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The Return of October

  • 1948
  • Approved
  • 1 घं 38 मि
IMDb रेटिंग
6.1/10
302
आपकी रेटिंग
Glenn Ford and Terry Moore in The Return of October (1948)
ComedyDrama

अपनी भाषा में प्लॉट जोड़ेंTerry Moore believes her late uncle reincarnated as a racehorse named October. She's tried for insanity, attracting a psychologist's interest. He writes a book about her case and falls for h... सभी पढ़ेंTerry Moore believes her late uncle reincarnated as a racehorse named October. She's tried for insanity, attracting a psychologist's interest. He writes a book about her case and falls for her.Terry Moore believes her late uncle reincarnated as a racehorse named October. She's tried for insanity, attracting a psychologist's interest. He writes a book about her case and falls for her.

  • निर्देशक
    • Joseph H. Lewis
  • लेखक
    • Melvin Frank
    • Norman Panama
    • Karen DeWolf
  • स्टार
    • Glenn Ford
    • Terry Moore
    • Albert Sharpe
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.1/10
    302
    आपकी रेटिंग
    • निर्देशक
      • Joseph H. Lewis
    • लेखक
      • Melvin Frank
      • Norman Panama
      • Karen DeWolf
    • स्टार
      • Glenn Ford
      • Terry Moore
      • Albert Sharpe
    • 9यूज़र समीक्षाएं
    • 6आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 2 जीत

    फ़ोटो14

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 7
    पोस्टर देखें

    टॉप कलाकार60

    बदलाव करें
    Glenn Ford
    Glenn Ford
    • Prof. Bentley 'Bass' Bassett Jr.
    Terry Moore
    Terry Moore
    • Terry Ramsey
    Albert Sharpe
    Albert Sharpe
    • Vince the Tout
    James Gleason
    James Gleason
    • Uncle Willie Ramsey
    May Whitty
    May Whitty
    • Aunt Martha Grant
    • (as Dame May Whitty)
    Henry O'Neill
    Henry O'Neill
    • President Hotchkiss
    Frederic Tozere
    • Mitchell
    Samuel S. Hinds
    Samuel S. Hinds
    • Judge Northridge
    Nana Bryant
    Nana Bryant
    • Cousin Therese
    Lloyd Corrigan
    Lloyd Corrigan
    • Attorney Dutton
    Roland Winters
    Roland Winters
    • Colonel Wood
    Stephen Dunne
    Stephen Dunne
    • Prof. Stewart
    Highland Dale
    Highland Dale
    • October
    Eddie Acuff
    Eddie Acuff
    • Stable Boy
    • (बिना क्रेडिट के)
    Charles Edward Adams
    • Auctioneer
    • (बिना क्रेडिट के)
    Murray Alper
    Murray Alper
    • Little Max
    • (बिना क्रेडिट के)
    Edit Angold
    • Spectator
    • (बिना क्रेडिट के)
    Polly Bailey
    • Pekinese
    • (बिना क्रेडिट के)
    • निर्देशक
      • Joseph H. Lewis
    • लेखक
      • Melvin Frank
      • Norman Panama
      • Karen DeWolf
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं9

    6.1302
    1
    2
    3
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    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    6bkoganbing

    Broadway Deeds

    Since Mr. Deeds Goes To Town and Broadway Bill were owned by Columbia Pictures, I'm figuring that Harry Cohn thought he could do just about anything he wanted with those two Frank Capra classics. But it might have been nice if Capra and authors Clarence Buddington Kelland and Damon Runyon got some kind of acknowledgment in the credits for The Return Of October. Elements of both films are combined in the plot of The Return Of October.

    Young Terry Moore has grown up around racetracks being raised by her uncle Willie played by James Gleason who is a track character. All his life he's wanted like millions of other owners to own and train a Kentucky Derby winner. But he dies before he accomplishes the goal.

    Ms. Moore goes to live with her rich aunt Dame May Witty in what was her farewell screen role, but can't keep away from the track. With the help of Deeds like psychology professor Glenn Ford she buys a race horse who with certain mannerisms and incidents Moore thinks is James Gleason returned.

    Ford's got those publish or perish problems that university professors perennially have and he hits upon the idea of publishing a paper on Terry Moore's obsession about the horse being her reincarnated uncle. In this he's unwittingly used like Jean Arthur's articles to bring Gary Cooper down by some unscrupulous relatives of Moore and Witty when Witty passes away.

    If you've seen Mr. Deeds Goes To Town and Broadway Bill you know exactly where this whole story is going and how it will end.

    The Return Of October does not come anywhere near being the classic that either of those films does. It still is an enjoyable fantasy with a lot of very good players penciled into parts that fit them well. I'm only sorry the story called for James Gleason to die so soon because he's always fun.

    One of the great Hollywood stories that Frank Capra told was how Harry Cohn had stuck Capra's name on another film from Columbia to boost it in overseas markets. This caused Capra to leave Columbia when his contract was up, but the real upshot of that story was that Cohn would not even see that he did anything wrong.

    Bearing that in mind it certainly is easy to see how Cohn could take two Capra classics and rework them and not give Capra nor two distinguished authors any credit at all.

    The film was shot at Santa Anita racetrack with some establishing shots of Churchill Downs for the climax.

    The Return Of October is no classic, but a pleasant piece of entertainment in any event.
    bedlam6

    First movie using real jockeys

    I think it is interesting to know, and most people don't, but this was the first movie using real jockeys in the horse-racing scenes. My father was one of those jockeys, James Cassity. I have never seen this movie. If anyone knows how I can get a DVD of this I would greatly appreciate it. A lot of the horse-racing movies from this era were campy and by todays standards, the acting is probably quite lacking, especially because a lot of the information about the racetrack was not accurate; this is one of the reasons that I would love to be able to see this movie. Not only because my father was in it, but to see just how accurate they were in portraying the the racetrack portions of it.
    6moonspinner55

    "Ahh, don't be a schnookle!"

    Pleasing piece of yesteryear, a whimsical, contrived, and often extremely silly comedy from (of all people) director Joseph H. Lewis. Terry Moore is brash and appealing playing a headstrong, stubborn eighteen-year old girl facing a sanity hearing after her boyfriend, a campus psychologist, publishes a paper detailing her 'delusional' belief that a racehorse named October is her beloved deceased uncle come back to life; her relatives, greedy sorts who have been cut out of the last will of the lass's eccentric aunt, hope to put the kid away, but all she really wants is to race the horse in the Kentucky Derby! Typically overstuffed screenplay by Norman Panama and Melvin Frank has lots of lickety-split talk, a courtroom sequence played at breakneck speed, but much affection for its characters as well. Moore, with her red hair, wide eyes and fashionable jodhpurs, looks like Nicole Kidman's sassy kid sister; she often struggles with her reactions, and she's so alert that at times she appears to be staring blankly, however she acquits herself nicely with this role, and her romantic scenes with Glenn Ford are sweetly screwball. The big race finale isn't given the same care as the rest of the picture (it's pushed along and then cut a bit short), but then this isn't a teary, sentimental piece and the sub-plots are neatly tied up. Good fun! **1/2 from ****
    2planktonrules

    Is she cute and spunky or just obnoxious and annoying...you'll have to decide for yourself.

    I am very surprised by the reviews for "The Return of October", as they are mostly positive. None of them really say that it's a bad movie...and i sure feel it really is pretty bad and embarrassing to watch!

    Terry (Terry Moore) is a young woman being raised by her uncle who loves horses and horse racing. The old guy is pretty sick, however, and soon dies. As for Terry, she soon sees a horse at an auction and almost immediately assumes it's her uncle....reincarnated as a horse!

    Now this is NOT the only strange things about Terry. When she meets up with Professor Bassett (Glenn Ford), their 'meet cute' is pretty awful...with Terry accusing him of stealing $5 from her and calling a cop on him AND getting him a speeding ticket...both of which are HER fault. In fact, every time he's around Terry, the poor Professor ends up having his life disrupted...including getting him to buy that race horse. She promises to repay him but can't...and to recoup the university's money he spent on the 'uncle', the university agrees to not fire him IF he writes a paper about this kooky young woman. What no one knows is that Terry's extended family are crooks and they're going to use her delusion to have her institutionalized.

    This film makes "Mr. Ed" seem like an episode of "Masterpiece Theatre"! Why? Well, the film is so frequently kooky and utterly ridiculous by comparison. I just cannot believe the folks in the movie could do this without feeling a LOT of embarrassment.

    Now I am NOT saying this story might not have been able to work. Heck, I enjoy the Francis the Talking Mule movies...and they are pretty silly. But the writing for Moore's character, in particular, makes her seem less kooky and cute and more just annoying and obnoxious. Her delivery throughout the story sure didn't help either. Overall, a film just too silly for me to take seriously in any way...and one of Glenn Ford's films I am pretty sure he regretted making. How could he be proud of this...and, especially, his courtroom theatrics towards the end of the movie!
    7richardchatten

    "C'mon Uncle Willie!"

    Despite it's innocuous title, 'The Return of October' was definitely a joker in the pack of the career of Joseph H. Lewis.

    Columbia had seen fit to lavish a handsome Technicolor production on this innocuous piece of whimsy, which although often erroneously described as a fantasy owes more to the thirties comedies of Frank Capra and more recent productions like 'Miracle on 34th Street'; complete with a concluding courtroom scene on behalf of a ghoulish trio of in-laws set on proving the heroine - who as played by Terry Moore probably owes much to Katherine Hepburn in 'Bringing Up Baby in being similarly oblivious to the havoc she wreaks - delusional and thus mentally incompetent to inherit Aunt Martha's fortune.

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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Last film of May Whitty.
    • गूफ़
      Hal Mohr is a cinematographer, not track announcer.
    • कनेक्शन
      Featured in The Soundman (1950)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 26 अक्टूबर 1948 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • A Date with Destiny
    • फ़िल्माने की जगहें
      • Santa Anita Park & Racetrack - 285 West Huntington Drive, अर्काडिया, कैलिफोर्निया, यूएसए(race track)
    • उत्पादन कंपनी
      • Columbia Pictures
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 38 मिनट
    • पक्ष अनुपात
      • 1.37 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Glenn Ford and Terry Moore in The Return of October (1948)
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    By what name was The Return of October (1948) officially released in India in English?
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