Superman

The 15-chapter serial, SUPERMAN (1948), is best in its early chapters as it details the more familiar parts of the Superman story, including an elaborate sequence on Krypton dealing with the planet's destruction and Jorel's sending his son off in a rocket to Earth. We see Clark growing up with the Kents and heading off to Metropolis and a job at the Daily Planet where he meets Perry White, Lois Lane and Jimmy Olsen. We see Superman doing superheroic things in these early episodes like rescuing people from a burning building or rescuing miners trapped in a tunnel.

However, after roughly the first third, each episode follows tried-and-true serial formula with standard cliffhanger endings as Superman gets hit with kryptonite or Lois gets trapped somewhere and only Superman can save her. There are even long stretches where Superman doesn't use his powers at all. It all comes to a disappointingly abrupt ending and anticlimactic resolution.

Superman fights an unlikely villain in the Spider Lady (Carol Forman) and her gang of standard-issue thugs--middle-aged crooks in suits, ties and fedoras who are constantly slugging Jimmy and kidnapping Lois. The Spider Lady gets help from a renegade scientist who has an agenda of his own, but he's so badly acted that he slows the film down considerably. The Spider Lady (who loses her ridiculous mask after her first few appearances) is more of a standard serial villain, and, while not unattractive, is coiffed and dressed like a film noir floozie and would probably have been more at home sidling up to Humphrey Bogart in a gambling joint than fighting Superman.

That said, there are considerable points of interest here. When Superman flies, the effect is created through animation as a fluidly animated Superman cartoon figure takes over for the live actor (Kirk Alyn). This tactic allows the makers to show Superman flying through a variety of locales and settings. While the contrast may be jarring at first, it does acknowledge the comic book origins of the character.

Noel Neill is a perfect Lois Lane and is as spunky as they come. When thugs attack, she recklessly plunges into each fight with the verve and daring normally associated with the standard square-jawed cliffhanger hero. When she's not fighting, she's smiling, always eager to get the story and clearly loving her job. A seedy character named Hawkins (played by Frank Lackteen with undetermined accent) is an informant who gives Lois tips about Spider Lady's activities. Lois is always happy to see him and at one point pays for his tips by taking him to lunch at a restaurant called Luigi's (surely a foolhardy act for an informant). None of the characters gets a single change of costume throughout the serial, but it's more noticeable on Lois. Neill played Lois in a second serial, ATOM MAN VS. SUPERMAN, and later in the TV series, "Superman," opposite George Reeves.

Jimmy Olsen, on the other hand, gets little of consequence to do, other than getting constantly knocked out by thugs and stating the obvious when needed. He's played by Tommy Bond, better known as Butch from "The Little Rascals." (In the TV series, Jack Larson was a vast improvement in the role.) Pierre Watkin makes a good, dyspeptic Perry White, behaving more like J. Jonah Jameson from "Spiderman" than the Perry we know and love.

A point should be made here about the sequel, ATOM MAN VS. SUPERMAN (1950). It improved on this serial greatly and had a more comic book-like villain in Lex Luthor (well played by Lyle Talbot). It also had Superman doing a great many more Superman-like things and offered a new twist in each episode. It had a better story structure and more satisfying resolution. The characters also got to change their outfits.

This is one good serial! There is a lot of action and decent SFX and fairly good (if now stereotypical) characterization.

Kirk Alyn is great as Superman and Clark Kent...a performance that really wasn't surpassed in any media until Christopher Reeve's triumph in 1978. Lois and Jimmy are suitably doltish...though even Lois was a bit more intelligent in the comics than in this serial.

I've been told that the producers had some remorse at the cheapness of the effects (i.e., using animation for Superman flying), but I really don't think it comes off as shoddy...in fact I think it comes off fairly well, or at least better than using a derivative of Republic's effects for making Captain Marvel fly seven years earlier.

Superman is supposedly the most popular chapterplay in history. I don't know about that, but it is very enjoyable and an excellent example of the genre of the movie serial.

A great serial especially in noting this was made 6 years after the golden era of serials. This serial features an outstanding and large serial cast led by Kirk Alyn as Superman. Mr. Alyn played the role in fine fashion and though he lacked the Roman jaw of George Reeves he easily makes a favorable impression. The rest of The Daily Planet crew also are quite good especially Noel Neill who is as feisty as Lois Lane as Kidder or Coates in later versions. Villains Carol Foreman and Charles Quigley both are memorable. The flying sequences are animated. I think it gave the screenwriters much more flexibility to the character than an actor or dummy on wires would have. This a film that is fun to watch more than once. It has a lot of spunk and humor as well as action.

If you've read any reviews of this first set of serials, most of them say the same thing. Superman turns into a cartoon (which I found fun!), the acting is wonderful, and the adventure is a real good yarn.

The problem is the Spider Lady. Not an interesting character, and she doesn't really give Superman enough challenges. The same 2 thugs seem to be beat up and nearly caught in every episode, and the plot really gets sluggish between episodes 9 through 13, and then picks up at 14 to a quick finish at episode 15.

The best are the first few--krypton, Jor-El, the Kents, Superman first meets Kryptonite, early use of his vision, 'up up and away,' etc.--and the last 2 episodes.

The 2nd serial set is superior, but this is still great fun to look at from time to time.

I have read that in 1940-41 Republic Pictures was negotiating to make a Superman serial, when that fell through they made their classic "Captain Marvel", the flying sequences in that were done with a combination of shots of actor Tom Tyler, stuntman Dave Sharpe and the use of a slightly oversize dummy (later used in the Rocketman/Commando Cody serials, even today those flying sequences hold up. Historians of the B-movies and serials have said Republic had the best special effects, Columbia tended to cut corners-Lois Lane wears the same outfit in all 15 chapters. That said, the 2 Columbia "Superman" serials are pretty enjoyable, they do a good job within their budget limits, the actors are much better than those in a lot of big budget productions, they take their roles seriously. You can watch this as a period piece or as an adventure in its own right.