The Paleface

An enjoyable comedy western featuring the formidable, if different talents of its leads Bob Hope and Jane Russell. Hope plays his customary cowardy-custard character, a travelling dentist of all things named "Painless" Potter alongside Russell's mannish Calamity Jane as they seek to foil the baddies' nefarious plan to arm the Red Indians, but pay no attention to the plot, just like the two stars, and instead enjoy the fun romp they gleefully rampage through.

Filmed in glorious Technicolor, the film makes ample room for running gags, like Russell's hammer-like kisses and Hope getting pulled out of his wagon-chair every time he gees up the horses, but is best served by Hope and his ad-libs and one-liners (sample:- Hope trying to act tough at the bar - "Give me four fingers of red-eye - and throw in a thumb too!"). The funniest extended scene is probably when Hope and a hot-shot rival stalk each other around town before their shoot-out. The humour trails off somewhat in the last third when the comedy gets too cartoony and slapsticky but there's still some compensation as Russell's glacial heart melts towards her oafish husband.

Sure the treatment of the Red Indians / Native Americans is about as un-PC as you can get, but the real villains are the white guys and along the way Hope gets to sing the catchy singalong "Buttons and Bows". Popular enough to beget a sequel "Son Of Paleface" a few years, this is one of Hope's best comedies sans-Crosby and also demonstrated Russell's comedic talents at the same time.

This works pretty well as a showcase for Bob Hope's comedic and other talents. While it's hardly anything to take seriously, it allows the ever-likable Hope to be himself and to make use of the opportunities for one-liners, sight gags, and a song or two, including his "Buttons and Bows". The story is exaggerated enough to render moot most questions of believability or character motivation.

Hope is in good form, delivering his lines well and in a style that keeps things light-hearted while not pushing it too far. His role as 'Painless' Potter suits him well, and he is able to carry much of the movie by himself. That is fortunate, since most of the rest of the movie is rather slight. Jane Russell starts off well enough, but it's not long before she has little new to offer, and her character is left with some unfulfilled potential. The other characters are mostly one-dimensional to begin with.

Then again, this kind of feature is not really meant to be analyzed. It gives Hope a chance to deliver his easygoing style of comedy, and should just be taken as such. It also worked well enough to provide the basis for a pretty good sequel.

I confess a weakness for the Bob Hope of the '40s - cute, funny, and guileless. His cowardly persona played well in many films.

"The Paleface" is the story of Calamity Jane (Jane Russell) being broken out of jail and offered a full pardon by the government if she can track down who is running guns to the Indians. Unfortunately, the man who is to accompany her on the wagon train to investigate is murdered. While running from people out to get her, she ends up in the office of Painless Peter Potter, a dentist who has to use a manual when he's working on a patient. He has his own wagon; Jane recruits him to marry her and join the wagon train.

Hope and Russell are great together. She's gorgeous in color wearing a variety of costumes. Hope is very funny, and he gets to introduce the song "Buttons 'n' Bows." One of the best scenes is Painless Peter trying to pull a tooth; another is an Indian who inadvertently inhales Peter's laughing gas.

Not exactly politically correct by today's standards, but it's still fun and wonderful to see these classic film stars, whose number is dwindling with alarming speed.

Gunslinger and criminal Calamity Jane is released from prison by the Governors in exchange for her help with a problem. Someone is selling guns and dynamite to the Indians and other agents have been killed trying to find out who – only someone like Jane can get close. When her partner is killed she has no-one to act as her husband and help her travel incognito. She happens across a cowardly dentist, Painless Peter Potter, and she marries him in order to get a ride to Buffalo. However, can she keep him out of trouble long enough to find the dynamite?

Bob Hope may be 100 years old as I write this but he has been out of movies for quite a few years, also he only tended to make one type of film and play the same part in each one. So the appeal of this film very much depends on whether or not you like that. Personally I love Bob Hope and enjoy him even when he is in a weak film. The Paleface is one of his best films simply because it is a good piece of all round entertainment. It has a good central plot that stops the film just being a vehicle for him to do his stuff and instead is actually going somewhere.

The songs are quite nice but also there's only really two so it doesn't slow the film down too much. I do like the odd musical number but some Hope films had 5 or more songs in a 90 minute film, which was way too many. Hope is on good form, his asides and jokes work better in a good plot and he is very funny throughout. Some routines work better than others but if you are a fan then you'll like his style even when it isn't as funny as you'd hope. Russell is a good leading lady despite being a bit serious and then softening too quickly. The support cast are all in the background and the Native American clichés can be explained by the period and not racism.

Overall this is a very enjoyable film that works well because it allows Hope to run free within a good film instead of simply letting his performance be the film. He wisecracks his way along and it is easy to see why his light comic style has made him an icon even with a generation who have found him on their television and not the big screen.

The movie, as I recall, was a smash hit, along with the catchy "Buttons and Bows" musical number. It's also one of Hope's best roles. He's Painless Potter, dentist extraordinaire; just don't let him anywhere near your teeth, or anything else, for that matter.

As bumbler-in-chief of about everything, Painless muffs one funny challenge after another, as fashioned (in part) by the imaginative Frank Tashlin. There's also a couple of Bob's gag writers credited, so the one-liners fly as fast as Tashlin's sight gags (for example, the occasional comic strip blurbs cartoonist Tashlin was noted for). At the same time, the complicated plot is just a handy rack for Hope to hang his polished shtick on. And catch that final gag with Bob's breaking character with an aside to the audience that just about sums things up.

But instead of Crosby to pair up with, Bob has the luscious Jane Russell, and while she may not be as funny as Bing, I love it when Painless mistakes an Indian for her on their wedding night. (Note how the screenplay marries them early on, thereby avoiding censorship problems. Note too how her buxom measurements are downplayed, likely a concession to the expected family audiences.)

I don't know if there's a downside since it's a funnyman romp all the way. Maybe, for me, a downside is finding out from IMDb that Iron Eyes Cody, such a great Indian, is not an Indian at all, but was instead born in Italy. Oh well, it's all Hollywood make-believe anyway, so who cares since it's a darn amusing movie, Italian Indians or no.