Romance on the High Seas

Watching Romance on the High Seas I could have sworn that the Brothers Warner hijacked one of the plots of an RKO Fred Astaire-Ginger Rogers film. It's got that kind of silliness in the plot, the usual case of mistaken identities and false suspicions that characterized the Astaire- Rogers films.

Don DeFore and Janis Paige are a couple each of who swears the other is cheating. When a mix-up from a travel agency in passport photos where Paige's is exchanged for Doris Day's she contacts Day and offers to pay Day's way on a South American cruise if she just travels in Paige's name. She wants to catch DeFore cheating.

Of course DeFore goes one better. He hires private detective Jack Carson to go on the trip and catch Paige cheating. Of course he latches on to Day.

If you are a fan of Astaire-Rogers films you know exactly where this one is going. Romance on the High Seas has all the ingredients of one of their films except the dance numbers.

It doesn't lack for a good musical score though. Jule Styne and Sammy Cahn came up with a good one where Day sings several songs, including the Academy Award nominated, It's Magic. It's Magic lost that year to Buttons and Bows. It's Magic happens to be a favorite one of mine of Doris Day hits.

Doris firmly establishes her image in this one. She's so radiant and sings so well, I can't believe she was a third choice for this film behind Judy Garland and Betty Hutton.

If you hear violins coming from some unknown source it will be the magic when you're watching Romance on the High Seas.

It's hard to believe 'Romance on the High Seas' is Doris Day's first flick. She's awesome in a role originally intended for Betty Hutton--and everyone has a great time poking fun at manners and morals in this breezy sea breeze of a farce.

When Day and Jack Carson aren't coming up with one-liners, she takes time to sing some nifty tunes--among them, 'Put 'Em in A Box', 'It's You Or No One' and, of course, 'It's Magic'. Her rendering of the latter song in a Cuban nightclub is one of the highlights of the film--and her career. Never has she expressed the simple emotions of the lyric more beautifully with a honey of a voice that is always directly on pitch, warming the heart with great phrasing and tone. And her comedic skills are already in evidence here.

Especially enjoyable is her first night on board the cruise ship when she and Carson mistakenly dress up. "Nobody dresses on first night shipboard," Carson tells her. Posing as a society lady, she asks in cultivated tones, "Really? Don't they get chilly?" She turns and peers into the dining room. "This I gotta see!" she says in her own voice. She uses the cultivated tones to disguise herself as society lady (Janis Paige) whose identity she has taken.

The slim plot revolves entirely around the mistaken identity theme and it's all played for laughs with lots of punch lines. Doris has an amusing scene with the fabulous Eric Blore as a doctor who comes to check on her "illness" and ends up feeling weak when she checks his pulse.

Janis Paige, Don de Fore, S.Z. Sakall, Oscar Levant and the usual Warner Bros. stock players are all adept at this sort of thing. Highly amusing comedy with some great songs--easy to take and always good for a few laughs. Doris Day at the peak of her form.

In this Technicolor musical rom-com from Warner Brothers and director Michael Curtiz, married couple Michael (Don DeFore) and Elvira Kent (Janis Paige) have been together 3 years but they still don't trust one another. When Michael cancels their anniversary cruise to South America at the last minute due to business, Elvira doesn't believe him, so she concocts a dubious plan: she'll tell Michael that she's going on the cruise by herself, but will send nightclub singer Georgia Garrett (Doris day) in her place. That way Elvira can stay in New York and watch to see if Michael is cheating. However, Michael hires private investigator Peter Virgil (Jack Carson) to go on the cruise and watch to see if Elvira is cheating. Mistaken identities and blossoming romance produce havoc and laughter.

This mildly amusing confection was Doris Day's movie debut, and her persona is a bit different from her later "virginal" image. Here she's a distinctly blue collar dame, with attitude and some rough edges. She's still likable, and clicks with Carson. The color cinematography pops, and there are some nice set designs. The movie earned two Oscar nominations, for Best Score (Ray Heindorf) and Best Song ("It's Magic").

"You sigh the song begins, You speak and I hear violins---It's Magic."

Doris sure captured us all under her spell in her first role as Miss Georgia Garrett in Romance on the High Seas. Georgia is a singer hired by socialite, Mrs. Kent (Janis Paige). Mrs. Kent has suspicions that her husband is cheating on her when he backs out of a trip. She hires Georgia to go in her place on a cruise to South America. Mrs. Kent then is free to spy on her husband. Mr. Kent (Don DeFore) meanwhile has hired a private detective, Peter Virgil (Jack Carson), to trail his wife on her cruise. Talk about lack of trust! The highlight of the film, for me, is when Georgia, posing as Mrs. Kent, and Peter go ashore. They are seated and Georgia begins to sing "It's Magic." It is just beautiful! Soon, Peter and Georgia begin to fall for each other. As this is his client's "wife", Peter knows that this is a no-no. But, have they fallen too far under the spell? **A great cast-Doris Day, Jack Carson, Janis Paige, Don DeFore, and of course SZ Sakall **Terrific songs-"Put 'Em in a Box", "It's Magic", "It's You Or No One", "I'm in Love", "The Tourist Trade", and "Run, Run, Run" **Great dialogue This movie has it all! A must see! Be captivated-it truly is MAGIC!

Fortune certainly smiled on the talented Doris Day when she landed her first movie role in this typical late-Forties musical comedy confection. She looks great, sounds terrific and acts with confidence, supported by the best that Warner Brothers could muster (except for the annoying Oscar Levant, an all-time UNfavorite of mine). And, as always, the Warners music department and sound technicians provide a wonderfully lush treat for the ears.

Turner Classic Movies, bless 'em, occasionally hauls this one out of their vaults and it's fun to see it uninterrupted and causing one's TV screen to glow with that particularly cool, yet warm at the same time, three-strip Technicolor that Warners seemed to specialize in before Warnercolor's less vibrant tones decorated the studio's color output. Of course the clothes, the elaborately formal sets, and those hairdos (Could any woman back then achieve those coiffures without the aid of a platoon of hairdressers?) all are quintessentially Hollywood just before the Fifties demanded that everything look very modern and somewhat more sleek. But as a way to enjoy a bit of still very entertaining nostalgia, this one is hard to beat!