The Velvet Touch

The murder mystery genre is carried out here well by some capable, veteran Hollywood regulars. While this was not Rosalind Russell's high point (that occurred in the film "Auntie Mame" ten years after this one was made), she does acquit herself well as the diva restless to go her own way and thus finds herself in a trap of her own making. The police detective captain played by Sydney Greenstreet is right up there with his unforgettable presence in the "Maltese Falcon" but here he parries the dialog with oiled charm in contrast to La Russel's soigne bearing of hateur a la the 'grande dame' actress she portrays. While the cast is uniformly good, and the story told in an unconventional way, it is not these things that stand out for me, since such a setting of a murder in a theatre was done before in such as the "G-string Murders" and others.

What does stand out for this film, however, is the background of a truly sumptuous theatre that you would swear was the real thing. Since I write about the draperies and passementeries used in theatres (as a member of the Theatre Historical Society of America), I was anxious to learn just where this monument with its gorgeous textiles was, and inquired of the American Film Institute through their web site. Their librarian graciously replied from their "AFI Catalog of Feature Films" that the theatre building was in fact a very elaborate set (said to be the largest and most elaborate to date)! They quote articles in the "Hollywood Reporter" of 1947 and '48 as their source of the details of this 1-1/2 million dollar film. The multi-swaged Grand Drapery and the stage's House Curtain with its 3-foot appliqued border above a 2-foot fringe is but an example of the gorgeous textiles they had created for presumably just this one use, along with all the elaborate decor and detailing. The attention to detail was so great that it is still hard to believe that one is not in a real building! Such work today would command many millions more dollars, but I guess that Hollywood could not arrange to get a suitable New York 'Broadway' theatre for rent for the filming at the right price and time, so they splurged on this set which is among several other good ones in the film. For those who appreciate movie settings as much as the story and acting, this one will please you.

"The Velvet Touch" is a wonderful film starring Rosalind Russell as a glamorous Broadway star, Valerie Stanton, who accidentally kills her boyfriend-producer.

The movie's dialogue is sophisticated and so is its New York theater atmosphere - the parties, the clothes, the rivalries, and the lush theater itself which looks like the real thing, but is an elaborate set. Russell's costars include Sydney Greenstreet, Claire Trevor, and Leon Ames. Greenstreet's portrayal of the clever police detective is excellent, and you can see where he would get on Russell's frayed nerves. Trevor, as a rival of Valerie's, gives a marvelous performance. There is a clever juxtaposition between the film's plot and the play in which Valerie Stanton is appearing, Hedda Gabler. I've always considered this movie an unsung gem.

Sydney Greenstreet and his loud, frequent guffaw (6 years after Maltese Falcon and Casablanca) plays Captain Danbury trying to track down a murderer, with a few twists and turns. Viewers will recognize Gordon Dunning, played by Leon Ames, who often had roles of authority, -- the sheriff, the DA, the commissioner, the captain on a ship. Rosalind Russell (10 years after playing Sylvia Fowler in "The Women") plays Valerie Stanton, a stage actress ( although Agnes Moorhead would also have been PERFECT for this role). Leo Genn, Claire Trevor (Key Largo, The High & Mighty), Frank McHugh, and Walter Kingsford also play very believable characters. Note also Theresa Harris, the dresser, who was also in "The Women" with RR. Good solid story from 1948, no obvious plot-holes.

Don't miss this! The incomparable Roz, totally believable as a Broadway legend. What a delight to see her playing off the underrated, irreplaceable Claire Trevor. Clever mystery set in the environs of the theater with a real feel for atmosphere. It really seems like it was filmed on location on not on RKO soundstages. That is always one of the real treats of unappreciated the RKO product. Throw in a sly performance from Greenstreet. This one is a real gem!

This is a highly entertaining film with a great cast. Its major flaw is that Rosalind Russell was not willing to go full out villian. It was made by her production company and I assume she had her character dilluted.

It is still a fun watch.