Trouble Makers

Twelfth Bowery Boys movie from Monogram has Slip and Sach witnessing a murder through a telescope. But when they take the cops to the scene of the crime, the body is gone and no one believes there ever was a murder. So, naturally, they set out to investigate the matter and find the killer. An enjoyable entry in the series. Nothing to get excited about but good. Leo Gorcey and Huntz Hall are their usual lovable selves. The rest of the Boys (Bennie Bartlett, David Gorcey, William Benedict) don't get a lot to do in this one. Gabriel Dell plays a cop this time and figures heavily into the plot. Bernard Gorcey returns as Louie and he's always a treat. Helen Parrish provides the pretty. John Ridgely and Frankie Darro are solid baddies, but it's Lionel Stander who steals the show as an ex-con who mistakes Sach for a criminal he used to know. It's not the best Bowery Boys picture but it's entertaining. The short runtime and quick pace help. Any movie where the bad guys have names like Silky, Feathers, and Hatchet is going to be a fun one.

"Trouble Makers" is one of the better Bowery Boys films and is worth seeing. It all begins with Slip and the gang out on the street trying to make money a very odd way--charging folks on the street to use their telescope. Little did they know that the telescope would come in handy, as Sach and Slip see a man being murdered across town at the El Royale Hotel! But what so often happens in old movies, the cops somehow don't believe them nor young officer Moreno.

The next day, the body of the man the pair saw murdered was discovered 15 miles away! Obviously they'd been right...and bizarrely, the police aren't concerned. So, with the help of the murdered man's daughter (who owns the hotel), they get jobs as bellboys in order to investigate.

"Trouble Makers" is a bit unusual in that the antics of Sach and Slip are a bit more muted and realistic...and made for a pretty good B-movie. On hand in this enjoyable film were Frankie Darro (once again playing a young hood) and Lionel Stander. Worth your time.

ONCE AGAIN WE find ourselves amazed that so many of these BOWERY BOYS series entries are so much better than we remember them. This flies in the face of the usual disappointment we find when some film or other just doesn't live up to the expectations that our fallible, human memories so often conjure up.

RIGHT FROM THE get go, we can see that this will be a delight for fans of the boys. The opening situation sets the stage. The establishment of the premise of having the boys at odds with a criminal enterprise, while not so very original or refreshing, is well founded and strengthened by the presence of former BB member, Gabe Moreno (Gabriel Dell)now being a rookie NYPD foot patrolman on their beat.

THERE SEEMS TO be an even greater supply of great malaprop for 'Slips' dialogue than usual. These are a definite lifeline and a real plus for any BOWERY BOYS outing.

ONE PARTICULAR ELEMENT that was a central tenet of the various DEAD END KIDS/EAST SIDE KIDS/BOWERY BOYS series was a sort of Urban Myth about "that Old Gang of Mine." It tends to romanticize the "honor" of being a tough, street-wise and under-educated member of class on the lower rung on the socio-economic ladder. It's always a sure fire route to success for on screen comedies.

TO OUR WAY of thinking, this theory of ours is a sort of modern Urban society's version of the long held theory of "The Noble Savage." In l this highly flawed (and widely discredited) Anthropological theory, primitive peoples are inherently much more moral, loving and genteel than their much more civilized relatives (us).

THERE IS SOME definite merit in this thesis, so think about it, okay, Schultz? (It's our own original idea-as far as we know!)

OUR IMPRESSIONS OF why this was another superior outing are many. It has a larger supporting cast, which features names like: Frankie Darro, Lionel Stander, John Ridgely, Helen Parrish and Fritz Feld. The Bowery Boys were now minus Bobby Jordan; but as we said, Gabriel Dell was present to add his talents to those of "Slip" (Leo Gorcey), "Sach: (Huntz Hall) and the other regulars (Dave Gorcey, Billy Benedict, Bennie Bartlett and "Louie:-father Bernard Gorcey.

MISSING FROM THE credits is the name of their usual Director. William "One Shot Bill" Beaudine was replaced by Reginald Le Borg, a more recent arrival from the European movie scene. His was a specialty in "B" horror flicks and he did a lot of television work in the 1950's.

WHEN THE TOTAL output of the DEAD END KIDS/EAST SIDE KIDS/BOWERT BOYS movies are filmed and their total effect on our pop cultural pool is considered, we wonder why the team of Leo Gorcey & Huntz Hall is mot considered to be a legitimate Movie Comedy Team. along with Laurel & Hardy, Abbott & Costello, both the Brothers Marx and Ritz, the 3 Stooges, Wheeler & Woolsey, Clarke & McCullough, Noonan & Marshall.....................

An entertaining addition to the Bowery Boys comedy series has Slip and Sach (Leo Gorcey and Huntz Hall) accidentally witnessing a murder in a hotel room window through a telescope down on the street below. They alert their friend Gabe (Gabriel Dell) who has now graduated to the stature of a rookie police officer, but when the boys investigate the hotel there is no body to be found and Gabe is reprimanded by his superiors. It's then up to Slip and Sach to take on jobs as bellhops in the hotel to try and solve the mystery and prove what they saw. This is a good and satisfying chapter, with funny bits featuring Gorcey and Hall at the top of their game. Both actors have some strong moments...Gorcey is given some extra-humorous malapropisms to deliver with gusto, and Huntz has to get tough and even push Leo around in a scene where he pretends to be an ex-con. It's good to see Gabriel Dell put to solid good use in his part of a young policeman, and the roles in general are well cast this time around -- Frankie Darro, Lionel Stander and John Ridgely play the shady characters, with Fritz Feld as the hotel manager. This entry comes off as tighter and better polished than usual, and one wonders whether this was due in part to Reginald LeBorg taking over from William Beaudine as director. *** out of ****

The Bowery Boys get a telescope and offer a peak into the stars for a nickel. Slip is the barker. Sach is using the telescope to look at more grounded sights and spots a struggle in a distant hotel. It's a murder. The boys tell honest rookie cop Gabe Moreno and together they search for the murder scene. They can't find the body. Some time later, the dead body is found in another location. Slip and Sach go undercover as bellboys in the hotel with help from Ann Prescott. Her father is the dead man and she inherited the hotel from him. Gangster 'Hatchet' Moran mistakes Sach as a fellow criminal.

The starting premise is interesting. I thought Gabe Moreno would have a bigger role in the second half. Quite frankly, Moreno is an unnecessary detour. I also expected Ann Prescott to join in the hijinx. Lionel Stander is a great thug. It does try to turn into a Scooby Doo slapstick comedy. There are some issues there. This has some early fun and it's fine for a Bowery Boys flick.