So Evil My Love

This one is a sleeper. It catches you by surprise. You think they're going one way but then they switch course and by the time you think you've figured it out they've switched again. Everything about is is first rate. The acting, dialog, scenery, direction, I mean everything. What's more surprising is that it takes place during Victorian England yet deals with subjects the gentle folk of that age preferred to keep under wraps. Despite the period costumes and scenery there's something very modern about the story. The two standouts here are both headliners, especially Ray Milland. His character starts out much like the one he played in "Dial M for Murder" but here he is more multi-dimensional, perhaps more human, not so narcissistic. And you can't help but like him, despite his shortcomings and machinations. Ann Todd too was very sympathetic despite her weakness for the charming Milland character. She exhibited an endearing vulnerability coupled with dogged determination. In the end I guess it had to end the way it did. But I fervently hoped for some other conclusion, one where the lovers pursued their dreams without wrecking the lives of others. That's how close I felt to them.

"So Evil My Love" is a 1948 British film starring Ann Todd and Ray Milland. Todd plays Olivia, a widow returning from missionary work, who re-opens her house and takes in lodgers. Milland is Mark Bellis, a man she has met previously, who claims to be homeless and asks for a room. Though it isn't quite proper, she agrees. Olivia doesn't know that he's an art thief and has a girlfriend. She falls in love with him, and Mark seduces her into a life of crime and betrayal by having her take advantage of her wealthy, frail friend Susan (Geraldine Fitzgerald). Olivia and Mark steal from Susan's husband (Raymond Huntley). And that's not all.

Pretty good film, though it was a bit of a stretch for me to believe missionary Olivia going over to the dark side so quickly. All of the actors give good, solid performances, with Huntley and Fitzgerald standouts. Milland could play a con artist well, and Todd is enigmatic as Olivia, a woman with deep emotions beneath the surface. Leo G. Carroll plays a detective who preys on Olivia's conscience.

The movie is very dark and atmospheric. Some of the best scenes are in the last fifteen minutes. Recommended.

It's not too often that likable RAY MILLAND played a downright villain or rogue, but he uses his roguish charm quite as well here as he would eventually in Hitchcock's DIAL M FOR MURDER. He plays a hard on his luck artist who lures ANN TODD into a romance, while she's unaware that she's a mere pawn in his game to steal money from her friend's husband. GERALDINE FITZGERALD is the woman friend and she, as usual, shines in support.

But it's really a film carried by Milland and Todd and they play against each other very well. The only weakness is that it's difficult to see why a woman as intelligent as Todd would fall so easily for the scheming Milland and then agree to do some dirty work on her friend's husband.

It's a Victorian crime of passion that takes its time in setting up the characters and the situations, but once the plot gets under way the viewer becomes involved in the story, thanks to some good direction, script and photography which gives a realistic feel to the gritty story with a downbeat ending.

Atmospheric and well worth watching for the little nuances along the way.

... since it could refer to both or either main characters Olivia Harwood (Ann Todd) and Mark Bellis (Ray Milland). The two outwardly seem as different as possible. They meet on a ship voyage from Jamaica to Britain when Olivia nurses Mark through a bout of malaria. She is penniless other than for a small property she owns in London and has been recently widowed. Her late husband, a missionary, died of malaria himself after the two had served in Jamaica for several years. Mark is a con man on the run, and out of funds he reluctantly has headed back to London - where he is also wanted by the law - to find those funds and get out of British controlled territory altogether.

At first Mark sees Olivia as just another mark for his cons and uses her attraction to him as a means of control. His actual girlfriend is a rather talkative floozy - Kitty - that he can only take in small doses. He does seem to prefer the quiet demeanor of Olivia, at least when he's got his thinking - or should I say plotting - cap on. However, Olivia begins to really enjoy the art of the con as taught to her by Mark and becomes an apt and inventive pupil. Their joint mark - an old school girl friend of Olivia's, the foolishly trusting Susan, played by Geraldine Fitzgerald, who is married to an adviser to the Queen. Olivia seems somewhat bitter that her life has turned out so impoverished when she was the brightest girl at school while the dim-witted Susan has the world at her feet through the accident of marriage. She uses this perceived inequitable outcome as justification for her actions.

Mark's feelings then become somewhat confused. He begins to have actual feelings for Olivia as he begins to realize that she is as cunning and lethal as he - she just needed a push to get her to have the courage of her lack of convictions.

This one has many interesting twists and turns, however do remember that this is a British production and is therefore probably going to seem somewhat understated for American fans of 40's noir. If you can understand that I think you'll like this one a great deal. I know I did.

Widowed Ann Todd (Olivia) returns from Jamaica from her Missionary work and smoking loads of ganja to live out her life in her Kensington house where she rents a room to prudish busy-body Muriel Aked (Miss Shoebridge). On her trip back to the UK, she made friends with thief Ray Milland (Mike) who now shows up at her house looking for lodgings. She is unaware of his past and takes him in, but he has ulterior motives. He flatters and charms her until she falls in love with him and agrees to go along with his plans to blackmail the household of Todd's wealthy school friend Geraldine Fitzgerald (Susan) who is married to the bullying and socially-aspiring Raymond Huntley (Henry). However, things don't go to plan…..

The film develops at a leisurely pace and it seems a bit too long, but it is worth it for the final third when the tension starts to increase, and I certainly did not expect the final outcome when Todd and Milland meet up to make their getaway. I found it to be a satisfying conclusion which may leave you on a bit of a downer but it is effective melodrama.

The acting is good with a special mention to Ann Todd. She convinces as a vulnerable widow as well as a broken-hearted woman who is out for revenge. Milland's girlfriend Moira Lister (Kitty) also does well in one of the smaller roles and she is crucial to the way the story pans out in the end.

There is an atmospheric setting of Victorian London and the story is based on a true incident which all adds to the interest. It's a film that is worth seeing if only as a warning against being unfaithful in love. Don't expect forgiveness.