looks like they changed the lyrics from A Girl to The Guy when it's sung by a female group. The story is good enough, but it never really takes off. The first five minutes the film really jumps around, so i hope you don't get seasick. Directed by Lewis Seiler. Started in silents, making shorts. This one is okay. Not a lot of chemistry, but the story is sound.

Although the main character planed by Dane Clark is the odd combination of artist/boxer, the movie is fairly involving and exciting. As he gets swept up by bad girl Alexis Smith -- and with bad guy Zachary Scott (one of the best in the business)luring him to destruction -- his story has some unpredictable ups and downs. A great cast in a fast-paced tale.

I couldn't get past the preposterous meet-cute opening premise: that unsuccessful artist Dane Clark was so morally outraged by the purchase of one of his paintings (his first sale!) by Alexis Smith, that he goes to her place to refund her money. I mean, what struggling painter does that? Much less enter her home unbidden to snoop around. Van Gogh lopping off an ear makes more sense.

Still, nice to see Zachary Scott doing what he does best, playing a dapper heel, albeit a slightly psychotic one with no wheelchair brakes.

Plus S. Z. Sakall, comfortably Casablanca cast as a restaurant owner. It gives you a sense of what Rick's Place must have been like after Bogie split for Brazzaville and left Carl the Waiter in charge.

Boring boxing melodrama. I don't want to call it a film noir because it doesn't have any film noir style, in my opinion. Dane Clark plays a moody painter who falls in love with a woman (Alexis Smith) who buys one of his paintings. She skips out on him so he follows her to New York, where he discovers she is married to evil cripple Zachary Scott. Then things get weird as Clark decides to become a boxer for Scott. His motivation for this was cloudy, to say the least. He decides to box under the name Mike Angelo (get it -- Michaelangelo -- because he's a painter, you see). From here, a movie with wobbly knees is knocked down for the count. The cast is unimpressive but not terrible. Clark is pretty unlikable in a role tailor-made for John Garfield. Smith is forgettable. Eve Arden is great when she's around, which isn't much. Pretty standard stuff. No surprises.