My Dear Secretary

"My Dear Secretary" is an odd film, as the first and last portions of the film vary so much in quality. The first is brisk and funny--the second is very slow and completely different. It's too bad because if the film could have maintained its pace, it would be an excellent and enjoyable picture. Instead, it's just frustrating to watch.

The film begins with Laraine Day being hired as a secretary to a successful writer. She's excited by this but her excitement soon wanes as she sees that her new employer (Kirk Douglas) is a very immature and undisciplined guy. Again and again, instead of working on his book, he takes the secretary and his friend (Keenan Wynn) out gambling and on spur of the moment vacations!

Despite this portion of the film being hard to believe, it was quite funny--particularly for Wynn, who provided wonderful support. However, completely out of the blue, Day (who is rather conservative) marries Douglas--a wedding that makes absolutely no sense at all. And, as if the unlikelihood of the pairing also threw the writer, the film just languished and stopped being funny. Instead, the marriage soon begins to fizzle and Douglas' attempt to write his next great novel seems to be a bust. There's more to it than this--including Day becoming a great writer herself and a divorce--but none of it made much sense or kept my interest.

Rarely have I seen such an uneven film. I wanted to like it a lot more than I did and can say it's, at best, just an amiable time-passer and nothing more.

The hitherto under-publicised film; My Dear Secretary (1949) illustrates that lead film stars were often there as a marketing tool such as in this example of Kirk Douglas, while the real talents were the character actors, such as in the case of the multi talented Keenan Wynn - see this versatile actor in his highly adept sinister role in Kind Lady (1951). In other words Wynn is the driving force of this film as opposed to the star attraction. In this film Wynn is the comedic talent to the drab cliché straight man role of Douglas'.

Douglas here plays the role of Owen Waterbury, the egotistical writer with a misogynistic womanising streak. In this respect it could be said that Douglas was playing himself. This egotistical persona was merely exacerbated for Douglas' later heroic roles such as in Spartacus (1960). Like his role in Sparticus, in My Dear Secretary,Douglas likes to show off his masculine torso when he puts his shirt on minus vest. This is somewhat of a tribute to Clarke Glable's famous vestless scene in; It Happened One Night (1934).

Douglas' role of the writer Waterbury uses the secretarial school as a licence to his womanising ways, making passes at them and auditioning them for the role of wife, of which is eventually awarded to Stephanie Gaylord (Laraine Day) who plays his bland, docile, door mat wife. That is until she comes into her own with her own award winning novel. This culminates in the roles being reversed as Waterbury becomes the subordinate partner in their marriage. In this respect the film's denouement was ahead of its time, illustrating women as not only a success in their own right, but as the matriarchal head of the family.

Though the acting parts of Douglas and Day were stereotypically bland, the supporting cast are outstanding in their respective roles. This is especially attributed to Wynn. He alone makes the film a must see. Of course, the great Irene Ryan (Mary, the housekeeper) is adept at scene stealing in her minor role.

In sum, this is a film of talented characters with bland stars.

One of my favorite comedies because of the character actors. Keenan Wynns very best droll efforts as the songwriting best friend and neighbor of Kirk Douglas; Florence Bates, a busybody as the owner of the apartment building where they live; Irene Ryan, the building maid who sings "Sniff, sniff where's your handkerchief; kerchoo, kerchoo, gazundheidt to you; Let yourself go and blow; Oh, let youself go and blow" Wynns latest song; Helen Walker, one of Kirks secretaries; Rudy Vallee, as Day's former boss; and Alan Mowbray as the dense detective Kirk hires to watch Day.

As in all screwball comedies, the story is just a framework for the characters to do and say their funny business. And they don't dissapoint. Douglas is a writer who has had a successful first novel and goes to a college to give a class and meets Day who is there as a student, and he hires her as his new secretary. When she arrives the next day, after quitting as Vallee's secretary, Walker goes up in the elevator with her to retrieve her belongings because she has just quit as the last secretary. It gets crazier as Wynn answers the door and receives a slap from the mother of one of the girls Kirk has just interviewed, which he immediately passes on to Kirk. Wynn spends most of his time at Kirks trying recipes which he is hilarious preparing, but no one ever dreams of eating.

More complications and silly goings on but it is all fun and is still one of my favorite videos, which I just watched again today. My rating: 8/10.

My Dear Secretary proved one thing in the career of Kirk Douglas, comedy was not his strength.

Kirk Douglas has made a career of playing dramatic and egotistical heels, but in this case the director didn't keep him under control. I could not believe that Owen Waterbury could have anyone other than himself fall in love with him.

Plot such as it is has Laraine Day as a student becoming enthralled with writer Kirk Douglas's lecture at her night school and then going to work as his secretary. She's a budding writer also and I think you can see where the rest of this film is going.

There are some nice performances from some of the supporting players. One has to single out Keenan Wynn as Douglas's neighbor and partaker in merriment.

If My Dear Secretary was done today, Wynn's character would be openly gay instead of it just being hinted at. As it is, he camps it up to beat all the Boys in the Band.

Where has this movie been hiding all my life? Picked it up cheaply mainly to see what a young Kirk Douglas was like, not being a particular fan of his much acclaimed later work. This is a screwball comedy that is really funny, not just because of the situations but with jokes too. I sat wide eyed through much of this barely able to believe what was being said, was indeed being said. Douglas is great and Laraine day fine but Keenan Wynn, perhaps a little influenced by Grouch Marx, is fantastic. Some really great lines and gags and only a little slapstick, mainly surrounding his attempts at domesticity. No boring passages, this is a solid romp from start to finish.

PS Just one thing, my copy is a PAL Region '0' Dynamic Entertainment release on DVD and has a poor snowy picture and a barely tolerable 'ringing' soundtrack. There seem to be various 'public domain' releases, does anyone know of a decent copy?